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Excerpt from Industrial Arts Design: A Textbook of Practical Methods for Students, Teachers, and Craftsmen

Place for the Book. As a textbook, Industrial Arts Design is a practical guide for designing in wood, clay, and base and precious metals. It is intended for individual student use in the High Schools, Normal Schools, and Colleges and as a reference book for elementary school teachers. Its more complex problems are intended as definite helps to the industrial arts designer or craftsman. The wood problems are treated with special reference to their adaptability to bench and cabinet work.

Need of the Book. It has been written to fill a decided demand for a textbook that shall, without loss of time, directly apply well-recognized principles of general design to specific materials and problems encountered in the Industrial Arts. A brief description of the decorative processes adapted to the materials under discussion with the design principles directly applying to these processes, insures designs that may be worked out in the studio or shop. It is hoped that this provision will eliminate the large number of impractical designs that are frequently entirely unfitted to the technic of the craft. This lack of mutual technical understanding between the teacher of design and the shop work instructor is the cause of friction that it is hoped will be removed by the methods advocated in these pages.

The Author's Motive. It has been the intention to reduce unrelated and abstract theories to a minimum and reach directly rules and conclusions that shall be applicable to typical materials in common use in the schools and industries. The original conception materialized in the publication of a series of articles upon Design in the Industrial Arts Magazine, in 1915. These articles were favorably received and their results in the schools proved highly satisfactory. Through this encouragement, the articles have been reprinted in book form, enriched by the addition of illustrations, review questions, and three chapters on color with its applications.

Industrial Arts Design develops the principles of industrial design in a new and logical form which, it is believed, will simplify the teaching of craft design. Chapters I to V deal with the elementary problems confronting the designer as he begins the first steps on his working drawing; Chapters VI to VIII show the methods by which he may express his individuality through contour or outline enrichment, while Chapters IX to XVII explain the treatment of the most difficult form of decoration, that of surface enrichment.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .56" w x 5.98" l, .79 pounds
• Binding: Paperback
• 266 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A key to Arts and Crafts design.
By Christopher T. Dahle
This is an old book and I had to read well into the fourth chapter before I figured out what the author was talking about. Then suddenly I realized that I was holding a guide book to arts and crafts design. I began to see that the author was talking about the proportions and design sensibilities of the Arts and Crafts movement and applying them to everything that might exist in the built environment, from book cases to motor cars. I've long been drawn to Arts and Crafts style houses, cabinets, and furniture, but had trouble creating my own designs to solve modern problems while retaining the lines and feel of the arts and crafts movement. Scaling a classic Stickley design to create, for example, a media cabinet, just wasn't working for me. I knew I needed to work from a fresh sheet of paper and not just copy or incorporate arts and crafts elements to get the Craftsman look.

With this book, I have another piece of the puzzle. It is a sort of exercise book that might have been used in secondary schools between the wars. It is hard to follow and presumably the students who used this also had an industrial arts instructor prodding them in the right direction. But after a while I found I really could figure it out, particularly if I read it while sitting at a drafting board with pencil and t-square instead of trying to doodle it out in Sketch-Up.

Neat little book.

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## PDF Ebook Introducing Joyce: A Graphic Guide (Introducing...), by David Norris

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James Joyce is one of the most famous--and controversial--writers of the twentieth century. The myth of his difficulty has discouraged many readers from works such as "Ulysses," but David Norris explores his life and work in this engaging and intellectually rigorous introduction.

• Sales Rank: #700684 in eBooks
• Published on: 2015-09-03
• Released on: 2015-09-03
• Format: Kindle eBook

About the Author
David Norris is an Irish civil rights campaigner, scholar, and independent politician. He is a former university lecturer.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Should be read BEFORE reading any of Joyce's works...
By A Customer
This is an excellent introduction to the life and writings of James Joyce, the former being essential to understanding the later, on any level. Mr. Norris's text and Mr. Clint's illustrations (which are actually rather functional) bring a sense of insight to any who attempt to take on one of the most complex writers in Western literature. The outline of "Ulysses" is excellent, and Mr. Norris even takes on the daunting task of begining to explain what has to be one of the most utterly demanding books ever, "Finnegan's Wake," and illustrates, literally, that it is not just some great joke or jibberish as others who probably have tried and failed to interpet, claim it is. And the keen advice from Mr. Norris, although rather pedestrian, disproves the popular notion of Joyce being unreadable. I would strongly recommend this and any of the other editions in this excellent series (I have since purchased, "Introducing Kafka.")

0 of 0 people found the following review helpful.
ENLIGHTENMENT - FINNEGANS WAKE to be Read and Read again for 10,000 years
By James C Brandon
Joyce, man of Letters, fluent in Languages, Traveler in circles high and low and places near and far, Scholar of knowledge, Prophet to Mankind.

Richard Appignanesi's, (etc...) reading of FW, Introducing Joyce..., provides insight into Joyce's granularity of FW. Joyce has thrown all Mankind's manifest gods/deities/idols into FW, in reading FW like circumambulating the Kaaba's 360 idols, each reader/author will find their own manifest god and if enlightened move on to the Unmanifest.

