Wednesday, January 14, 2015

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Sir Gawain and the Green Knight & Five

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Sir Gawain and the Green Knight & Five

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Sir Gawain and the Green Knight & Five

Sir Gawain and the Green Knight is a late 14th-century Middle English chivalric romance. It is one of the best known Arthurian stories, and is of a type known as the "beheading game". The Green Knight is interpreted by some as a representation of the Green Man of folklore and by others as an allusion to Christ. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish and English stories, as well as the French chivalric tradition. It is an important poem in the romance genre, which typically involves a hero who goes on a quest which tests his prowess, and it remains popular to this day in modern English renderings from J. R. R. Tolkien, Simon Armitage and others, as well as through film and stage adaptations.
It describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who challenges any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. In his struggles to keep his bargain Gawain demonstrates chivalry and loyalty until his honor is called into question by a test involving Lady Bertilak, the lady of the Green Knight's castle.
The poem survives in a single manuscript, the Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Purity and Patience. All are thought to have been written by the same unknown author, possibly Cameron of Sutherland, dubbed the "Pearl Poet" or "Gawain Poet", since all four are written in a North West Midland dialect of Middle English.

Bonus works are included!
An ultimate collection of “King Arthur” stories:

• Le Morte d'Arthur by Sir Thomas Malory, the best-known compilation of Arthurian lore
• Idylls of the King by Alfred, Lord Tennyson, a poetic retelling of the Arthurian cycle
• King Arthur and His Knights by Maude Radford Warren, a version of the story for children and families
• King Arthur and the Knights of the Round Table by Sir James Knowles, another popular retelling for the general reader
• A Connecticut in King Arthur's Court by Mark Twain

*Secret sixth Bonus
King Arthur-an overview of the historical basis & more!

  • Sales Rank: #157982 in eBooks
  • Published on: 2015-09-30
  • Released on: 2015-09-30
  • Format: Kindle eBook

From Publishers Weekly
Composed in medieval England by an unknown poet and set in what were (even then) the old days of King Arthur, the tale of Sir Gawain begins when a magical warrior with green skin and green hair interrupts the Christmas party at Camelot with a bizarre challenge: If a person here present, within these premises,/ is big or bold or red blooded enough/ to strike me one stroke and be struck in return in once year's time, says the knight, I shall give him as a gift this gigantic cleaver. Pure, loyal Sir Gawain accepts the agreement: the adventures that ensue include a boar hunt, a deer hunt, and an extended flirtation with a noble lady, designed to test Sir Gawain's bravery, fidelity and chastity, and to explore—with some supernatural help—the true meaning of virtue. The Gawain-poet, as he is known to scholars, wrote in Middle English (reproduced here); though it is slightly harder to read than Chaucer, the grammar is more or less our own. Armitage (The Shout), one of England's most popular poets, brings an attractive contemporary fluency to the Gawain-poet's accentual, alliterative verse: We hear the knights of Round Table chatting away charmingly, exchanging views. This is a compelling new version of a classic. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
[Armitage] has taken an artifact from a remote era and made it his own, while simultanously restoring it to itself. (John Ashbery) REVIEW Brilliantly orchestrated....Armitage has produced a brilliantly well-tuned modern score for one of the finest surviving examples of Middle English poetry. -- Poetry Review

About the Author
Simon Armitage is the award-winning poet and translator of both Sir Gawain and the Green Knight and The Death of King Arthur, as well as several works of poetry, prose, and drama. He is the Oxford Professor of Poetry.

Most helpful customer reviews

70 of 76 people found the following review helpful.
Boar Hunts and Bedchambers
By Andrew Schonbek
Also alliteration and a lot of it.

Simon Armitage has produced a contemporary translation of the noted 14th century Middle English poem. In so doing he has been faithful to the original work, while rendering it accessible and interesting to modern readers.

The action begins when the knights of King Arthur's Round Table are disturbed in their Christmas feasting by the arrival of a fearsome Green Knight who issues a remarkable challenge:

"if a person here present, within these premises,
is big or bold or red-blooded enough
to strike me one stroke and be struck in return,
I shall give him as a gift this gigantic cleaver
and the axe shall be his to handle as he likes.
I'll kneel, bare my neck, and take the first knock.
So who has the gall? The gumption? The guts?
Who'll spring from his seat and snatch this weapon?
I offer the axe - who'll have it as his own?
I'll afford him one free hit from which I won't flinch,
and promise that twelve months will pass in peace,
then claim,
the duty I deserve
in one year and one day.
Does no one have the nerve
to wager in this way?"

