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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

• Published on: 2015-09-11
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .88" w x 6.14" l, 1.62 pounds
• Binding: Hardcover
• 400 pages

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0 of 0 people found the following review helpful.
great rendering from the Irish and Latin languages
By don
the beauty of the ancient Irish and after St. Patrick; literature suppressed for centuries; great rendering from the Irish and Latin languages;

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Excerpt from The Sewerage of Sea Coast Towns

In the following chapters no attempt has been made to describe the details of, or make calculations for, any particular scheme, because, as stated in the opening chapter, the conditions vary so considerably in every case that what is applicable to one place is totally unsuitable for another. The matter contained therein has, therefore, been confined, as far as possible, to the fundamental principles involved, and these have been dealt with in such a manner that the information may be utilised to suit the exigencies of all cases; as, for instance, where formulæ are required, such as for calculating the discharge of weirs and of pipes, several alternative ones are mentioned, and their solution explained, so that, by selecting the most suitable, accurate results can be obtained. In dealing with the behaviour of concrete employed in submarine works, the results of the most important experiments of recent years are given at length, and with regard to the actual design of sea outfalls, numerous typical examples are given, one of which, or an adaptation thereof, may be selected for application in any given case. The surveying problems that may be required in connection with the current observations are all given with the necessary calculations, and are expressed in such a manner that they can be utilised by any one with a knowledge of logarithms and the use of logarithmic tables, even if they have no knowledge of trigonometry.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .40" w x 5.98" l, .57 pounds
• Binding: Paperback
• 188 pages

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1 of 1 people found the following review helpful.
Interesting, but not for everyone.
By Customer Review
I thought this book was interesting, but it is certainly not for everyone. The first chapter is about tides, and may appeal to most people. Currents may also be of interest, but the book ends with a chapter on trigonometry. Since the book is free, I think it is definitely worth reading about tides.

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^^ Get Free Ebook The Duchesses: The Story of Britain's Ultimate Steam Locomotives, by Andrew Roden

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The Duchesses tells the story of the ‘Princess Coronation’ class of locomotives -the streamlined embodiments of raw, bulked-up muscle and formidable power that any enthusiast will tell you were the finest steam engines in Britain.

Conceived of by the London, Midland and Scottish Railway to rival the LNER’s illustrious ‘A4 Pacifics’, these trains heralded in the last golden age of steam. Designed by the great William Stanier, theirs is a story of grand beginnings, a slow trajectory of decline and a recent, celebrated rebirth. Today, there are two ‘Duchesses’ still in existence: Duchess of Hamilton and Duchess of Sutherland are now restored to their original streamlined appearance.

As The Duchesses’ beautiful cover illustration suggests, these Coronation locomotives were beautiful to behold; truly majestic feats of engineering. Andrew Roden’s book tells the story of their time in British Railways service; the class’ decommissioning in the 1960s; the extraordinary saga of two trains’ unlikely preservation by Billy Butlin at his holiday camps; and their eventual return to steam on the main line.

The Duchesses completes a trilogy of railway books from Aurum, joining Mallard - the story of the world’s fastest steam locomotive - and Flying Scotsman –that of the world’s most famous.

• Sales Rank: #2246678 in eBooks
• Published on: 2015-09-17
• Released on: 2015-09-17
• Format: Kindle eBook

Review

"Bright, Lively and Entertaining" - Steam World

About the Author

Andy Roden is the author of Flying Scotsman.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Mostly about the preservation era
By Peter Durward Harris
Although this book covers the background and history, I was initially surprised at how early in the book we reached the end of the Duchesses in commercial service. On reflection, perhaps this is less surprising when we consider that the end of their BR days came in 1964, when the author was still a child.

The book's main focus is therefore on the two preserved locomotives that have at various times been restored to active service for use hauling tourist and royal trains. Yes, the Duchess of Sutherland ,has been used to haul a royal train.

There is also a third preserved Duchess that is housed in a Birmingham museum. It is not forgotten, but there is a limit to what even a fanatical author can say about a museum exhibit.

Although not quite what I expected, this is a very informative book that is worth reading if you are interested in British steam locomotives.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

• Published on: 2015-09-16
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .88" w x 6.14" l, 1.62 pounds
• Binding: Hardcover
• 402 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Three Stars
By Matingu Blessed Bimbi
Good

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The definitive edition of America’s modern master of crime fiction continues with four classic novels widely considered his best, presented in one volume for the first time with behind-the-scenes accounts of their genesis by editor Gregg Sutter, Leonard’s longtime researcher, and rare archival material: a must for any fan.  It was during the 1980s that Elmore Leonard came into his own as the most popular and critically acclaimed crime writer in America. The four novels collected here show him at the top of his form, each in its own distinct way: City Primeval is a modern-day Western pitched on the border between law and lawlessness, with Detroit as the frontier; LaBrava, set in Miami, orchestrates a complex scheme involving a long-forgotten film noir actress and an ex-Secret Service man turned photographer; Glitz plunges into the seedy world of Atlantic City casinos and into the twisted mind of the unforgettable Teddy Magyk, one of Leonard’s most indelible bad guys; and Freaky Deaky sets in motion a tumultuous ’60s flashback, laced with harsh and outlandish comic touches, as a pair of morally dubious veterans of Ann Arbor revolutionary politics try out some new scams.

• Sales Rank: #173930 in Books
• Published on: 2015-09-01
• Released on: 2015-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.17" h x 1.23" w x 5.16" l, 1.00 pounds
• Binding: Hardcover
• 1024 pages

About the Author
Detroit native Gregg Sutter first met Elmore Leonard in 1979 and began working for him in 1981. He is currently at work on a biography of Leonard, from his unique perspective as his full-time researcher for more than thirty years. He is the editor of The Library of America’s three-volume edition of Leonard’s novels.