Joyce's Ulysses (is the story of a young man) whose framework is Homer's Odyssey: a tale of Modern-day Odysseus' personal existential/sexual quest overcoming his psychological internal travails (not Odysseus' external travails) affirming humanity (the fundamental family unit: the father, mother, son, and daughter). Joyce's FINNEGANS WAKE (is the story of a mature man) whose framework is Giambattista Vico's "La Scienza Nuova's" 4 stages of history (cyclic): theocratic to aristocratic to democratic to chaos (followed by Joyce's God "thunderclap") which ends chaos and restarts the world again with theocracy.

Both FINNEGANS WAKE (FW) and Ulysses are situated in Dublin (Ireland) and though both books were written on the European continent, Joyce memorializes his birth home. FW is Joyce's continuation of Ulysses on a grander scale: Bloom becomes All-Men (HCE) and Dublin becomes the World. Joyce's Ulysses (Bloom) is an energetic man hopping out of bed, plunging into the Dublin day, waging battles real and unreal, exhausted by controversy and rejuvenated by love (Molly). Joyce's FINNEGANS WAKE is man (HCE) ever-living, man of all wisdom, man of all compassion, man of all understanding, man of all time - Joyce's FW protagonist is Finnegan, who (re)incarnates to HCE, who will (re)incarnate to Shem and Shaun.

Reading FW is entering the "mind of James Joyce", who for two decades assembled his masterpiece - the mind of Joyce is the "library of mankind" he has reordered dictionaries, encyclopedias, and volumes of knowledge to reveal a mandala of Mankind's thoughts, conscious and unconscious, a revelation. FW is a volume to be Read and Read again for 10,000 years.

*4) FW ends "book IV" (Vico's chaos) with a half sentence "A away a lone a last a loved a long the" - the first words of FW is the second half of the sentence "riverrun,...".

1) The first chapter of FW's "book I" (Vico's theocratic) describes 1) Finnegan's passing (pedantic fall, an aeon ends), Joyce's God "thunderclap" restarting "book I" from ending "book IV" and 2) transition from Finnegan (his fertile historic home) to HCE (an invading Ulysses). The first 4 chapters of "book I" introduces readers to the father (protagonist HCE, his syncretic history and "folk" hearsay) and the second 4 chapters of "book I" are devoted to the women (who will catch her man) who becomes mother (HCE's wife ALP, her syncretic history and "folk" hearsay). Finnegan represents the archaeological "past" (a passing aeon) held by a forefather (a Brahma, Ireland's Brahmas / ants upon a whale carcass) with his wisdom of the history of all men and times. Finnegan passes his baton (his place in the fabric of the universe) to HCE now present in time with his particular past. The parents (HCE & ALP) are the new "present anchored by their particular pasts" in FW.

After 4 billion years of biological evolution, Here we are!, well, Where are we?, and, Where did we come from?; Our individual particular consciousness has been inherited from the past (a temporal space in an expanding consciousness), and, Biological evolution has divided us by sex (which induces Social evolution) to procreate offspring to fill our temporal consciousness when we expire:

- A Dublin wake for Finnegan (who passes, the past), the spurned wanting Prankquean (complement of male invader), and the disembarking of Humphrey Chimpden Earwicker (HCE, the present) and family. HCE's history, his shameful voyeuristic encounter in Phoenix Park (sexual trysts), his consequential undoing and its memorialized retelling (hearsay's meanderings / creations of folktale) "The Ballad of Persse O'Reilly". HCE is arrested in the "small hours" for disturbances at his tavern/home unable to enter his front gate/door (like Bloom in Ulysses), tried (for his life's deeds, HCE's Dzogchen Buddhist stance) and jailed (for his own innocent protection). HCE is resurrected from a metaphorical coffin (jail/hell, funeral's end to marriage's beginning) precipitating HCE's memories (Bloom's underworld excursion Ulysses ch Hades), HCE's spirits rally and a revealing (liberating) letter is introduced. Anna Livia Plurabelle's history of letters (Muse), written by his son Shem (Joyce), appropriated by his twin brother Shaun (carrier). Analysis of the ALP letter (cast/setting of FW) and the informing parable of "The Mookse, the Gripes and Nuvoletta" (Shaun stasis/space, Shem change/time, and Iseult evolution's direction). Shem's artistic nature (hardships as an enlightened "revealer") who evolves from father Justice to ALP's Mercy and reveals her letter(s). Two washerwoman gossip over ALP & HCE: ALP pursues her soulmate HCE and prepares her social "nest" by quashing the rumors of HCE, she is his better half and defender.

2) FW's "book II" (Vico's aristocratic) devotes itself to HCE & ALP's children: Shaun (extrovert, man of the world, stasis/space - like Sartre's BEING in "Being and Nothingness") carrier of the letter(s) and builder, Shem (introvert, artist, change/time - Sartre's NOTHINGNESS) revealer of the letter(s), and Iseult (daughter) gatherer and composer of letters. The children are the "present future" of FW.