Gawain accepts the challenge, and lops off the Green Knight's head with a single swipe, only to have the Knight stand up, pick up his head, and remind Gawain to meet him at the appointed time. The ensuing quest, culminating in an ambivalent and unexpected ending, weaves together themes of chivalry and the natural, hunting and seduction, as well as Christianity and paganism. The symbolism is many layered and ushers the reader into ever deeper understandings from an ancient era.

But it is the language, the evocative delighting in words, that I most enjoyed. Here is the description of a boar hunt that takes place while Gawain fends off the amorous advances of a beautiful mistress:

"The front men stepped forward to fire a shot,
aimed arrows at him that were often on target,
but their points could not pierce his impenetrable shoulders
and bounced away from his bristly brow.
The smooth slender shafts splintered into pieces,
and the heads glanced away from wherever they hit.
Battered and baited by such bombardment,
in frenzied fury he flies at the men,
hurts them horribly as he hurtles past,
so that many grow timid and retreated a tad.
But the master of the manor gave chase on his mount,
the boldest of the beast-hunters, his bugle blaring,
trumpeting the tally-ho and tearing through the thickets
till the setting sun slipped from the western sky.
So the day was spent in pursuits of this style,
while our lovable young lord had not left his bed,
and, cosseted in costly quilted covers, there he
remained.
The lady, at first light,
did not neglect Gawain,
but went to wake the knight
and to change his mind."

Recommended reading (once you start with the alliteration it's hard to stop).

37 of 38 people found the following review helpful.
Above All, Readable
By New Yawkuh
I guess in an enterprise like this - creating the nth translation of an ancient classic - distinction of a given effort comes from the balance of readability, poetry, and faithfulness.

This translation hikes the "readability" parameter all the way up. Most book reviewers of this translation use the "can't put it down" cliche, and it's true. No need to discuss further: if you're looking for a heckuva read, even if you're familiar with this work, you need look no further.

As for poetry, Armitage is a distinguished poet, and clearly invested great care in the music, nuance, and language (including, yes, tons of alliteration...in most cases working off a different consonant than the original). The result stands as a work of art, hence my five stars. One can't argue with greatness.

As for faithfulness...I'm no scholar, so don't take this as more than a comment from the peanut gallery. But as I read, I'd often glance over at the Middle English text and feel dismayed to find that more liberty was taken than I'd have preferred. In many cases, the Middle English is fully intelligible and quite affecting, yet Armitage chooses quite different language. On the other hand, his method is proven by the vibrantly engaging result.

My biggest quibble is that the translation contains three or four VERY jarring instances of discordantly modern colloquialisms (without discernible reason, to my eye) that come from out of nowhere. If I'd known I'd be writing this review, I'd have noted them, but never mind; as you read, you can't help but trip on them. Each time, I'd shake my head in disbelief. But, again, they're extremely infrequent.

So if readability and poetic sweep are your preference - and why wouldn't they would be if you're reading for pleasure? - this is definitely a book to own. If you're a Middle English scholar or a knowledgeable veteran of multiple previous Gawain versions, you ought to approach with a forgiving attitude. Armitage takes pains, in the introduction, to claim a minimally invasive approach. But don't all translators say the same?

Just an aside, perhaps naive: issues of spelling seem to constitute a great deal of the original's impenetrability. I'd love to read a truly minimally invasive translation, where spelling is modernized and only crucial obsolete words are individually replaced (alliteration be damned), in order to enjoy an easier undiluted taste of The Poet's voice. I hasten to note that even if such a translation existed, Armitage's work would still sit proudly on my shelf.

26 of 26 people found the following review helpful.
New best Gawain translation
By Wanda B. Red
I've read a lot of translations of the poem "Sir Gawain and the Green Knight" (I regularly teach it), and I thought that nobody could outdo the standard, quite wonderful version by Marie Borroff (also published by Norton). Well, I've just finished reading Simon Armitage's amazing translation, and I was wrong. Armitage's should be the new standard version used by students and lay readers everywhere. It captures both the energetic alliteration of the original and also its wonderful toggling between formal and colloquial registers. It does a magnificent job of approximating the galloping rhythm of the long verses, but is equally stunning at managing the "bob and wheel" that brings each long verse to comically neat closure (e.g., see Armitage's description of Gawain's emblem, the pentangle -- "[he] bore that badge on both / his shawl and shield alike. / A prince who talked the truth. A notable. A knight," ll.636-39). It takes some poetic chutzpah to fiddle with the Gawain-poet in this way. But Armitage has the versifying courage and the nervy tone just right. I think the 14th-century poet, whoever he was, would admire and appreciate this new version.