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4 of 4 people found the following review helpful.
A very pleasant surprise
By scooterlover
As a life-long Detroiter (yes, I live RIGHT IN THE CITY AND LIKE IT) I was reluctant to try one of Leonard's books, considering the way Detroit is universally trashed by people who DON'T live here. But I bought this 4-volume set, read the first novel in it (City Primeval) and I absolutely loved it. Before reading it I did some reading about Leonard, and I read that somebody compared Leonard to Flaubert. I thought to myself "Give me a break!" But like Flaubert, Leonard doesn't put any ideas into your head, he doesn't even tell you what the characters' attitudes or feelings are. Instead he lets you "hear" them talk and he lets you watch what they do and that's all you need to know about them. Leonard doesn't even tell you what other characters think or feel about them. You know by their reactions to what is said and done. Just like Flaubert, in fact!

Somebody else compared Leonard to Dickens. I don't think so! Dickens is incredibly wordy. Leonard is the opposite. No wasted words in Leonard.

This is not a who-dunnit, by the way, as there's no doubt about who the criminal is. I wouldn't even call it a "thriller," as it's never thrilling or exciting. Just a very interesting read. And of course fun for me since I know all the places that serve as settings; in fact I know people who live in the building where the murderer hangs out with his girlfriend.

Leonard's writing style is terse and to the point; short sentences and no pretense. No pretentious vocabulary and no "wow, look at me, look at how smart I am" attitude emanating from him. If you form an opinion about the author while reading this novel it has to be an affirmative one. You think: "This man is smart. He's not a silly show off--he doesn't need that."

I have to say this, though: If I went to the cottage for a week and wanted to take along half a dozen light-fiction novels, I'd take only one by Leonard--the others would have to be something like Agatha Christie so I'd have a reason to smile now and then. Leonard is strong stuff, like strongly seasoned food--you need something bland before and after it.

(Nine months later): I wrote the above review in October 2015 after reading just one of the four novels in the volume ("City Primeval"). It's now July 2016 and in the meantime I've read the remaining three. I enjoyed all of them very much. I found two of them a little confusing--I had difficulty hooking names with characters and keeping track of action when it switched from one group of characters to another, so I actually re-read two of the novels immediately after reading them for the first time. Obviously I was extremely interested or I wouldn't have done that. My favorite is the final one, "Freaky Deaky" in which Leonard makes it pretty clear that he was never taken in by the phoniness of the hippy generation with their "love" messages and their "anti war" messages while the vast majority just stayed stoned and were admired for it.

2 of 2 people found the following review helpful.
A Grand Master at the top of his game
By Jeffrey Tedford
Leonard's novels are among the finest of the genre, bar none, including Hasmmet & Chandler, Ross McDonald. The plotting is intricate and holds me in suspense until the end. City Primeval reminds me of classic Western tales brought up to date. The dialogue is sharp, witty, often hilarious.

2 of 2 people found the following review helpful.
Elmore Leonard is a master of dialogue: witty, ...
By Avid Reader
Elmore Leonard is a master of dialogue: witty, curvaceous chatter that drives the narrative. We can all thank LOA for putting and keeping this valuable American resource in print.

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Elmore Leonard: Four Novels of the 1980s: City Primeval / LaBrava / Glitz / Freaky Deaky (Library of America), by Elmore Leonard PDF
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> Download Last Dance: A Pride and Prejudice Continuation; A Sweet Tea Short Story, by Maria Grace

Download Last Dance: A Pride and Prejudice Continuation; A Sweet Tea Short Story, by Maria Grace

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Last Dance: A Pride and Prejudice Continuation; A Sweet Tea Short Story, by Maria Grace

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Sweet, Austen-inspired treats, perfect with a cup of tea.
 
Full of hope and ripe with possibility, beginnings and new beginnings refresh the spirit with optimism and anticipation.
 
Last Dance

To be fond of dancing was a certain step towards falling in love. Mary was not. Nor was she fond of dresses or balls or parties, or any of the things most girls her age adored.

With three sisters married, Aunt Philips insists she must be next. But is dancing essential to falling in love?
 
From the award winning author of Given Good Principles, Remember the Past and Mistaking Her Character, Sweet Tea short stories offer the perfect bite to transport readers back to the Regency era for the first days of new love.

• Sales Rank: #509290 in eBooks
• Published on: 2015-09-09
• Released on: 2015-09-09
• Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Last Dance: A Pride and Prejudice Continuation; A Sweet Tea Short Story
By Kindle Customer
Poor Mary Bennet was living with her Aunt and Uncle Phillips. Her aunt was just as bad as her mother, except for the hysterical outbursts. Her aunt's goal is to find Mary a suitor. Young men from all around Meryton have been invited to dinners and at the opening of the story, two constantly cousins are invited. One young man, Mr. Lacey has just bought a home with acreage, while his cousin, Mr. Parris, is in apprenticeship with Mr. Phillips. Mr. Lacey has an outgoing personality and far too many women vying for his intentions. While he is slick with words his feelings don't match. Mr. Parris is a much more quite personality and sincere in his remarks and feelings. Mr. Lacey dances with Mary at the ball, but as she is enjoying conversation with Mr. Parris, overhears Mr. Martin and Mr. Lacey making derogatory comments about her compared to the heiress, Mary King. Needing air, she runs to the balcony only to be followed by Mr. Parris. Parris gets his cousin to apologize for his comments and requests another dance, but Mary realizes she enjoys the calm and serene disposition of Mr. Parris so refuses. The fact that she doesn't like to dance, and Mr. Parris cannot because of a birth deformity, they just enjoy talking together for the rest of the evening. A welcoming prospect for Miss Mary Bennet.

2 of 2 people found the following review helpful.
I really enjoyed getting to know Mary better this sweet short story
By Deborah
I am not a fan of the prim Mary Bennet, but Maria made her come alive. Her aunt, Mrs Phillips is pushing her to put herself forward just as her mother has. It was interesting getting into Mary's head and getting into her thoughts and feelings about the two men that she is in company with; The outgoing, popular,new small estate owner, Mr. Lacey or his quiet cousin, an apprentice to her Uncle Mr. Phillips, Mr. Parris. I really enjoyed getting to know Mary better this sweet short story.
This book was given to me as a gift by the author.