Biological and Social evolution engenders parental responsibilities, to successful offspring, to continue and expand consciousness:

- Shem (Glugg, 3 advancing trials), Shaun (Chuff), and Iseult play (children's social world) in front of the family tavern chronologic games parodying their parent's lives. Shem (gifted Glugg), Shaun (Chuff), and Iseult ridicule their dated orthodox lessons and arrogant ossified professor (the past, adult world), Dolph's sexual revelations antagonize a perplexed Kev who blackens Dolph's eye, Issy self-reflects and composes letters, graduation pending the children will move past their parents to their own individual intellectual lives. HCE & ALP's children grow up (the present) in a raucous Feast of eating, drinking, storytelling, and a "free and open discussion of ideas" in the family tavern (HCE's ship) interrupted by "media announcements", HCE's defends himself with a self-deprecating apologia and latter his drunken collapse after the close. MaMaLuJo (ever-present local social Dharma), HCE asleep on the floor dreams of his (children's collegiate future) transferred romantic love, the tale of the interrelationships between King Mark/HCE, Tristram/Shem (and Shaun/Morholt) and the two Iseults (Queen ALP wife/mother and Princess daughter).

3) FW's "book III" (Vico's democratic) devotes itself to "what will be of" HCE & ALP's children's - the baton will be passed on (again) from HCE & ALP to: Shaun, Shem and Iseult (daughter). The children's "influences upon the world" is the "future generation" (presently unknowable) of FW.

Our offspring will inherit and evolve their Own individual particular temporal consciousness within their local (social Dharma, MaMaLuJo) community despite our efforts, our thoughts, our hopes, our dreams:

- HCE rises from the tavern floor to go upstairs to bed with ALP, he dreams of (his desired children's future adulthood) Shaun's unfolding career (carrier of the FW letter) promulgating its contents before MaMaLuJo from his child's ship (a barrel) and a prophetic Aesop's fable "The Ant, the Grasshopper, and the girls" (Shaun/space, Shem/time, the girls), Shaun's initial debacle. HCE dreams of a (more realistic future) mature Shaun's (second coming, Juan) adulthood of Western sermonizing (the FW letter, from manifest to Unmanifest) before his daughter Iseult and her 28 playmates, Issy moves toward enlightened womanhood and Shem (Dave) is designated as Shaun's Eastern enlightened paraclete. HCE dreams of his life's enduring "sins of the father" (Unmanifest contents of the FW letter, on his children's future) on transcendent Shaun's (Yawn, he too will recede into the archaeological past) life examined and prosecuted for the imperfect beliefs he inherited and promulgates (FW letter) by Four Old Inquisitors (MaMaLuJo, and a higher authority Brain Trusters "Unmanifest certified"), HCE is innocent, his life virtuous. HCE's dreamtime breaks, the interrupting nightmare cry of Shem (Jerry, who intrudes/interrupts his parent's sexuality), once Shem is comforted, HCE & ALP return to bed for late-night intercourse unsuccessful spiritually (transactional, condom male orgasm, female orgasm) and a nap.

*4) FW ends "book IV" (Vico's chaos) with HCE & ALP's lovemaking dissolution dream - awaiting Joyce's God "thunderclap" at the beginning of FW's "book I". A supposition may be made that Joycean Nirvana is attained by HCE (via Dzogchen Trekchö) and ALP (via Dzogchen Tögal) - realizing the heart of enlightenment in the present moment, transcending all defilements and fixations (beyond all dualistic polarities) so that their rainbow bodies are realized, unification with the Unmanifest (creation, incarnate conception) and Reincarnation (the baton has been passed on again) - Danis Rose and John O’Hanlon 2010/12 edition reveals the 4 stages of Trekchö and 4 visions of Tögal.

Ever-living Tree of sentient life (time/compassion) and Immutable stone (space/law), "Yet is no body present here which was not there before. Only is order othered. Nought is nulled. Fuitfiat!" Should we Aspire? Aspire to what? To that which manifested consciousness:

- The converging 4 stages of Trekchö and 4 visions of Tögal: The night has passed (all dissolves), the Lotus blooms (sunrise), a Christ/Krishna "Saint Kevin" is born illuminated by light (an aeon begins). Muta (native didicism) and Juva (invading docetism) observe Mankind's existential struggle "Archdruid vs St. Patrick" (Unmanifest / spiritual vs Manifest / deities/idols). "The Revered Letter" (FINNEGANS WAKE / Joyce's West/East Tibetan bardos). ALP (& HCE's) Nirvana revelation (Creation, Incarnate conception and Reincarnation), to end/restart again (Shiva's trident ending the world) "Save me from those therrble prongs!".

Cosmic interplay of the Two Girls: Maya (Iseult/Nuvoletta reflection) - Thaya (Iseult/Nuvoletta) and Three Soldiers: Tamas (Burrus/Shiva) - Rajas (Caseous/Brahma) - Sattvas (Antonius/Visnu); the "shameful" voyeuristic encounter in Phoenix Park ("book I ch 2", "The Ballad of Persse O'Reilly") is Bloom’s major transgression against his marriage bed (Ulysses ch Nausicaa) with Gerty McDowell (and other sexual trysts, in a "garden") who revealed herself to Bloom "she leaned back and the garters were blue to match on account of the transparent . . . she leaned back ever so far...she let him and she saw that he saw...because he couldn’t resists the sight of the wondrous revealment...looking and he kept on looking, looking...a sigh of o! and everyone cried O! O! in raptures..."(366-67), Bloom acknowledges “Still it was a kind of language between us.”(372) and "look and suggest and let you see and see more and defy you if you’re a man to see that and, like a sneeze coming; legs...Wonder how is she feeling in that region... (373-4). Joyce acknowledges that the "revealment" has activated Bloom, the origins of sexuality are women's invitations / revealments. That which cannot be "recorded" (physical occurrences: sights, sounds, tastes, smells, touch... in time and space) are revealments, Mankind's "unrecorded human thoughts and dreams". Joyce established in Ulysses "his revelations" of mankind's hitherto unrecorded conscious and unconscious "thoughts and dreams".