That's also because Armitage shows humility as a translator too when it matters. For example, he works hard to preserve the delicate moral ambiguities of the original poem. It's difficult to translate Gawain's refusal to give the seductress, the lady of the manor (where his humility, his loyalty and his self-control are tested) a token of his affection with the perfect blend of courtesy and self-regard that is there in the original ("Hit is not your honour to haf at this tyme / A glove for a garysoun of Gawaynes giftes," ll. 1806-07), but Armitage's "it strikes me as unseemly that you should receive / nothing greater than a glove as a keepsake from Gawain" hits the mark pretty well; by placing Gawain's reference to himself in the third-person at the end of the line, he makes us wonder if the hero isn't buying in a bit too easily to the reputation that has preceded him.

I'm not going to repeat the plot of the whole poem here; it's well known, easy to find online, and other amazon reviewers have gone over it. Armitage's confidence as a translator is expressed in his willingness to provide the original language of the poem on a facing page (Borroff's translation does not do this), so the reader can take a long look at the luscious original. Sure, he changes a word here or there (every translation does this), but Armitage is scrupulously true to the spirit of the original.

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Tuesday, January 13, 2015

# PDF Download Leipzig!: One Thousand Years of German History - Bach, Luther, Faust: The City of Books and Music, by Sebastian Ringel

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Bringing to life the stories of the ordinary and famous Leipzigers, this book takes readers through the 1,000-year-old history of the city of books and music. This book contains a rich history of Leipzig, from St. Thomas Church where Johann Sebastian Bach composed his cantatas to Martin Luther’s dispute of the future of Christianity at Germany’s second oldest university to the rallies at the St. Nicholas Church that led to the downfall of Communism. Located at the meeting point of historic imperial roads, Leipzig is also the site of one of the world’s oldest and largest book fairs. A sweeping overview, this book highlights the famous stories of what is now a splendidly rebuilt city.

  • Sales Rank: #1661037 in Books
  • Published on: 2015-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .70" w x 6.70" l,
  • Binding: Paperback
  • 230 pages

Review
"[Leipzig!] features many famous Leipzig figures and brings to light long-forgotten details from the city's fascinating history."  —Leipziger Internetzeitung

"Exciting stories about Leipzig abound!"  —Radio Mephisto

"1,000 years of comedy and tragedy"  —Leipziger Volkszeitung

About the Author
Sebastian Ringel is a Leipzig novelist who grew up in a small town in Saxony. He studied history in Dresden, where he also became an occupational therapist. His first novel, The Monotony of Yeah, Yeah, Yeah came out in 2002, followed by a collection of stories and poems, My Dog the Fish. His latest novel, 5.8 People was inspired by a year-long sojourn in Australia. In addition to writing, he works as a tour guide in Leipzig. 

Most helpful customer reviews

1 of 1 people found the following review helpful.
Three Stars
By Amazon Customer
historically very good, photos could have been clearer

See all 1 customer reviews...

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Sunday, January 11, 2015

# PDF Ebook The Poems of Andrew Marvell (Longman Annotated English Poets)From Routledge

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The Poems of Andrew Marvell (Longman Annotated English Poets)From Routledge

Little known as a poet in his own time, Andrew Marvell (1621-78) was a patriotic politician and champion of religious toleration during the Restoration. Although long celebrated for the great love lyric, To His Coy Mistress, the last century has seen his wider reputation as a poet grow significantly, as readers have acclaimed not only his technical excellence, but the appeal of his verse to such themes as poetry and politics, alternative sexualities and the criticism of violent persecution.

Nigel Smith presents an authoritative text of Marvell's poetry, accompanied by extensive annotations giving an unprecedented record of literary, philosophical and theological analogues and allusions. Local points of interpretation are addressed - using the many hundreds of publications devoted to Marvell's life and works -  and Marvell's canon is re-appraised: some poems considered dubious hitherto are added, and others excluded. In a headnote to each poem, the reader will find the fullest accounts yet published of matters of dating, sources, publication, historical context, and critical reception. The first complete, annotated edition of Andrew Marvell's verse for thirty years, this is an indispensable guide to the study of Marvell's poetry

This revised edition contains new information available since the original publication: newly recovered versions of some poems, further details of historical context and updated translations of all the Latin poems. It remains the first point of reference for scholar, student and general reader alike.