1 of 1 people found the following review helpful.
Mary, Mary Quite Contrary
By Patty Edmisson
It is so nice to see Mary come out of her shell. Her sisters are married or away. Now all attention is on her. I like that she starts to get self confidence. I hate that she is continually compared to her sisters and other ladies. Unfortunately, this still happens today. I do appreciate the attention she receives from one suitor that turns into two. She made the best choice for her. Of course, her Aunt Phillips will be displeased. Hopefully, she will see Mary is happier and more at ease with the invisible suitor than with his cousin. Enjoyable read. I would have liked a bit more story at the end.

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> Download PDF Young Lions: How Jewish Authors Reinvented the American War Novel (Cultural Expressions), by Leah Garrett

Download PDF Young Lions: How Jewish Authors Reinvented the American War Novel (Cultural Expressions), by Leah Garrett

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Young Lions: How Jewish Authors Reinvented the American War Novel (Cultural Expressions), by Leah Garrett

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Young Lions: How Jewish Authors Reinvented the American War Novel was a FINALIST for the 2015 National Jewish Book Award.



Young Lions: How Jewish Authors Reinvented the American War Novel shows how Jews, traditionally castigated as weak and cowardly, for the first time became the popular literary representatives of what it meant to be a soldier and what it meant to be an American. Revisiting best-selling works ranging from Norman Mailer's The Naked and the Dead to Joseph Heller's Catch-22, and uncovering a range of unknown archival material, Leah Garrett shows how Jewish writers used the theme of World War II to reshape the American public's ideas about war, the Holocaust, and the role of Jews in postwar life. In contrast to most previous war fiction these new "Jewish" war novels were often ironic, funny, and irreverent and sought to teach the reading public broader lessons about liberalism, masculinity, and pluralism.

• Sales Rank: #1527212 in Books
• Published on: 2015-09-30
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
• Binding: Paperback
• 288 pages

Review
A "scholarly and provocative book."  - The Wall Street Journal.

"A probingly intelligent book" that shows a "rare understanding not just of American Jewish life and culture during World War II and its aftermath, but of U.S. society in all its glorious complexity for all seasons. . In today's academic environment [Garrett] is a refreshing exception to the prevailing tendentiousness and fashionable prejudices, a model of accurate and fair characterization." The Washington Times.

"For anyone who still believes the myth that American Jews didn't talk about the Holocaust until 1961 or 1967, pile these best-sellers onto the mountain of evidence that Jews were fascinated and shaken by the genocide and began to respond vociferously as soon as they learned about it. An important new book... Garrett makes her case very well." The Forward Newspaper.

". . .Young Lions: How Jewish Authors Reinvented the American War Novel is an exciting, wide-ranging, and necessary book. Its powerful and welcome perspective and sturdy research make it an important platform for future studies." The Jewish Book Council Magazine.

"Theoretically sophisticated and probing, Young Lions is full of insights that are of interest to the literary scholar, the historian, and the student of Jewishness and of American ethnic relations." —Werner Sollers, Henry B. and Anne M. Cabot Professor of English and of African American Studies at Harvard University and author of The Temptation of Despair: Tales of the 1940s

“Young Lions is an important contribution to the fields of Jewish American literature and World War II literature.” —Victoria Aarons, author of A Measure of Memory: Storytelling and Identity in American Jewish Fiction


“A fascinating study of war novels both familiar and forgotten and a fresh interpretation that illuminates previously hidden aspects of these once popular books, Leah Garrett’s lucid study will change how we think about World War II, the Holocaust, and American Jews.”—Deborah Dash Moore, Director of the Frankel Center for Judaic Studies and Frederick G.L. Huetwell Professor of History and author of GI Jews: How World War II Changed a Generation

“For anyone who still believes the myth that American Jews didn’t talk about the Holocaust until 1961 or 1967, pile these best-sellers onto the mountain of evidence that Jews were fascinated and shaken by the genocide and began to respond vociferously as soon as they learned about it." —The Forward

"A masterful exercise in excavation by a superb literary and cultural historian.  Here is an extraordinary tour of literary terrain so familiar and accessible to the common reader and so marginalized in literary criticism.  Leah Garrett opens up for us a crucial chapter in American Jewish cultural expression with consistent intelligence and an infectious enthusiasm."
—Steven J. Zipperstein, Daniel E. Koshland Professor in Jewish Culture and History at Stanford University and author of Rosenfeld's Lives: Fame, Oblivion, and the Furies of Writing

About the Author
LEAH GARRETT is Loti Smorgon Professor of Contemporary Jewish Life and Culture at Monash University in Australia. She has published four books and numerous articles on Jewish literature. Garrett's scholarship has been devoted to understanding how Jewish authors in an array of languages used their literary discourse to enact, reimagine, and subvert conventional ideas about the relationship between Jews and the modern world.

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0 of 0 people found the following review helpful.
Ms. Garrett, using the lens of literature, ...
By Reader
Ms. Garrett, using the lens of literature, deftly examines a sensitive and not often discussed dimension of Jewish culture- the almost Manichean theme of "Talmudic" versus "Muscular" Jews. I only wish she had done a deeper dive into this subject. I found it interesting how she dissected the various post-World War II authors portrayals of Jewish soldiers, based both on their own experiences in that war and, perhaps, also on their perceptions of reader audience expectations. Also of interest was her analysis of how (but not so much on the "why') Hollywood deviated from the depiction of the Jewish soldiers in the novels to those in movie-land. As a career Army officer who grew up with the novels and movies Ms. Garrett analyzes,, and went on to serve in Vietnam, in combat, at the "tip of the spear," in an Infantry Company (Purple Heart, inter-alia), I could not help comparing my experience and motivations with those of the authors in 'Young Lions," and found myself hoping that Ms. Garrett continues to explore, and open for discussion the topics she exposes in her well written and thoughtful work.

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? Ebook Free The Tinsmith's Helper and Pattern Book: With Useful Rules, Diagrams and Tables (Classic Reprint), by H. K. Vosburgh

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The Tinsmith's Helper and Pattern Book: With Useful Rules, Diagrams and Tables (Classic Reprint), by H. K. Vosburgh

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Excerpt from The Tinsmith's Helper and Pattern Book: With Useful Rules, Diagrams and Tables

The aim in preparing this little manual has been to make it a guide for the apprentice, journeyman and master sheet metal worker. To this end the author collected everything of value on the subject and then boiled it down to a well arranged series of simple problems on the different phases of pattern drafting which the mechanic has to puzzle over daily.