The Letter is all-letters (Brown/Nolan, written language captured in masculine/feminine), the "writings of all mankind" (thoughts we live by, define us, ultimately our undoing) including Joyce's: "seductive letters" ending in a trial (Ulysses ch Circe), songs and verses "The Ballad of Persse O'Reilly", the West's backward disunited corrupted truths (book II ch 2) of human consciousness, HCE's Apologias (muse ALP), and FW (Joyce's comprehensive West/East Tibetan bardos) the "Truths that have as yet to reach Mankind". Joyce has a "historically traditional" revelation of the relationship between the sexes: "women activate men" and women compose letters (Gerty McDowell, Martha, Molly, and ALP, etc.) by collecting the fragments of truths (that Belinda the Hen picks through), while men provide content and build things (Finnegan, HCE, Shaun, etc.). Consequently women are the Muses (and repositories) of Mankind's "thoughts and dreams, history and gossip". "The letter" is within ALP's consciousness (and unconsciousness), within her repository: she is the Muse of past letter(s), HCE's Apologias, and FINNEGANS WAKE (Joyce's West/East Tibetan bardos) - just as Picasso' women were his Muses. (Men) Joyce (and Shem) don't create letters they "reveal letters" from Mankind's collective consciousness (and unconsciousness).

Evolution of Everyman: every man will aspire to godhood during their lifetime, as Icarus flew too close to the sun, every man will aspire to dominate their profession (Joyce in writing FW) or dominate the world of men (Egyptian pharaohs, Roman emperors, Russian tsars, etc.) yet they will fall, taken down by someone, "how Buckley shot the Russian General". The children: Shaun, Shem and Iseult will evolve (in book II) from children's games parodying their parents; to youngsters studying their forefather's past lessons; to adults participating in the "rustle bustle" of present life, aspiring to their own godhood (as HCE has), yet they too will experience the fall (dismembered by those around them); after the fall (but before the end/restart) they will dream of what might have been (not their current life) but when they were young, and when love was young.

Imparted Dream gifts: HCE dreams of how his family's lives may influence his children's future loves (book II ch 4); HCE dreams of how his children's future adulthood may unfold as an extension of his life's experiences (book III ch 1); HCE dreams of how his parenting instructions will influence his children's future of moving past their life's obstacles to their interdependent / individual spiritual lives (book III ch 2); HCE dreams of how he has prepared his children to defend themselves from their family inheritances, ALP (his soulmate) is invited into his dream (to defend him) as is his cherished Iseult (book III ch 3); HCE (& ALP) lovemaking dissolution dream of the past dissolving and the new day arising (book IV).

If Joyce intended "HCE day" similar to "Bloomsday" (roughly 24 hrs): FW starts in "book I ch 3" with HCE arrested in front of his tavern/home, like Bloom unable to enter his front door (but HCE does not enter his home through the back door) - instead HCE is arrested for disturbances in hours before dawn. Then "book I ch 4" HCE's conscious/awake or unconscious/dream psychological travails of past guilts (underworld coffin, Ulysses ch Hades) while incarcerated in early hours of morning. Followed by "book I ch 2" HCE walks home through Phoenix Park accosted for the time of day (12 noon) which threatens (real/unreal memories, Ulysses ch Nausicaa) his innocent well-being. These 3 chapters in FW are Joyce's major rework to incorporate Vico's revelation of restart / recirculation into FW - Joyce rewrites 3 chapters of Ulysses: When He is denied Her front door, He is in Hell (on earth), when released (from Hell) His odyssey to Her begins again (with His ever-present accompanying internal travails) for She always knows when He is worthy of Her acceptance (their Paradise).

Then "book I ch 1" Finnegan's afternoon wake at HCE's tavern. Inside HCE's tavern (his ship) his patrons talk about his family, truthful (letters, Norwegian Captain and the Tailor's Daughter) and fabricated stories (book I:5-8 and book II:3); while the children (Shaun, Shem and Iseult) are in and out of the family tavern/home all day taking their lessons (book II:2) and playing about with their friends (book II:1); HCE, as proprietor, defends himself with a self-deprecating speech before his drunken collapse late night (book II:3). HCE dreams on his tavern floor (book II:4); then dreams in his bed (book III:1-3); before intercourse with his wife ALP (book III:4). HCE & ALP's lovemaking dissolution dream (book IV) to awaken to a new day, a supposition may be made that Joycean Nirvana is attained by HCE unification with the Unmanifest (creation, incarnate conception) and Reincarnation (the baton has been passed on again), awaiting Joyce's God "thunderclap" at the beginning of FW's "book I".