  • Sales Rank: #8198426 in Books
  • Published on: 2015-09-29
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Hardcover
  • 496 pages

Review

"The more I read, the more fascinating it became... the poems now move with even more life than they did before. If you've ever been impressed by the beauty, intelligence and sly mystery of Marvell's work, you're really going to have to get this." - Nicholas Lezzard, The Guardian

"His commentary is in many ways the best available on Marvell…On sources, Smith is highly informative..." - Times Literary Supplement

"...detailed notes and careful annotations are of high order and form a scholarship of which any editor and publisher can be justly proud." - Contemporary Review

"You could not get a more learned edition... Masterly introduction to each poem" -AN Wilson in The Telegraph, 16 October 2006

From the Back Cover

Little known as a poet in his own time, Andrew Marvell (1621 – 78) was a patriotic politician and champion of religious toleration during the Restoration. Although long celebrated for the great love lyric, To His Coy Mistress, the last century has seen his wider reputation as a poet grow significantly, as readers have acclaimed not only his technical excellence, but the appeal of his verse to such themes as poetry and politics, alternative sexualities and the criticism of violent persecution.

Nigel Smith presents an authoritative text of Marvell’s poetry, accompanied by extensive annotations giving an unprecedented record of literary, philosophical and theological analogues and allusions. Local points of interpretation are addressed - using the many hundreds of publications devoted to Marvell’s life and works – and Marvell’s canon is re-appraised: some poems considered dubious hitherto are added, and others excluded. In a headnote to each poem, the reader will find the fullest accounts yet published of matters of dating, sources, publication, historical context, and critical reception. The first complete, annotated edition of Andrew Marvell’s verse for thirty years, this is an indispensable guide to the study of Marvell’s poetry

This revised edition contains new information available since the original publication: newly recovered versions of some poems, further details of historical context and updated translations of all the Latin poems. It remains the first point of reference for scholar, student and general reader alike.

Nigel Smith is a Professor of English at Princeton University. He is the author of Perfection Proclaimed: Language and Literature in English Radical Religion, 1640-1660 (OUP, 1989) and Literature and Revolution in England , 1640-1660 (Yale UP, 1994).

 

About the Author

Nigel Smith is a Professor of English at Princeton University. He is the author of Perfection Proclaimed: Language and Literature in English Radical Religion, 1640-1660 (OUP, 1989) and Literature and Revolution in England, 1640-1660 (Yale UP, 1994).

Most helpful customer reviews

1 of 2 people found the following review helpful.
Easily the most comprehensive volume of Marvell's poetry available
By Michael Birman
Andrew Marvell is usually lumped in with the "Metaphysical Poets" in English Literature classes. Poets as wildly disparate as John Donne, George Herbert, Henry Vaughn, Richard Crashaw and Thomas Carew are lumped in right along with him. The inevitable question: what exactly is metaphysical about their poetry? Well, it seems that they are witty (but not George Herbert, he's deadly earnest in his religious poetry). They are stylistically elaborate if not downright strange in their approach to poetry and language. And it appears that they are unusually inventive.

The source of the label "Metaphysical Poet" actually has its origin in a charge leveled at John Donne by the poet John Dryden, 60 years his junior and no doubt feeling his oats. Dryden complained that when it came to women, instead of allowing for nature to take its course while they read his poetry (I won't even begin to speculate about what that means), Donne was prone to perplexing their minds with philosophical speculations. He "affects the metaphysicals". In other words, Donne is too clever by half, at least for the ladies (and that's why if Dryden ever comes back, he's toast). The bottom line is that there really is nothing particularly metaphysical about this group of 17th century poets other than a general speculative nature.

Marvell is best known for his lyric poems and the poems written essentially as panegyrics for Oliver Cromwell. Just about all of Marvell's surviving poetry is based on a single source: Miscellaneous Poems, published in 1681, three years after the poet's death. These were assembled by Marvell's putative wife, who claimed that she had assembled them from his papers. She asserted textual accuracy and guaranteed their authenticity. All of the poems that are confidently ascribed to the canon are included here, These include the 18 poems in Greek and one in Latin. Several of the Restoration verse satires, for which attribution to Marvell has been made over the centuries, or that have been associated with his name, are also included here. Some variants are included in an appendix.