The section on Mensuration will be found both accurate and complete and the rules and examples are reduced to the plainest language so that any one may understand them. Realizing the value of reliable data, he included all the tables of weights of materials, measures of area, capacity, etc., to which the sheet metal worker has occasion to refer, together with many excellent recipes, formulas and rules, which will be found of great service.

The present edition has been carefully edited and revised by William Neubecker, expert pattern cutter and instructor at the New York Trade School. While the greater portion of the work remains intact, quite a number of important changes have been made, to insure greater accuracy, and many simpler methods have been included.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Sales Rank: #2484735 in Books
• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .30" w x 5.98" l, .43 pounds
• Binding: Paperback
• 140 pages

Review
A goldmine of geometrical patterns...highly recommended for anyone interested in the subject. -- The Fine Tool Journal

Most helpful customer reviews

6 of 6 people found the following review helpful.
A True Pattern Making Book- Not a follow me guide
By Duncan
To anyone who wants to know how true patterns are made for forms and shapes that hold volume- that are made through crimping, folding, raising and seaming. Another reviewer was dissapointed it had no patterns... This book is about learning to MAKE PATTERNS for three dimensional forms! It is NOT a crafty little "Follow me" guide- it is a text of HOW patterns get made. Great book for those who want to do serious study in volumetric forms! This guide can be applied to Copper, Silver, Tin, Brass or other sheet metals. It does NOT have any information on sinking or raising- that is primarily silver or copper-smithing.

8 of 9 people found the following review helpful.
Not what I expected
By Laughing Lady
I was looking for tinwork ideas and patterns I could trace, cut out and punch. This book goes into the geometry of creating elbows, cones, etc. It is more of a math book. It's not what I was looking for.

0 of 0 people found the following review helpful.
Five Stars
By Frank Yazzetta Jr.
A very good book ..

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>> Free PDF Industrial Arts Design: A Textbook of Practical Methods for Students, Teachers, and Craftsmen (Classic Reprint), by William H. Varnum

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Excerpt from Industrial Arts Design: A Textbook of Practical Methods for Students, Teachers, and Craftsmen

Place for the Book. As a textbook, Industrial Arts Design is a practical guide for designing in wood, clay, and base and precious metals. It is intended for individual student use in the High Schools, Normal Schools, and Colleges and as a reference book for elementary school teachers. Its more complex problems are intended as definite helps to the industrial arts designer or craftsman. The wood problems are treated with special reference to their adaptability to bench and cabinet work.

Need of the Book. It has been written to fill a decided demand for a textbook that shall, without loss of time, directly apply well-recognized principles of general design to specific materials and problems encountered in the Industrial Arts. A brief description of the decorative processes adapted to the materials under discussion with the design principles directly applying to these processes, insures designs that may be worked out in the studio or shop. It is hoped that this provision will eliminate the large number of impractical designs that are frequently entirely unfitted to the technic of the craft. This lack of mutual technical understanding between the teacher of design and the shop work instructor is the cause of friction that it is hoped will be removed by the methods advocated in these pages.

The Author's Motive. It has been the intention to reduce unrelated and abstract theories to a minimum and reach directly rules and conclusions that shall be applicable to typical materials in common use in the schools and industries. The original conception materialized in the publication of a series of articles upon Design in the Industrial Arts Magazine, in 1915. These articles were favorably received and their results in the schools proved highly satisfactory. Through this encouragement, the articles have been reprinted in book form, enriched by the addition of illustrations, review questions, and three chapters on color with its applications.

Industrial Arts Design develops the principles of industrial design in a new and logical form which, it is believed, will simplify the teaching of craft design. Chapters I to V deal with the elementary problems confronting the designer as he begins the first steps on his working drawing; Chapters VI to VIII show the methods by which he may express his individuality through contour or outline enrichment, while Chapters IX to XVII explain the treatment of the most difficult form of decoration, that of surface enrichment.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .56" w x 5.98" l, .79 pounds
• Binding: Paperback
• 266 pages

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1 of 1 people found the following review helpful.
A key to Arts and Crafts design.
By Christopher T. Dahle
This is an old book and I had to read well into the fourth chapter before I figured out what the author was talking about. Then suddenly I realized that I was holding a guide book to arts and crafts design. I began to see that the author was talking about the proportions and design sensibilities of the Arts and Crafts movement and applying them to everything that might exist in the built environment, from book cases to motor cars. I've long been drawn to Arts and Crafts style houses, cabinets, and furniture, but had trouble creating my own designs to solve modern problems while retaining the lines and feel of the arts and crafts movement. Scaling a classic Stickley design to create, for example, a media cabinet, just wasn't working for me. I knew I needed to work from a fresh sheet of paper and not just copy or incorporate arts and crafts elements to get the Craftsman look.

With this book, I have another piece of the puzzle. It is a sort of exercise book that might have been used in secondary schools between the wars. It is hard to follow and presumably the students who used this also had an industrial arts instructor prodding them in the right direction. But after a while I found I really could figure it out, particularly if I read it while sitting at a drafting board with pencil and t-square instead of trying to doodle it out in Sketch-Up.

Neat little book.

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## PDF Ebook Introducing Joyce: A Graphic Guide (Introducing...), by David Norris

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James Joyce is one of the most famous--and controversial--writers of the twentieth century. The myth of his difficulty has discouraged many readers from works such as "Ulysses," but David Norris explores his life and work in this engaging and intellectually rigorous introduction.

• Sales Rank: #700684 in eBooks
• Published on: 2015-09-03
• Released on: 2015-09-03
• Format: Kindle eBook

About the Author
David Norris is an Irish civil rights campaigner, scholar, and independent politician. He is a former university lecturer.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Should be read BEFORE reading any of Joyce's works...
By A Customer
This is an excellent introduction to the life and writings of James Joyce, the former being essential to understanding the later, on any level. Mr. Norris's text and Mr. Clint's illustrations (which are actually rather functional) bring a sense of insight to any who attempt to take on one of the most complex writers in Western literature. The outline of "Ulysses" is excellent, and Mr. Norris even takes on the daunting task of begining to explain what has to be one of the most utterly demanding books ever, "Finnegan's Wake," and illustrates, literally, that it is not just some great joke or jibberish as others who probably have tried and failed to interpet, claim it is. And the keen advice from Mr. Norris, although rather pedestrian, disproves the popular notion of Joyce being unreadable. I would strongly recommend this and any of the other editions in this excellent series (I have since purchased, "Introducing Kafka.")