Joycean Nirvana lies on the surface of FW's text (mandala, available to all) - excavating below the surface of the text reveals the arguments that support the Nirvana (present granular mindfulness) and refutes all institutional/religious dogma (children's marginalia righting/reversing misconceived lessons) and authoritarian oppression (Wellington Museum's militarism expressed as instrument of people or oppression by rulers). Joyce reveals what may be Dzogchen "Father Tantras" or "Maha Yoga" (in book I, ch 1-4); Dzogchen "Mother Tantras" or "Anu Yoga" (in book I, ch 5-8); while identifying Shem as receptive to "Ati Yoga" or Non-Dual Tantras (Tiberiast Duplex, in book I, ch 6); the answer to the Riddle(s) the "Tiberiast Duplex" is Shem (Joyce) who is the Enlightened One. A supposition may be made that: the Children learn in "book II" Dzogchen Semde (Mind/Time Series) self-knowledge (awareness) and Dzogchen Longde (Space Series) evolution-knowledge (primordial wisdom, rigpa); and that HCE intends (dreams) in "book III" to impart Dzogchen Mannagde (Secret Instruction Series) Self-Liberation-knowledge to his Children.

What does it all Mean: Joyce's gift to Mankind is that Life recirculates. Unlike Joyce's Ulysses (based on Homer's Odyssey) life does not end with woman (in Molly's bed): night passes, the morning arises, and all dissolves to recirculate and restart again - some actors leave the stage and are replaced / (re)incarnated by a "younger version of their former self". Joyce changes from Ulysses by using Giambattista Vico's framework of recirculation for FINNEGANS WAKE - Finnegan (re)incarnates to HCE, as Shaun (most like HCE) will largely be a (re)incarnation of HCE, Shem (most like ALP) will (re)incarnate some of HCE but also some of ALP, and Iseult will largely be a (re)incarnation of ALP - however, Iseult will choose a man much like HCE (who is (re)incarnated through his daughter) as Shaun will choose a woman much like ALP - while Shem may become the next Joyce. FW is the "thoughts and dreams, history and gossip" of all Mankind.

FW is aural (oral) history like Homer's Odessey and Celtic folktales - when one pronounces (phonology) FW's words (aloud) there are more languages than just English; also, when one reads (morphology) FW's words almost all the words are "portmanteaus / neologisms" which gives each of FW's "polysynthetic words" many meanings (impermanence, Heisenberg uncertainty), each FW sentence dozens of possible messages, each FW paragraph hundreds of possible readings, Joyce's rendering of a more expansive English language and multiplicating universal book with coalescing syncretic themes/stories (that responds to each reader's inquiries). Joyce schooled in Christian Jesuit metaphysics (pushed down into the mindfulness of human consciousness) breathes in the spirit of expansive Celtic (Irish) community tavern life where man's stories of life are told. Tavern life teaches the evolution of Joyce's ten God "thunderclaps" (one hundred lettered words) pushing man's evolution forward from cave man's tales to modern tv media tales. Inside the tavern man learns of the purely human (animal) fall, taken down by another human(s) - like animal taken down on the African savanna. A granular reading of FW can render FW as an updated John Milton's Paradise Lost (regurgitated knowledge from the tree, to affirm man's damnation); however, Charles Darwin's The Origin of Species was published in 1859 and Joyce in FW book II clearly walks Shaun, Shem and Iseult through their earthly evolutionary lifetime travails, our mortality is a consequence of Life's evolution. Every page of FW speaks to man's evolution (unconscious biological, conscious social, aspirational personal) and to Life recirculating (West meets Dzogchen East a "meeting of metaphysical minds") that binds humanity together into the future. Dzogchen (beyond all dualistic polarities) the heart of human consciousness - Joyce's underlying (subcutaneous) arguments refute the "Western curse of metaphysical/mythological damnation", the curse does not exist in the Eastern mind. Like "counting the number of angels on the head of a pin" (Aquinas 1270) Joyce provides a granular reading of FW as a "defense against all Western adversity" for our conscious and unconscious Western travails. HCE's angst is caused by his community that imposes a Western curse (damnation) upon him that man is not guilty of. To experience Joycean Nirvana, a defense against this man-made guilt is required - for as Zoroaster revealed cosmogonic dualism, evil is mixed with good in man's everyday (universal) travails (even the Dalai Lama must defend Nirvana rigorously from the most populous authoritarian state in human history).

Joyce's FW celebrates the Joys of Christian/Buddhist diversity of humanity (expansiveness of human consciousness: Gnostic Norwegian Captain, Shem, Archdruid), Brahma (Finnegan, HCE, Shaun), Divine Women (ALP, Iseult, Nuvoletta), his family - and the Sufferings of the inescapable "evil" of Shiva (Buckley), the debilitating harmful sterile intrusive authoritarian institutionalizing damnation (MaMaLuJo, St. Patrick) by Augustine, the manufactured clerical corruption identified by Luther (since 367 AD) and the burdens of "survival of the fittest" anxiety (modern commerce) met with a Dzogchen Buddhist stance. The (innocent infant) Norwegian Captain (Krishna, HCE), occasionally defensive (Shiva, HCE), though concretized (Brahma, HCE) by community family life (MaMaLuJo) - through spirits (drink) HCE can access his spirituality (dreams) and through spiritual (cutting through) love-making with ALP (direct approach) can access (their Krishnas) unification with the Unmanifest. Joyce was a Prophet who consumed Man's conscious and unconscious "thoughts and dreams, history and gossip", efforts and failings - to reveal the joys and sufferings of Mankind.