As always in the Longman's Annotated Poets series, the headnotes are informative, the annotation is exhaustive and all of the additional bibliographic, historical context and publishing information is extensive, up-to-date and accurate. Marvell's poetry often has a slightly mysterious, elusive quality which makes it something of a challenge to grasp. Even Marvell's most famous poem - To His Coy Mistress - is something of a cipher. A straightforward celebration of Eros? A carpe diem instruction? An Epicurean manifesto? The four pages of annotation that accompany this allegedly simple famous poem examine all of these possibilities and more. If you enjoy reading Marvell or are studying his work, this is definitely the book to get. The Poems of Andrew Marvell is the most comprehensive volume of his poetry currently available.

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!! Free PDF History of the Military Canteen (Classic Reprint), by Philip Hildreth Reade

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History of the Military Canteen (Classic Reprint), by Philip Hildreth Reade

Excerpt from History of the Military Canteen

At the beginning of the last century, and for some years after, the soldiers canteen was a wooden, drum-shaped affair, provided with a nozzle. (See cut p. 120.)

To now return to that shape and adopt a hollow cylinder, modeled after a drum for packing figs in, would be an advance backwards.

The history of mankind is the history of the development of weapons and equipment for war by improvements, in which one nation has overcome another and survived.

Within a few months from now our military organization will have been readjusted. The arms and equipments to be necessitated by the increase in numbers of our permanent military establishment should be new and not of the nineteenth century pattern.

By July, 1901, perhaps 60,000 canteens now carried by, or in the possession of, United States Volunteers and Regulars will have been turned in. Some of these canteens will be suspended by the returned volunteers beside the obsolete muzzle-loading firearms of the civil war period, and some may find their way into the museums for the collection and display of archaic military weapons and equipments.

From being an inconsequential article of a soldier's personal equipment the canteen has become, in fact, one of the most important articles, because connected with hygienic considerations; in other words, because it carries water and because the majority of our troops are in localities where good water is of prime consideration to health.

Those who live a comparatively fixed life can hardly weigh aright the importance of a good canteen.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .37" w x 5.98" l, .53 pounds
  • Binding: Paperback
  • 174 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent History Of The Army Canteen!
By The Gyro Captain
As a collector of canteens, I was really happy to see this Colonel Reade's book back in print. At the time Reade wrote this book, the US Army was fighting in the jungles of the Philippines, but was still using a water bottle that was essentially the same as that carried in the American Civil War. Reade was a driving force towards equipment reform, and had written a report to the War Department advocating a newer, better canteen. Though the Army did not adopt the canteen Reade recommended, they did begin to look into the adoption of a new canteen. The equipment board of 1909 (6 years after "History of the Military Canteen") adopted a new canteen, the basic style of which is still used by the US Army today.

If you are interested in the history of US Army canteens, I would recommend: "U.S. Army and Militia Canteens, 1775-1910" by Mike O'Donnell, and the historic blog messkits dot wordpress dot com.

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Friday, January 9, 2015

>> PDF Download The Chemistry and Technology, of Printing Inks (Classic Reprint), by Norman Underwood

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The Chemistry and Technology, of Printing Inks (Classic Reprint), by Norman Underwood

Excerpt from The Chemistry and Technology, of Printing Inks

The authors have endeavored in the preparation of this volume to prepare a concise work on the chemistry and methods of manufacture of one of the most important materials of the present day.

They have attempted to give in a brief and practical but yet scientifically correct manner the many facts concerning the raw materials and finished products used in this industry which they have collected during a number of years of laboratory work and manufacturing experience.

Obsolete methods and materials which have been found to have no value in the art on account of modem improvements or excessive cost have been omitted.

The attempt has been made to present the most recent methods of manufacture and a description of the materials which have been found useful in the art in a clear and concise manner. The authors have spent a great deal of time on the form and style of the book in the hope that it may prove valuable and serviceable to the many workers in this art.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .36" w x 5.98" l, .52 pounds
  • Binding: Paperback
  • 170 pages

About the Author
Thomas Sullivan lives in Cathrup Village, Michigan.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A book from 1914, reprinted!
By D. Pope
These reprints are catching out a lot of people. If you want a historical reference discussing the state of the art in inks 100 years ago, then this book is probably for you, and there are definitely people out there who might need such a thing, e.g. document conservators or anyone doing in-depth research into the history of the printing process.