0 of 0 people found the following review helpful.
ENLIGHTENMENT - FINNEGANS WAKE to be Read and Read again for 10,000 years
By James C Brandon
Joyce, man of Letters, fluent in Languages, Traveler in circles high and low and places near and far, Scholar of knowledge, Prophet to Mankind.

Richard Appignanesi's, (etc...) reading of FW, Introducing Joyce..., provides insight into Joyce's granularity of FW. Joyce has thrown all Mankind's manifest gods/deities/idols into FW, in reading FW like circumambulating the Kaaba's 360 idols, each reader/author will find their own manifest god and if enlightened move on to the Unmanifest.

Joyce's Ulysses (is the story of a young man) whose framework is Homer's Odyssey: a tale of Modern-day Odysseus' personal existential/sexual quest overcoming his psychological internal travails (not Odysseus' external travails) affirming humanity (the fundamental family unit: the father, mother, son, and daughter). Joyce's FINNEGANS WAKE (is the story of a mature man) whose framework is Giambattista Vico's "La Scienza Nuova's" 4 stages of history (cyclic): theocratic to aristocratic to democratic to chaos (followed by Joyce's God "thunderclap") which ends chaos and restarts the world again with theocracy.

Both FINNEGANS WAKE (FW) and Ulysses are situated in Dublin (Ireland) and though both books were written on the European continent, Joyce memorializes his birth home. FW is Joyce's continuation of Ulysses on a grander scale: Bloom becomes All-Men (HCE) and Dublin becomes the World. Joyce's Ulysses (Bloom) is an energetic man hopping out of bed, plunging into the Dublin day, waging battles real and unreal, exhausted by controversy and rejuvenated by love (Molly). Joyce's FINNEGANS WAKE is man (HCE) ever-living, man of all wisdom, man of all compassion, man of all understanding, man of all time - Joyce's FW protagonist is Finnegan, who (re)incarnates to HCE, who will (re)incarnate to Shem and Shaun.

Reading FW is entering the "mind of James Joyce", who for two decades assembled his masterpiece - the mind of Joyce is the "library of mankind" he has reordered dictionaries, encyclopedias, and volumes of knowledge to reveal a mandala of Mankind's thoughts, conscious and unconscious, a revelation. FW is a volume to be Read and Read again for 10,000 years.

*4) FW ends "book IV" (Vico's chaos) with a half sentence "A away a lone a last a loved a long the" - the first words of FW is the second half of the sentence "riverrun,...".

1) The first chapter of FW's "book I" (Vico's theocratic) describes 1) Finnegan's passing (pedantic fall, an aeon ends), Joyce's God "thunderclap" restarting "book I" from ending "book IV" and 2) transition from Finnegan (his fertile historic home) to HCE (an invading Ulysses). The first 4 chapters of "book I" introduces readers to the father (protagonist HCE, his syncretic history and "folk" hearsay) and the second 4 chapters of "book I" are devoted to the women (who will catch her man) who becomes mother (HCE's wife ALP, her syncretic history and "folk" hearsay). Finnegan represents the archaeological "past" (a passing aeon) held by a forefather (a Brahma, Ireland's Brahmas / ants upon a whale carcass) with his wisdom of the history of all men and times. Finnegan passes his baton (his place in the fabric of the universe) to HCE now present in time with his particular past. The parents (HCE & ALP) are the new "present anchored by their particular pasts" in FW.

After 4 billion years of biological evolution, Here we are!, well, Where are we?, and, Where did we come from?; Our individual particular consciousness has been inherited from the past (a temporal space in an expanding consciousness), and, Biological evolution has divided us by sex (which induces Social evolution) to procreate offspring to fill our temporal consciousness when we expire:

- A Dublin wake for Finnegan (who passes, the past), the spurned wanting Prankquean (complement of male invader), and the disembarking of Humphrey Chimpden Earwicker (HCE, the present) and family. HCE's history, his shameful voyeuristic encounter in Phoenix Park (sexual trysts), his consequential undoing and its memorialized retelling (hearsay's meanderings / creations of folktale) "The Ballad of Persse O'Reilly". HCE is arrested in the "small hours" for disturbances at his tavern/home unable to enter his front gate/door (like Bloom in Ulysses), tried (for his life's deeds, HCE's Dzogchen Buddhist stance) and jailed (for his own innocent protection). HCE is resurrected from a metaphorical coffin (jail/hell, funeral's end to marriage's beginning) precipitating HCE's memories (Bloom's underworld excursion Ulysses ch Hades), HCE's spirits rally and a revealing (liberating) letter is introduced. Anna Livia Plurabelle's history of letters (Muse), written by his son Shem (Joyce), appropriated by his twin brother Shaun (carrier). Analysis of the ALP letter (cast/setting of FW) and the informing parable of "The Mookse, the Gripes and Nuvoletta" (Shaun stasis/space, Shem change/time, and Iseult evolution's direction). Shem's artistic nature (hardships as an enlightened "revealer") who evolves from father Justice to ALP's Mercy and reveals her letter(s). Two washerwoman gossip over ALP & HCE: ALP pursues her soulmate HCE and prepares her social "nest" by quashing the rumors of HCE, she is his better half and defender.

2) FW's "book II" (Vico's aristocratic) devotes itself to HCE & ALP's children: Shaun (extrovert, man of the world, stasis/space - like Sartre's BEING in "Being and Nothingness") carrier of the letter(s) and builder, Shem (introvert, artist, change/time - Sartre's NOTHINGNESS) revealer of the letter(s), and Iseult (daughter) gatherer and composer of letters. The children are the "present future" of FW.

