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Shakespeare: An Introduction: Ideas in Profile, by Paul Edmondson
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Ideas in Profile: Small Introductions to Big Topics
Shakespeare is the world's greatest writer. In this lively and authoritative introduction, Paul Edmondson presents Shakespeare afresh as a dramatist and poet, and encourages us to take ownership of the works for ourselves as words to be spoken as well as discussed. We get a wide sense of what his life was like, his rich language, and astonishing cultural legacy. We catch glimpses of Shakespeare himself, how he wrote and see what his works mean to readers and theatre practitioners. Above all, we see how Shakespeare tackled the biggest themes of humanity: power, history, war and love.
Shakespeare scholar Paul Edmondson guides us through the most important questions around Shakespeare and in the process reminds us just why he is so celebrated in the first place.
- Sales Rank: #1500547 in Books
- Published on: 2015-09-15
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .30" w x 4.90" l, .84 pounds
- Binding: Paperback
- 224 pages
Review
I cannot imagine a better introduction to the whole Matter of Shakespeare - learned, elegant, highly original and endlessly entertaining too. -- Jan Morris Paul Edmondson's new book has all the virtues you look for in a first-rate introduction to Shakespeare's life and work. Informed, witty, up-to-date, and beautifully written, it's packed with the sort of information about Shakespeare's plays that readers care about most. -- James Shapiro, author of 1599: A Year in the Life of William Shakespeare Lively and highly accessible, Paul Edmondson's little book is a terrific introduction to Shakespeare, notable for its attunement to the theatre and full of valuable advice in such areas as reading Shakespeare aloud - something we should all do much more often. .? -- Jonathan Bate, author of The Genius of Shakespeare Edmondson covers the biographical ground succinctly, as well as discussing the plays and poetry in a style that's discreetly authoritative ... his writing is witty and humane. Spectator A great introduction Catholic Herald In this engaging little book Paul Edmondson tells us just about everything we ever wanted to know about Shakespeare and his writing, and then some more. His survey of the dramatist's life is succinct and instructive. He deftly marshals the main known faces while keeping an open mind about some of the more authentic-sounding 'anecdotes'. He has an unerring eye for tantalizing might-have-beens of the Shakespeare life story ... Illuminating ... It should be recommended reading for all who want to know more about Shakespeare as well as for those who think they already now him well. -- Rene Weis Around the Globe Paul Edmondson's small but perfectly formed Shakespeare is a charming and splendidly illuminating beginner's guide, not without some recondite gems ... Edmondson's playful fluency certainly convinced me that the pursuit of Shakespeare "is a justifiable hedonism". -- Peter J Smith Times Higher Education Excellent Church Times
About the Author
Paul Edmondson is Head of Research and Knowledge and Director of the Stratford-upon-Avon Poetry Festival for The Shakespeare Birthplace Trust. He has published numerous articles and books on Shakespeare and speaks at academic conferences and other Shakespeare related gatherings around the world. He is a trustee of The Rose Theatre and Chair of The Hosking Houses Trust for women writers.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great for Shakespeare newbies and veterans alike
By Mya Gosling
Having spent a great part of my life engaged with Shakespeare's works, I didn't really think I would find anything new here, but Edmondson's thoughtful analysis and clear presentation raised points that have enhanced my appreciation of Shakespeare. His penultimate chapter on "Encountering Shakespeare" was particularly fascinating, as it discussed the importance of performance and theatre-going.
The portion of Edmondson's book that I got the most out of was his section on speaking Shakespeare, in which he gives advice on how to speak Shakespeare's language, specifically his sonnets. I have always been enamored of Shakespeare's language, but, being an inherently frivolous person, I have never really slowed down enough to properly consider and appreciate its poetry. I have also rarely read any of the sonnets, and never out loud. However, Edmondson's six-point guide to reading a sonnet out loud was so clear that I am tempted to make sonnet recitation a regular part of my day.
The bottom line is that Edmondson has managed to compose a introduction to Shakespeare that genuinely enhances appreciation of Shakespeare not only in newcomers to his work, but in rather more world-weary Shakespearean veterans as well. I shall definitely be returning to this book as my own journey in Shakespeare continues.
0 of 0 people found the following review helpful.
I thinketh my friend William Shakespeare wouldst enjoyeth this book. Dost thou agree?
By STEPHEN PLETKO
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“This book is not primarily ‘about’ performance or criticism though both relate closely to how I understand and enjoy Shakespeare. Nor will it tell you the stories of the plays (except a few, incidentally, in passing).
But it will, I hope, explain what kind of writer Shakespeare is, where his work came from, why it matters, what he means to me, and why I think he is worth spending time with (though there is never any moral obligation to like his work).”
The above comes from this book by Rev Paul Edmondson. He is Head of Research and Knowledge as well as Director of the Stratford-upon-Avon Poetry Festival for The Shakespeare Birthplace Trust. He is also a trustee of The British Shakespeare Association.
(Stratford-upon-Avon is a town in Warwickshire, England, on the River Avon. It is the birthplace of playwright and poet William Shakespeare, 1564 to 1616.)
This book is touted as an “introduction” to Shakespeare (but curiously not by the author himself) but it seems to me to be so much more. As this book tells us about Shakespeare, I found it to be informed, witty, up-to-date, and well-written. It seems to whet the reader’s appetite for Shakespeare, not satiate it. This is good as Shakespeare should never be a duty.
The first chapter presents something of what Shakespeare’s life and career were like, the places he spent time in, some of the people he knew, and the world in which he lived. It gives an historical overview of the FACTS about his life avoiding assumptions. The next chapter looks at his writing process in the theatre (which was the shaping force of his imagination). Chapter three considers what he wrote. Shakespeare was a poet and thinker who wrote enduring plays as well as a dramatist who wrote equally-enduring poetry.
The fourth chapter details Shakespeare’s power as a dramatic poet through his depiction of thought and emotion by considering six topics: love, war, history, mortality, transgression, and forgiveness. The penultimate chapter considers performance as a way of encountering Shakespeare, the importance of theatre reviewing, and suggests how we might place ourselves as close as possible to his language by reading a Shakespeare sonnet aloud to ourselves. The final chapter answers to question “Why Shakespeare?”
This book is illustrated with drawings throughout that enhance the narrative.
Though not stated explicitly, this book may have been written to commemorate the death of Shakespeare 400 years ago. (He died April 23, 1616.)
Finally, the very beginning of this book presents a forty-six entry chronological listing of Shakespeare’s works with dates. While this is okay, I think it would have been more informative to divide this list into categories such as tragedies, comedies, histories, sonnets, lost plays, etc. Beside each entry in a particular category, important information could have been given.
For example, under the category “Comedies,” you might have this entry: “The Tempest (1610-11, Tragicomic Romance),” under “Tragedies,” you might have the entry “Troilus and Cressida (1602, Problem Play, Minor Play),” and under “The Sonnets,” you would have “1582-1609, 154 written.” (A sonnet is a type of poem of 14 lines.)
In conclusion, read this book to find out for yourself what all the fuss is about and if Shakespeare REALLY deserves his reputation. Or you can read this book to learn about the man who said we should:
“Speak what we feel, not what we ought to say.”
(First published 2015; a chronology of Shakespeare’s works; introduction; 6 chapters; main narrative 170 pages; further reading; notes; acknowledgements; index)
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