However, if you've found this title because you searched for books on ink chemistry (and you only have an interest in modern applications) you'll most likely be pretty annoyed if you buy this.

As a note to the publisher - I would strongly recommend reviewing your cover designs, since this looks modern and serves only to mislead potential readers.

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Tuesday, January 6, 2015

>> Ebook Free Jane Eyre (Inti Classics Annotated): by Charlotte Bronte, by Charlotte Brontë

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Jane Eyre (Inti Classics Annotated): by Charlotte Bronte, by Charlotte Brontë

Jane Eyre (originally published as Jane Eyre: An Autobiography) is a novel by English writer Charlotte Brontë

The novel Jane Eyre is a first-person narrative of the title character. The novel is set somewhere in the north of England, during the reign of George III (1760–1820), and goes through five distinct stages: Jane's childhood at Gateshead Hall, where she is emotionally and physically abused by her aunt and cousins; her education at Lowood School, where she acquires friends and role models but also suffers privations and oppression; her time as governess at Thornfield Hall, where she falls in love with her Byronic employer, Edward Rochester; her time with the Rivers family, during which her earnest but cold clergyman cousin, St. John Rivers, proposes to her; and the finale with her reunion with, and marriage to, her beloved Rochester. During these sections the novel provides perspectives on a number of important social issues and ideas, many of which are critical of the status quo. Literary critic Jerome Beaty opines that the close first person perspective leaves the reader "too uncritically accepting of her worldview", and often leads reading and conversation about the novel towards supporting Jane, regardless of how irregular her ideas or perspectives.

Particularity of this edition:
- Complete work: The 37 chapters of the story
- A table of contents
- Annotations from wikipedia.

  • Sales Rank: #593982 in eBooks
  • Published on: 2015-09-28
  • Released on: 2015-09-28
  • Format: Kindle eBook

Review
"At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Brontë."
--Virginia Woolf

Review
"At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Brontë."—Virginia Woolf

From the Publisher
Bookcassette Audiobooks have three hours of listening on each tape - twice the normal amount! Since we record the story on the right and left tracks of st ereo tape separately, your stereo tapeplayer must have fully functioning balance control to isolate each speaker.

Most helpful customer reviews

244 of 268 people found the following review helpful.
The only edition to buy
By Joseph Guyer
This review is aimed more toward the Norton edition than to JANE EYRE. We all know this is a classic. Bronte was simply a genius and a harbinger of romantic, dramatic, gothic, and horror writing. (However, it still irks me that she couldn't end a simple sentence with a period. Every declarative statement, it seems, must be qualified with a colon or semi-colon. Oh well. Sign of the times.)

As for the Norton edition, it's the only one to buy. Bronte makes the assumption that you have read the Bible cover-to-cover a zillion times, and for those of us who have not read it through once, Norton's annotations are more than helpful---they're essential to understanding the novel's Christian allusions. This edition also provides the reader with critical essays, contexts of Bronte's life, Bronte's reactions to critics of her day, etc.

Bottom line: you can get the Dover Thrift edition for a couple bucks, but, if you are interested in giving this classic more than a cursory read, this edition is worth the extra money.

221 of 247 people found the following review helpful.
wuthering heights editions
By Jordi Vilalta Lopez
Rather than delve on the contents of this strangest and strongest of English novels, so intensely poetic in its haunting darkness and otherness, I'll comment briefly on the best editions available for a good first contact:

A) Text oriented editions (that is, editions with few materials added: normally an Introduction, annotation, and perhaps Charlotte's Peface and Biographical Notice and some bibliographical indications).

1. Oxford World's Classics: authoritative text, good annotation,
excellent introduction.

2. Penguin's Classics: same as above, everything looks a little shorter but is excellent nonetheless.

3. Wordsworth Classics edition. This would be a rather fine edition as befitting this collection, if it had a good 1847 text and not the heavily tampered-with Charlotte's 1850 edition. The text itself reflects accurately that of the 1900 Haworth Edition -a careful one-. The wording changes aren't perhaps so worrying nor is the toning-down of the dialectal tirades -although funny and useless-. What is worrying is the disappearance of more than six hundred paragrapph entries (I mean just the paragraphing, not the contents itself!), that makes for a different -and worse- reading experience. Very good and full -if brief- annotation. Mass-market, glued paperback.