Biological and Social evolution engenders parental responsibilities, to successful offspring, to continue and expand consciousness:

- Shem (Glugg, 3 advancing trials), Shaun (Chuff), and Iseult play (children's social world) in front of the family tavern chronologic games parodying their parent's lives. Shem (gifted Glugg), Shaun (Chuff), and Iseult ridicule their dated orthodox lessons and arrogant ossified professor (the past, adult world), Dolph's sexual revelations antagonize a perplexed Kev who blackens Dolph's eye, Issy self-reflects and composes letters, graduation pending the children will move past their parents to their own individual intellectual lives. HCE & ALP's children grow up (the present) in a raucous Feast of eating, drinking, storytelling, and a "free and open discussion of ideas" in the family tavern (HCE's ship) interrupted by "media announcements", HCE's defends himself with a self-deprecating apologia and latter his drunken collapse after the close. MaMaLuJo (ever-present local social Dharma), HCE asleep on the floor dreams of his (children's collegiate future) transferred romantic love, the tale of the interrelationships between King Mark/HCE, Tristram/Shem (and Shaun/Morholt) and the two Iseults (Queen ALP wife/mother and Princess daughter).

3) FW's "book III" (Vico's democratic) devotes itself to "what will be of" HCE & ALP's children's - the baton will be passed on (again) from HCE & ALP to: Shaun, Shem and Iseult (daughter). The children's "influences upon the world" is the "future generation" (presently unknowable) of FW.

Our offspring will inherit and evolve their Own individual particular temporal consciousness within their local (social Dharma, MaMaLuJo) community despite our efforts, our thoughts, our hopes, our dreams:

- HCE rises from the tavern floor to go upstairs to bed with ALP, he dreams of (his desired children's future adulthood) Shaun's unfolding career (carrier of the FW letter) promulgating its contents before MaMaLuJo from his child's ship (a barrel) and a prophetic Aesop's fable "The Ant, the Grasshopper, and the girls" (Shaun/space, Shem/time, the girls), Shaun's initial debacle. HCE dreams of a (more realistic future) mature Shaun's (second coming, Juan) adulthood of Western sermonizing (the FW letter, from manifest to Unmanifest) before his daughter Iseult and her 28 playmates, Issy moves toward enlightened womanhood and Shem (Dave) is designated as Shaun's Eastern enlightened paraclete. HCE dreams of his life's enduring "sins of the father" (Unmanifest contents of the FW letter, on his children's future) on transcendent Shaun's (Yawn, he too will recede into the archaeological past) life examined and prosecuted for the imperfect beliefs he inherited and promulgates (FW letter) by Four Old Inquisitors (MaMaLuJo, and a higher authority Brain Trusters "Unmanifest certified"), HCE is innocent, his life virtuous. HCE's dreamtime breaks, the interrupting nightmare cry of Shem (Jerry, who intrudes/interrupts his parent's sexuality), once Shem is comforted, HCE & ALP return to bed for late-night intercourse unsuccessful spiritually (transactional, condom male orgasm, female orgasm) and a nap.

*4) FW ends "book IV" (Vico's chaos) with HCE & ALP's lovemaking dissolution dream - awaiting Joyce's God "thunderclap" at the beginning of FW's "book I". A supposition may be made that Joycean Nirvana is attained by HCE (via Dzogchen Trekchö) and ALP (via Dzogchen Tögal) - realizing the heart of enlightenment in the present moment, transcending all defilements and fixations (beyond all dualistic polarities) so that their rainbow bodies are realized, unification with the Unmanifest (creation, incarnate conception) and Reincarnation (the baton has been passed on again) - Danis Rose and John O’Hanlon 2010/12 edition reveals the 4 stages of Trekchö and 4 visions of Tögal.

Ever-living Tree of sentient life (time/compassion) and Immutable stone (space/law), "Yet is no body present here which was not there before. Only is order othered. Nought is nulled. Fuitfiat!" Should we Aspire? Aspire to what? To that which manifested consciousness:

- The converging 4 stages of Trekchö and 4 visions of Tögal: The night has passed (all dissolves), the Lotus blooms (sunrise), a Christ/Krishna "Saint Kevin" is born illuminated by light (an aeon begins). Muta (native didicism) and Juva (invading docetism) observe Mankind's existential struggle "Archdruid vs St. Patrick" (Unmanifest / spiritual vs Manifest / deities/idols). "The Revered Letter" (FINNEGANS WAKE / Joyce's West/East Tibetan bardos). ALP (& HCE's) Nirvana revelation (Creation, Incarnate conception and Reincarnation), to end/restart again (Shiva's trident ending the world) "Save me from those therrble prongs!".

Cosmic interplay of the Two Girls: Maya (Iseult/Nuvoletta reflection) - Thaya (Iseult/Nuvoletta) and Three Soldiers: Tamas (Burrus/Shiva) - Rajas (Caseous/Brahma) - Sattvas (Antonius/Visnu); the "shameful" voyeuristic encounter in Phoenix Park ("book I ch 2", "The Ballad of Persse O'Reilly") is Bloom’s major transgression against his marriage bed (Ulysses ch Nausicaa) with Gerty McDowell (and other sexual trysts, in a "garden") who revealed herself to Bloom "she leaned back and the garters were blue to match on account of the transparent . . . she leaned back ever so far...she let him and she saw that he saw...because he couldn’t resists the sight of the wondrous revealment...looking and he kept on looking, looking...a sigh of o! and everyone cried O! O! in raptures..."(366-67), Bloom acknowledges “Still it was a kind of language between us.”(372) and "look and suggest and let you see and see more and defy you if you’re a man to see that and, like a sneeze coming; legs...Wonder how is she feeling in that region... (373-4). Joyce acknowledges that the "revealment" has activated Bloom, the origins of sexuality are women's invitations / revealments. That which cannot be "recorded" (physical occurrences: sights, sounds, tastes, smells, touch... in time and space) are revealments, Mankind's "unrecorded human thoughts and dreams". Joyce established in Ulysses "his revelations" of mankind's hitherto unrecorded conscious and unconscious "thoughts and dreams".