Hermes Trismegistus reveals in the Corpus Hermeticum the Unmanifest to his son Tat; however, Maha-Visnu's unlimited universes (sometimes manifest and sometimes unmanifest) predates Western revelations by centuries. Unmanifest "spiritual" God (Visnu) is omniscient compassionate eternal. Manifest universes consist of Equilibrium (Visnu), Creation (Brahma) and Destruction (Shiva) - Shiva is a ''temporal manifestation of Visnu'' whose destructions are manifest and cannot interact with the Unmanifest. Zoroaster revealed Cosmogonic dualism where inescapeable manifest "evil" (Shiva) is mixed with good (Visnu and Brahma). The 39th Festal Letter 367 AD expunged Unmanifest spirituality from Christ's message (Nag Hammadi manuscripts, spiritual revelations beyond the orthodox cannon). Doctrines of Augustine: dogmas of original sin, infant damnation and predestination were brought to Ireland by St Patrick, consequently extinguishing Unmanifest spirituality, sentient's place in the fabric of the temporal universe (preexistence and reincarnation). All Manifest gods are deities/idols (creations of man) - only the Umanifest (untouched by man ) is affirmative by definition (our universe's reality: its matter, its laws & consciousness manifest); manifest local ephemeral astronomic physics vs Unmanifest global eternal quantum (Maya / Thaya - Tamas / Rajas / Sattvas) physics. Joyce returns Mankind to the path to the Unmanifest.

Joyce's FW message: Christian/Buddhist omniscient compassion (Christ/Krishna) is eternally joyful and recirculating. Affirmative family (HCE/Brahma, ALP/Divine woman & children) existentiality: life's biological evolution (sex), modern survival (money), constraining community (Dharma, social evolution) are constantly assaulted by inescapable "aggressive insidious vile" corrupt soul(less/sucking) ossified demonic antipathetic attacks. Joycean Nirvana is attained via the Christian/Buddhist affirmative middle way, "beyond polar opposites" the path of Christ/Buddha.

JCB

0 of 0 people found the following review helpful.
Good introduction
By Obiwanspicoli
I read rivverrun through the liffey and this was recommended as a good guide / bio / intro to Joyce's life and work. It is a comic but packed with information.

One could read this and know more about Joyce than most college lit majors.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

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• Sales Rank: #8953471 in Books
• Published on: 2015-09-17
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .88" w x 6.14" l, 1.59 pounds
• Binding: Hardcover
• 392 pages

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0 of 0 people found the following review helpful.
Interesting New Mexico history
By ken hodgson
An interesting piece of New Mexico history and not specifically just mining. There are mentions of Indian trouble, transportation difficulties and long forgotten towns that have faded into history. And it was written by a man who was there. It was disappointing that some pages were smudged and mostly unreadable, but that was mentioned when I ordered it, but the reason for only four stars on my review. The book, however, was published in 1904 and is mostly quite readable and very interesting.

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Joe Coffin should have killed the Apache named Kietah straight off instead of feeding him and sending him on his way. It would have saved a lot of grief — and lives. When the warriors left a new widow and her young son in the wilderness to die,, Coffin had had enough. Tracking Kietah’s renegades into Arizona’s White Mountains, Coffin goes to war on the Apaches, and he’s a warrior the likes of which they’ve never seen.

• Sales Rank: #27056 in eBooks
• Published on: 2015-09-25
• Released on: 2015-09-25
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
A Good Old West Adventure
By Lilly
Coffin is a tough, bounty hunter who should have killed the Indian named Kietah, but he left him alive. Now, Kietah and his warriors are determined to hunt down Coffin. In their wake, they killed Callie’s husband, leaving her and her son, Arch, to fend for themselves. Callie and her son are headed in a wagon to Tombstone. Coffin knows the journey is too treacherous for them to make on their own. He decides he needs to help them get there. Coffin is a very skilled marksman and uses that ability often to defend them against the warriors following their trail.

The dialogue in this story is perfect for that era and the characters are very believable. This story has an authentic western flair that shows the hardship faced by this threesome as they make their journey with fighting, grief, and a little romance along the way. A good read!

1 of 1 people found the following review helpful.
An action-packed story of the Old West
By SKY08
John Legg's books are a blast from the past. I do mean blast with action that starts on the first page and keeps going 'til the last. For anyone who grew up reading westerns or watching them on TV or at the movies, the books exude nostalgia. What you get from Apache Coffin, like his other books, is vivid description of the untamed countryside, bare-bones towns with dirt streets inhabited by wild, reckless, and often lawless men. I don't think the sense of good and bad is as simply portrayed as I recall from childhood westerns with the good guys in white hats and the bad ones in black. The relationship between the settlers and original inhabitants of the lands being 'settled' isn't quite as unambiguous either. All in all, a still wild and woolly take on the Old West with a hint of modern sensibilities.

1 of 1 people found the following review helpful.
Good story, bad proofing.
By Steve J
I have read quite a few of John Legg's books and enjoy the story lines and his characters in all. However, every book I've read seems to have an extreme amount of typos and transposition of character names. Makes the reading confusing sometimes. Need to do a better job of proof-reading his material.