4. Heather Glen's for Routledge. One of the finest text-oriented editions, especially for the excellent Introduction and Epilogue together with its good annotation, out-of-print for rather obscure reasons. If you find still a very good to fine copy at amazon Canadian branch (or at abebooks.com, it would be a good buy.

5. Orchises two-volume facsimile reprint of the 1847 edition. No notes nor any additional material. the books are well produced if a little expensive. Very interesting item, but only suitable for textual scholars or would-be scholars, or otherwise for fetish-oriented WH-maniacs.

B) Study-oriented editions (i.e. editions that contain additional contextual information: early reviews, selection of Emily's poems, critical essays, chronologies of the novel or of the Bronte family...).

6. Norton's Fourth Edition (current item): OK, the text is still a little idiosyncratic, but the notes are much improved, and so is everything else (with the anthology of poems, and the critical essays). A very fine study edition but also suitable for a first contact, although annotation is still on the scarce side. Good paperback production without flaps but signature-sewn (or so it seems) and good paper and printing quality (albeit with a rather small type).

7. Broadview edition by Beth Newman: it's one of the best study editions overall. There are some minor textual foibles and the annotation is decidedly scanty (to make amends for Heywood excesses) but good and accurate, and both Prof. Newman ecellent Introduction and the selection of the additional contextual material is, arguably, the finest ever (including the very interesting document on "Brain fever"). Materially speaking, it is a good paperback without flaps with good paper and printing quality (like Norton Critical, although I can't ascertain without tearing apart my copy of Beth Newman's that it be signature-sewn instead of glue-only "perfect binding). In any case a very good buy.

7. Alison Booth's for Longman Cultural. Other of the very best study editions available. The text is deadly acuurate -except for some 1850 unobtrusive detail- on the
Clarendon 1976 reference critical edition, although the punctuation -like Norton Critical, Broadview's Newman and Oneworld's one- has been silently lightened and modernized throughout. It looks like glue-only "perfect binding" paperback, but perhaps it is signature-sewn. Paper and printing quality are good enough. The only misgiving I have is the overdone fragmentation of contextual material (good and relevant material though it is): there are 40+ items, many of them very short or they wouldn't fit into 430 pages. One of the best possible buys.

8. Onewold's Classics edition. A fine paperback edition with flaps, very good paper and printing quality and (I rather surmise than know for sure) signature-sewn. The text looks like 1847 in paragraphing but it takes in too
many of 1850 "improvements" and is wrong at some places: it's short of a disaster, but rather non-reliable (in spite of the well-meant efforts by the almost anonymous editing panel who perpetrated it). Annotation is good and comprehensive enough, but the contextual material is rather scanty and run-of-the-mill non-commital.

9. Barnes&Noble's Tatiana Holway edition (hardcover). To say it promptly the only fault with this lovely edition (but, as stated above in wordsworth Classics edition, a really big fault) is its accurate and reliable 1850 Haworth Edition text. Other than this, it looks as a popularly oriented edition, but with quality marks. The Introduction by Daphne Merkin is good enough, the annotation by Holway is really excellent. Supplementary material is very scanty: the "Charlotte's prefatory materials" of 1850 (prefixed to the text, which is a pity), and some comments about film and TV adaptations as well as some chosen excerpts of reviews. Material production is outstanding: nice hardcover with dust jacket, good paper and printing quality, the only good available edition in a becoming format (Clarendon Edition is very hard to come by nowadays: say one to three years to pin it down). Don't forget the Franklin Mint editions of the sixties and seventies if you are interested in a very beautiful book with a reliable 1847 text and illustrations by Alan Reingold (and nothing else).

420 of 480 people found the following review helpful.
Do not miss out on this book...
By KayBee
You know all those 'classic' novels you read in high school? How many of them do you actually remember? Well, if Jane Eyre was one of those long-forgotten books, pick up a copy. To read it as an adult is a joy: it's a sweeping, disturbing, intense, thrilling, very romantic gothic love story, written in the voice of a very intense, almost claustrophobically self-aware young heroine. Jane is no Ophelia - she's a complicated, remarkable character, and a very strong female character in a genre that usually draws women as beautiful victims at best.

There's something for everyone in this book: Windswept castles, difficult and neurotic family members, dark secrets about tragic former lovers, good triumphing over evil, all that good juicy stuff that makes a great romantic story. What elevates Jane Eyre is Bronte's remarkable style & skill and her sharp and complex characterizations.