The Letter is all-letters (Brown/Nolan, written language captured in masculine/feminine), the "writings of all mankind" (thoughts we live by, define us, ultimately our undoing) including Joyce's: "seductive letters" ending in a trial (Ulysses ch Circe), songs and verses "The Ballad of Persse O'Reilly", the West's backward disunited corrupted truths (book II ch 2) of human consciousness, HCE's Apologias (muse ALP), and FW (Joyce's comprehensive West/East Tibetan bardos) the "Truths that have as yet to reach Mankind". Joyce has a "historically traditional" revelation of the relationship between the sexes: "women activate men" and women compose letters (Gerty McDowell, Martha, Molly, and ALP, etc.) by collecting the fragments of truths (that Belinda the Hen picks through), while men provide content and build things (Finnegan, HCE, Shaun, etc.). Consequently women are the Muses (and repositories) of Mankind's "thoughts and dreams, history and gossip". "The letter" is within ALP's consciousness (and unconsciousness), within her repository: she is the Muse of past letter(s), HCE's Apologias, and FINNEGANS WAKE (Joyce's West/East Tibetan bardos) - just as Picasso' women were his Muses. (Men) Joyce (and Shem) don't create letters they "reveal letters" from Mankind's collective consciousness (and unconsciousness).

Evolution of Everyman: every man will aspire to godhood during their lifetime, as Icarus flew too close to the sun, every man will aspire to dominate their profession (Joyce in writing FW) or dominate the world of men (Egyptian pharaohs, Roman emperors, Russian tsars, etc.) yet they will fall, taken down by someone, "how Buckley shot the Russian General". The children: Shaun, Shem and Iseult will evolve (in book II) from children's games parodying their parents; to youngsters studying their forefather's past lessons; to adults participating in the "rustle bustle" of present life, aspiring to their own godhood (as HCE has), yet they too will experience the fall (dismembered by those around them); after the fall (but before the end/restart) they will dream of what might have been (not their current life) but when they were young, and when love was young.

Imparted Dream gifts: HCE dreams of how his family's lives may influence his children's future loves (book II ch 4); HCE dreams of how his children's future adulthood may unfold as an extension of his life's experiences (book III ch 1); HCE dreams of how his parenting instructions will influence his children's future of moving past their life's obstacles to their interdependent / individual spiritual lives (book III ch 2); HCE dreams of how he has prepared his children to defend themselves from their family inheritances, ALP (his soulmate) is invited into his dream (to defend him) as is his cherished Iseult (book III ch 3); HCE (& ALP) lovemaking dissolution dream of the past dissolving and the new day arising (book IV).

If Joyce intended "HCE day" similar to "Bloomsday" (roughly 24 hrs): FW starts in "book I ch 3" with HCE arrested in front of his tavern/home, like Bloom unable to enter his front door (but HCE does not enter his home through the back door) - instead HCE is arrested for disturbances in hours before dawn. Then "book I ch 4" HCE's conscious/awake or unconscious/dream psychological travails of past guilts (underworld coffin, Ulysses ch Hades) while incarcerated in early hours of morning. Followed by "book I ch 2" HCE walks home through Phoenix Park accosted for the time of day (12 noon) which threatens (real/unreal memories, Ulysses ch Nausicaa) his innocent well-being. These 3 chapters in FW are Joyce's major rework to incorporate Vico's revelation of restart / recirculation into FW - Joyce rewrites 3 chapters of Ulysses: When He is denied Her front door, He is in Hell (on earth), when released (from Hell) His odyssey to Her begins again (with His ever-present accompanying internal travails) for She always knows when He is worthy of Her acceptance (their Paradise).

Then "book I ch 1" Finnegan's afternoon wake at HCE's tavern. Inside HCE's tavern (his ship) his patrons talk about his family, truthful (letters, Norwegian Captain and the Tailor's Daughter) and fabricated stories (book I:5-8 and book II:3); while the children (Shaun, Shem and Iseult) are in and out of the family tavern/home all day taking their lessons (book II:2) and playing about with their friends (book II:1); HCE, as proprietor, defends himself with a self-deprecating speech before his drunken collapse late night (book II:3). HCE dreams on his tavern floor (book II:4); then dreams in his bed (book III:1-3); before intercourse with his wife ALP (book III:4). HCE & ALP's lovemaking dissolution dream (book IV) to awaken to a new day, a supposition may be made that Joycean Nirvana is attained by HCE unification with the Unmanifest (creation, incarnate conception) and Reincarnation (the baton has been passed on again), awaiting Joyce's God "thunderclap" at the beginning of FW's "book I".

Joycean Nirvana lies on the surface of FW's text (mandala, available to all) - excavating below the surface of the text reveals the arguments that support the Nirvana (present granular mindfulness) and refutes all institutional/religious dogma (children's marginalia righting/reversing misconceived lessons) and authoritarian oppression (Wellington Museum's militarism expressed as instrument of people or oppression by rulers). Joyce reveals what may be Dzogchen "Father Tantras" or "Maha Yoga" (in book I, ch 1-4); Dzogchen "Mother Tantras" or "Anu Yoga" (in book I, ch 5-8); while identifying Shem as receptive to "Ati Yoga" or Non-Dual Tantras (Tiberiast Duplex, in book I, ch 6); the answer to the Riddle(s) the "Tiberiast Duplex" is Shem (Joyce) who is the Enlightened One. A supposition may be made that: the Children learn in "book II" Dzogchen Semde (Mind/Time Series) self-knowledge (awareness) and Dzogchen Longde (Space Series) evolution-knowledge (primordial wisdom, rigpa); and that HCE intends (dreams) in "book III" to impart Dzogchen Mannagde (Secret Instruction Series) Self-Liberation-knowledge to his Children.

What does it all Mean: Joyce's gift to Mankind is that Life recirculates. Unlike Joyce's Ulysses (based on Homer's Odyssey) life does not end with woman (in Molly's bed): night passes, the morning arises, and all dissolves to recirculate and restart again - some actors leave the stage and are replaced / (re)incarnated by a "younger version of their former self". Joyce changes from Ulysses by using Giambattista Vico's framework of recirculation for FINNEGANS WAKE - Finnegan (re)incarnates to HCE, as Shaun (most like HCE) will largely be a (re)incarnation of HCE, Shem (most like ALP) will (re)incarnate some of HCE but also some of ALP, and Iseult will largely be a (re)incarnation of ALP - however, Iseult will choose a man much like HCE (who is (re)incarnated through his daughter) as Shaun will choose a woman much like ALP - while Shem may become the next Joyce. FW is the "thoughts and dreams, history and gossip" of all Mankind.