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The Oxfordian is an annual journal published during the fall by the Shakespeare Oxford Fellowship. Articles provide in-depth coverage of issues of importance to Shakespeare scholars. The Oxfordian, published since 1998, is “the best American academic journal covering the authorship question,” according to William Niederkorn, formerly of The New York Times. Volume 17, published in September 2015 and edited by Chris Pannell, features articles by: Gabriel Andrew Ready (Ben Jonson), Michael Dudley (Library Sciences), Don Rubin (Teaching a Post-Stratfordian University Course), J. Thomas Looney (de Vere, Sidney and The Merry Wives of Windsor), Robert Prechter (Greene’s Groats-worth of Wit), Julie Harper Elb (Love’s Labour’s Lost), Michael Delahoyde (Chaucer and Shakespeare), Earl Showerman (Oxford’s Greek Sources), and James Warren (Oxfordianism, Methodology, and Continental Drift).

• Sales Rank: #1991099 in Books
• Published on: 2015-09-14
• Original language: English
• Dimensions: 10.00" h x .52" w x 8.00" l,
• Binding: Paperback
• 228 pages

About the Author
Chris Pannell holds an MA in English from the University of Toronto and is a freelance writer, editor, and poet. One of his poetry books, Drive, won the Acorn-Plantos Peoples Poetry Prize in 2010. He has published five books of poetry, edited two anthologies, led writing workshops, and provided editorial help to technical writers and literary authors. He has served on the arts boards such as the gritLIT Literary Festival and Hamilton Artists Inc. He is the host and director of the monthly Lit Live reading series in Hamilton, Ontario, which presents writers of poetry, fiction, and non-fiction. Chris became the editor of The Oxfordian in 2014.

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5 of 6 people found the following review helpful.
The Oxfordian Journal Continues An Estimable and Necessary Inquiry
By William J. Ray
The seventeenth 'Oxfordian', probing the authorship of the Shakespeare canon by the literary genius of his day, the 17th Earl of Oxford, does justice to the study. There is a good mix of topical and detailed scholarly essays. The issue builds on a tradition of sincere industrious scholarship that seems to be percolating into mainstream awareness. The primary focus is what Emerson called "the first of all literary questions", the authorial history behind what is perhaps the most lyric and moving language ever written.

2 of 5 people found the following review helpful.
Shakespeare info
By Susan F. Ehrlich
Very informative.

1 of 5 people found the following review helpful.
it is a very minuscule number) hate Shakespeare, and like de Vere who was not ...
By B. J Robbins
Essays by non-scholars, pro-Oxfordians, this is full of slanted, biased, uninformative material. Mr. Ray is an Oxfordian drunk, so obsessed with this roguish guy, that he cannot see straight. Shakespeare wrote Shakespeare (no hyphen needed), there was no pen name, the vase majority of evidence of every kind points to Shakespeare, not to anybody else. Especially not to de Vere who died in 1604, before a third of the plays were performed.

Ray's out of context quote of Ralph Waldo Emerson is typical for him and all Oxies. Ralph Waldo Emerson was NOT a doubter. He loved Shakespeare, and it you read the quotes by him in "Pure Shakespeare...Best of the Bard" that establish him as a Shakespearean.

Here's the Oxforidan recipe:

All are in love, Ray, Malim, etc. with Edward de Vere, who history shows to be an arrogant cad, a rogue, a betrayer of friends, a man of false accusations, a man who never worked a day in his life, gambled his fortune away, and lived off women for most of his life. But this man, they think was a literary genius. Unfortunately, the poetry under his name, is not that of a genius. What Then/......

Let's attrubute the work of a genius to him. Who? Shakespeare of course...the most respected name in English literature.

Of course, the problem is logically attributing the works to him, and no Oxforidan has come up with a reasonable way . How many scenarios are there? His early death might seem a problem to most reasonable, logical, critical thinking people, but Oxies are none of them. They believe what they want to believe, don't confuse them with facts.

In sum, Shakespeare wrote the plays that say Shakespeare, and de Vere those scores of poems that bear his name. And that is the end.

There is no debate to any informed person. The only question is why so many (actually, it is a very minuscule number) hate Shakespeare, and like de Vere who was not a very nice person, who did not leave a will, left his wife and accused her of adultery, impregnated a lady in waiting, then left her, spent time in the Tower, then was ignored in Elizabeth's court. He wrote some pretty good poetry, but nothing like the Sonnets. He is not known to have written any dramas or tragedies. No manuscripts of his have survived. To say HE wrote Shakespeare is a fanciful leap, a huge leap of the imagination, pure fantasy, unsubstantiated nonsense. Bring it on......

.

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The Oxfordian Vol. 17: A Journal of the Shakespeare Oxford Fellowship (Volume 17), by Chris Pannell PDF
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! Get Free Ebook Instructions on Modern American Bridge Building: With Practical Applications and Examples, Estimates of Quantities, and Valuable Tables (Cl

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Excerpt from Instructions on Modern American Bridge Building: With Practical Applications and Examples, Estimates of Quantities, and Valuable Tables

This little treatise was written for the purpose of supplying a want felt by the author while giving instruction upon the subject. It was intended for an aid to the young Engineer, and is not to be considered as a complete substitute for the more elaborate works on the subject.