Trust me on this: If you don't remember it from your teens, you should give it a try now. Here is one novel that more than lives up to it's 'classic' status.

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Monday, January 5, 2015

# Download Handy Farm Devices and How to Make Them (Classic Reprint), by Rolfe Cobleigh

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Handy Farm Devices and How to Make Them (Classic Reprint), by Rolfe Cobleigh

Excerpt from Handy Farm Devices and How to Make Them

Success comes to the man who so works that his efforts will bring the most and the best results - not to the man who simply works hard. It is the know-how, things-to-do-with and economy that count. Labor-saving machinery has revolutionized many a trade and industry. It has made farming an industry and a science of possibilities undreamed of and unattainable a hundred years ago. But it is not enough for the modern farm to be equipped with the best tools and machinery that shops and factories turn out, to know how to use them and keep them in repair. There are many handy devices, not made in any factory and not sold in any store, that every intelligent man can make himself, which save money and labor and time. Inventive men are constantly contriving simple but valuable things to meet the needs of their own practical experience. We are all the time hunting after and gathering these ideas. Now we are putting a lot of the best ones into this book. We are trying, by words and pictures, to explain clearly just how to make each device. Everything described is tried and practical. Some are old, many are new, all are good for the purpose intended. They represent the practical, successful experience of farmers and other wide-awake workers all over the United States.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

  • Sales Rank: #4061895 in Books
  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .63" w x 5.98" l, .89 pounds
  • Binding: Paperback
  • 302 pages

Amazon.com Review
Originally published in 1909, "Handy Farm Devices" is more than an engaging trip down memory lane. For any small farmer or homesteader, the techniques and devices described in detail are just as useful, durable, and fully functional today as they were 75 years ago. You will learn to build a portable chicken coop, a stone boat (for moving stone), a lightweight orchard ladder, gates that don't sag, and a handy wood splitter, as well as rudimentary farm structures, well houses, bee hives, a baby's cradle, a cheese press and much more. The charming, turn-of-the-century language and useful and inspirational quotes from Shakespeare, the Bible, Bacon, Longfellow and many others make this book a delight to read. --Mark A. Hetts

Review
A reprint of a 1910 classic, this well-illustrated 288-page paperback is filled with clever ideas and useful information. Even those of us who'd rather pass on making a moveable brooder house for chickens of fashioning a baby cradle from an old barrel will find wisdom in this thrift-conscious and often environmentally wise celebration of self-suffiency. -- Country Living Magazine, April, 1997

From the Publisher
This book is part of a series published by the Lyons Press re-introducing classic books of Americana the turn of the century. Books in the series include:

* Fences, Gates, and Bridges * Farm Appliances * Farm Blacksmithing * Farm Machinery * Fences, Gates, and Bridges * Harris on the Pig * The Homestead Builder * Farm Motors * Shelters, Shacks, and Shanties * Farm Conveniences * Village and Country Residenses * With more to come!

Most helpful customer reviews

147 of 151 people found the following review helpful.
This book will save you both time and money.
By David Lilligren
This reprint of the 1909 classic should be on the shelf of every serious homesteader. Farming is hard work, and this book will teach you how to save both time and money to get the job done. In this little gem you'll learn how to make your own tools for your workshop, how to build things for around the house, for the barns, and for your livestock, in addition to other devices for your garden and orchard, including a section that discusses fence-making and gate-making. Several pages are devoted to building a farmhouse (including the floor plan for my wife's "dream house"), barns, and other outbuildings. This book also makes for very entertaining reading. Peppered throughout are worthwhile quotes from famous (and not-so-famous) farmers from the past. I'm glad I found this book. I hope you will be, too!

81 of 85 people found the following review helpful.
Book is worth its weight in GOLD!
By Mark A Griffith
I bought this book on 29-Feb-00 because I am inheriting a farm in West Virginia. I read through it last night and am 110% convinced that the ideas in this book will cut my workload in half and make my life better when I move to the farm. I have placed 27 yellow stickies in this book; one for each idea that I will be able to use in the coming year. If you own a farm, buy this book!

39 of 41 people found the following review helpful.
Pure practicality & lots of nostalgia
By Jeff B.
Handy Farm Devices is a really great book if you'd like to read about early 20th century practical living. There's no fluff here; just practical tips for simple living, and lots of good ideas for fixing/making things around the house.

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