FW is aural (oral) history like Homer's Odessey and Celtic folktales - when one pronounces (phonology) FW's words (aloud) there are more languages than just English; also, when one reads (morphology) FW's words almost all the words are "portmanteaus / neologisms" which gives each of FW's "polysynthetic words" many meanings (impermanence, Heisenberg uncertainty), each FW sentence dozens of possible messages, each FW paragraph hundreds of possible readings, Joyce's rendering of a more expansive English language and multiplicating universal book with coalescing syncretic themes/stories (that responds to each reader's inquiries). Joyce schooled in Christian Jesuit metaphysics (pushed down into the mindfulness of human consciousness) breathes in the spirit of expansive Celtic (Irish) community tavern life where man's stories of life are told. Tavern life teaches the evolution of Joyce's ten God "thunderclaps" (one hundred lettered words) pushing man's evolution forward from cave man's tales to modern tv media tales. Inside the tavern man learns of the purely human (animal) fall, taken down by another human(s) - like animal taken down on the African savanna. A granular reading of FW can render FW as an updated John Milton's Paradise Lost (regurgitated knowledge from the tree, to affirm man's damnation); however, Charles Darwin's The Origin of Species was published in 1859 and Joyce in FW book II clearly walks Shaun, Shem and Iseult through their earthly evolutionary lifetime travails, our mortality is a consequence of Life's evolution. Every page of FW speaks to man's evolution (unconscious biological, conscious social, aspirational personal) and to Life recirculating (West meets Dzogchen East a "meeting of metaphysical minds") that binds humanity together into the future. Dzogchen (beyond all dualistic polarities) the heart of human consciousness - Joyce's underlying (subcutaneous) arguments refute the "Western curse of metaphysical/mythological damnation", the curse does not exist in the Eastern mind. Like "counting the number of angels on the head of a pin" (Aquinas 1270) Joyce provides a granular reading of FW as a "defense against all Western adversity" for our conscious and unconscious Western travails. HCE's angst is caused by his community that imposes a Western curse (damnation) upon him that man is not guilty of. To experience Joycean Nirvana, a defense against this man-made guilt is required - for as Zoroaster revealed cosmogonic dualism, evil is mixed with good in man's everyday (universal) travails (even the Dalai Lama must defend Nirvana rigorously from the most populous authoritarian state in human history).

Joyce's FW celebrates the Joys of Christian/Buddhist diversity of humanity (expansiveness of human consciousness: Gnostic Norwegian Captain, Shem, Archdruid), Brahma (Finnegan, HCE, Shaun), Divine Women (ALP, Iseult, Nuvoletta), his family - and the Sufferings of the inescapable "evil" of Shiva (Buckley), the debilitating harmful sterile intrusive authoritarian institutionalizing damnation (MaMaLuJo, St. Patrick) by Augustine, the manufactured clerical corruption identified by Luther (since 367 AD) and the burdens of "survival of the fittest" anxiety (modern commerce) met with a Dzogchen Buddhist stance. The (innocent infant) Norwegian Captain (Krishna, HCE), occasionally defensive (Shiva, HCE), though concretized (Brahma, HCE) by community family life (MaMaLuJo) - through spirits (drink) HCE can access his spirituality (dreams) and through spiritual (cutting through) love-making with ALP (direct approach) can access (their Krishnas) unification with the Unmanifest. Joyce was a Prophet who consumed Man's conscious and unconscious "thoughts and dreams, history and gossip", efforts and failings - to reveal the joys and sufferings of Mankind.

Hermes Trismegistus reveals in the Corpus Hermeticum the Unmanifest to his son Tat; however, Maha-Visnu's unlimited universes (sometimes manifest and sometimes unmanifest) predates Western revelations by centuries. Unmanifest "spiritual" God (Visnu) is omniscient compassionate eternal. Manifest universes consist of Equilibrium (Visnu), Creation (Brahma) and Destruction (Shiva) - Shiva is a ''temporal manifestation of Visnu'' whose destructions are manifest and cannot interact with the Unmanifest. Zoroaster revealed Cosmogonic dualism where inescapeable manifest "evil" (Shiva) is mixed with good (Visnu and Brahma). The 39th Festal Letter 367 AD expunged Unmanifest spirituality from Christ's message (Nag Hammadi manuscripts, spiritual revelations beyond the orthodox cannon). Doctrines of Augustine: dogmas of original sin, infant damnation and predestination were brought to Ireland by St Patrick, consequently extinguishing Unmanifest spirituality, sentient's place in the fabric of the temporal universe (preexistence and reincarnation). All Manifest gods are deities/idols (creations of man) - only the Umanifest (untouched by man ) is affirmative by definition (our universe's reality: its matter, its laws & consciousness manifest); manifest local ephemeral astronomic physics vs Unmanifest global eternal quantum (Maya / Thaya - Tamas / Rajas / Sattvas) physics. Joyce returns Mankind to the path to the Unmanifest.

Joyce's FW message: Christian/Buddhist omniscient compassion (Christ/Krishna) is eternally joyful and recirculating. Affirmative family (HCE/Brahma, ALP/Divine woman & children) existentiality: life's biological evolution (sex), modern survival (money), constraining community (Dharma, social evolution) are constantly assaulted by inescapable "aggressive insidious vile" corrupt soul(less/sucking) ossified demonic antipathetic attacks. Joycean Nirvana is attained via the Christian/Buddhist affirmative middle way, "beyond polar opposites" the path of Christ/Buddha.

JCB

0 of 0 people found the following review helpful.
Good introduction
By Obiwanspicoli
I read rivverrun through the liffey and this was recommended as a good guide / bio / intro to Joyce's life and work. It is a comic but packed with information.

One could read this and know more about Joyce than most college lit majors.

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