The first portion of this work mentions the various strains to which beams are subjected, and gives the formula used in determining the amount of those strains, together with a few examples to illustrate their application, and also the method of calculating a simple truss.

The second portion names and explains the various members of a Bridge Truss, and, by means of examples, shows the method of calculating the strains upon the various timbers, bolts, etc., as well as their proper dimensions; and gives, in addition, several useful tables.

The explanatory plates, which are referred to freely throughout the work, are believed to be amply sufficient for the purpose intended.

So much has been written on this subject that it is next to impossible to be wholly original, and no claim of that nature is preferred. It is simply an arrangement of ideas, gleaned from the various works of standard authorities, and modified by the authors practice, embodied in book form.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .10" w x 5.98" l, .18 pounds
• Binding: Paperback
• 50 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
ok
By Pato
for a free book download this is a good deal although am sure if you can spend some $ you will get better books with more detailed info on bridge building

0 of 0 people found the following review helpful.
not a bad
By Allen B. Petty
Interesting, not a bad read

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>> Fee Download Walden's Shore: Henry David Thoreau and Nineteenth-Century Science, by Robert M. Thorson

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Walden’s Shore explores Thoreau’s understanding of the “living rock” on which life’s complexity depends―not as metaphor but as physical science. Robert Thorson’s subject is Thoreau the rock and mineral collector, interpreter of landscapes, and field scientist, whose compass and measuring stick were as important to him as his plant press.

• Sales Rank: #783207 in Books
• Published on: 2015-09-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 5.70" l, .0 pounds
• Binding: Paperback
• 440 pages

Review
"Walden's Shore" has no predecessor in the field of Thoreau studies. It is a welcome addition and a needed reassessment of an iconic figure.--Jeffrey S. Cramer, editor of "The Portable Thoreau"

The work of an extraordinary mind. Thorson seeks to ground what is arguably the greatest piece of non-fiction produced in America, and one of the world's classics, not in the field of language where it has long been situated but rather in the material universe with which Thoreau extensively interacted and on which he long meditated. He stunningly succeeds in this effort.--Wayne Franklin, University of Connecticut

Walden s Shore" is a serious, substantial, and impressively erudite entry into the field--a model for how interdisciplinary approaches can bring original and revelatory perspectives to bear on even the most well-worn texts Thorson s careful reconstruction of Thoreau s likely knowledge of landscape formation and glacial theory is especially impressive, and constitutes a comprehensive account of Thoreau s relation to what was apparently a major scientific controversy of the mid-19th century.--James Williams"PopMatters" (04/22/2014)"

Thorson says that literary types haven t had the scientific chops to recognize, among other things, Thoreau s genius for river channel hydraulics and how close he came to discovering glacial theory (then unformed, now proved) to explain his terrain of erratic boulders and kettle ponds. Thorson says that Thoreau changed from science light to science heavy around 1851, and his writing shed much of the ecstatic divine metaphors for a style closer to field notes.--Katherine Whittemore"Boston Globe" (05/25/2014)"

Most people know Thoreau as an environmental essayist, a 19th-century naturalist, and a commentator and an essayist on social and political matters. Through a detailed reading of Thoreau s Journal" and Walden," Thorson shows that Thoreau was a competent scientist with expertise in limnology, geology, hydrology, and ecology. He also had a fundamental understanding of the effects of glaciers on landscapes.--L. T. Spencer"Choice" (07/01/2014)"

About the Author
Robert M. Thorson is Professor of Geology at the University of Connecticut.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Hard Rowing
By toronto
I really wanted to like this book, and I should say up front that it tells you everything you ever wanted to know about the geology of Walden Pond and environs, plus, plus, plus. It is very hard to review, there are many good things in it, all kinds of research conducted over many years. It gets five stars for detail. But it is a real slog to get through. Eventually I gave up, and started skipping and dipping. The prose is very dense and self-indulgent, and an editor should have come in and made the author shorten and simplify the text. It would have been much much better much shorter and written for the general reader -- maybe the author could be persuaded to do a big picture book with text (I'd buy it!). There is a kind of geo-monomania (monomanias are not unheard of in Thoreau studies) going on, which will make the book great for research and libraries, but not for a light read.

The author, for some mysterious unfathomable reason (pond joke), stops his detailed assessment in 1854, when Thoreau still had lots of scientific life in him. There is hardly any natural history or ecology here (except geo-limnology). The best thing in it (for this reader) was the extensive history of the arrival of the ice-age hypothesis in America.

2 of 2 people found the following review helpful.
Totally Fresh Comprehension of Walden
By John S. Russell
Gifted geologists Robert Thorson offers a brilliant analysis of "the place of the book" and the "book of then place." In prose worthy of his subject, he deepens our understanding of Thoreau's evolution from transcendentalist to a passionate scientific observer who was attuned to the changing debates of his era. But a paradox: Thoreau was ahead of most in understanding and accepting Darwin but postponed his embrace of glacial theory until he had finally finished Walden. Easily one of the ten best and most important books written about Walden and Thoreau.

1 of 2 people found the following review helpful.
Great reference book for a Walden fanatic
By Jo Burton
Nice read and lots of background info for Walden, but some parts are a little slow, Still a great book that explains a lot about the geographic and geological influence on Thoreau.

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