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Read throughout the world, admired by Dostoyevsky and translated by Baudelaire, Edgar Allan Poe has become a legendary figure, representing the artist as obsessed outcast and romantic failure. His nightmarish visions, shaped by cool artistic calculation, reveal some of the dark possibilities of human experience. His enormous popularity and his continuing influence of literature depend less on legend or vision than on his stylistic and formal accomplishments as a writer of fiction and a great lyric poet. In this complete and uniquely authoritative Library of America collection, well-known tales of "mystery and imagination" and his best-known verse are collected with early poems, rarely published stories and humorous sketches, and the ecstatic prose poem Eureka.

Poe's poetry is famous both for the musicality of "To Helen" and "The City in the Sea" and for the hypnotic, incantatory rhythms of "The Raven" and "Ulalume." "The Fall of the House of Usher" and "The Cask of Amontillado" show his mastery of Gothic horror; "The Pit and the Pendulum" is a classic of terror and suspense. Poe invented the modern detective story in "The Murders in the Rue Morgue," and developed the form of science fiction that was to influence, among others, Jules Verne and Thomas Pynchon. Poe was also adept at the humorous sketch of playful jeu d'esprit, such as "X-ing a Paragraph" or "Never Bet the Devil Your Head." All his stories reveal his high regard for technical proficiency and for what he called "rationation."

Poe's fugitive early poems, stories rarely collected (such as "Bon-Bon," "King Pest," "Mystification," and "The Duc De L'Omelette), his only attempt at drama, "Politian"—these and much more are included in this comprehensive collection, presented chronologically to show Poe's development toward Eureka: A Prose Poem, his culminating vision of an indeterminate universe, printed here for the first time as Poe revised it and intended it should stand.

A special feature of this volume is the care taken to select an authoritative text of each work. The printing and publishing history of every item has been investigated in order to choose a version that incorporates all of Poe's own revisions without reproducing the errors or changes introduced by later editors. Here, then, is one of America's and the world's most disturbing, powerful, and inventive writers published in "the first truly dependable collection of Poe's poetry and tales."


From the Hardcover edition.

• Sales Rank: #1043988 in eBooks
• Published on: 2015-09-22
• Released on: 2015-09-22
• Format: Kindle eBook

Review
An Acrostic
Al Aaraaf
Alone
Annabel Lee
The Bells
Bridal Ballad
Catholic Hymn
The City In The Sea
The Coliseum
The Conqueror Worm
Deep In Earth
A Dream
A Dream Within A Dream
A Dream Within A Dream, Or Imitation
Dreamland
Dreams
Eldorado
Elizabeth
Enigma
An Enigma
Eulalie; A Song
Evening Star
Fairyland (1)
Fairyland (2)
For Annie
The Happiest Day, The Happiest Hour
The Haunted Palace
Introduction
Israfel
The Lake (version 2)
Lenore (3)
Lines On Joe Locke
Mysterious Star! (a New Introductioin To 'al Aaraaf')
Oh, Tempora! Oh, Mores!
The Raven
Romance
Scene 3
Scene 4
Scene 6
Scene 7
Scene 9
Serenade
The Sleeper
Song
Sonnet To Zante
Sonnet: Silence
Spirits Of The Dead
Stanzas
Tamerlane (4)
To - (1)
To - (4)
To - (5)
To F - (mrs. Frances Sargent Osgood)
To F---s S. O---d
To Helen (1)
To Helen (2)
To Isaac Lea
To M.l.s.
To Margaret
To Miss Louise Olivia Hunter
To My Mother
To One In Paradise
To Science; Sonnet
To The River
Ulalume - A Ballad (2)
A Valentine To --
The Valley Of Unrest (2)
Song Of The Broad-axe
-- Table of Poems from Poem Finder®

No one can ask for more. -- American Literature

From the Publisher
The Library of America is an award-winning, nonprofit program dedicated to publishing America's best and most significant writing in handsome, enduring volumes, featuring authoritative texts. Hailed as "the most important book-publishing project in the nation's history" (Newsweek), this acclaimed series is restoring America's literary heritage in "the finest-looking, longest-lasting edition ever made" (New Republic).

About the Author
Patrick Quinn (1918-1999), the editor of this volume, was Professor of English at Wellesley College and the author of The French Face of Edgar Allan Poe, among other works.

Most helpful customer reviews

65 of 67 people found the following review helpful.
For the SERIOUS Poe lover.
By George H. Soule
If you want the real Poe, the Library of America version of Poe's Poetry and Tales is the best bargain going. This volume should give either a lover of Poe or a serious scholar a handy volume of the Poe canon. I am not going to extol the virtues of Edgar Allan Poe. He was one of our most important national authors and an innovator of forms and genres. Master of the macabre, inventor of the detective story, explicator of the psychotic soul-Poe was the father of psychological horror literature as well as an accomplished satirist, critic and poet. If you want all of the poems and tales all in one place, go buy this book. Apparently the two volume Borzoi Poe (Knopf) edited by Arthur Hobson Quinn and Edward H. O'Neill is out of print. That was certainly a respectable edition of the poems and stories, and it included, the marvelous metaphysical Eureka as well as all the tales and poems and a respectable cross-section of the criticism in a handsome two-volume edition. The Modern Library and Doubleday complete Poe's are good enough to read for pleasure. But if you want a version of Poe that can be used as a reading text as well as a scholarly resource (meaning serious stuff) then this Library of America volume is just the thing for you. It is edited by Patrick Quinn, a highly respected Poe scholar, and its texts are good-and you get all of them. It's certainly a bargain when compared to the Thomas Ollive Mabbott/Burton Pollin variorum edition, a multi-volume extravaganza. And most of us don't need all that detail anyway. This is a nice volume because it encapsulates the canon of the fiction and poetry-clean and compact. Here you get all the poems and tales (short stories) as well as The Narrative of Arthur Gordon Pym, the timely Poe version of Lewis and Clark called The Journal of Julius Rodman, the cosmological extravaganza/ metaphysical tour de force that Poe called Eureka. This is all of Poe that you might want to read. And the texts are all derived from the real authoritative readers' texts defined by the best Poe scholars. There is a second volume in the series that contains criticism that brings it all back home.

45 of 48 people found the following review helpful.
The best Poe book available
By Nigel
There are few american authors as good as Edgar Allen Poe. From the grotesque to the sublime his poetry is among the most enjoyable ever written. His tales continue to excite both young and old alike. One of the things that I enjoy most about Poe is that many of his tales are designed not only for suspense but also to challenge the intellect of the reader. This edition of Poe is one of the finest available. It is made to Library standards and is the version of choice for all who want to enjoy Poe's writings over a lifetime. In addition to the books superior binding and quality it includes the works not commonly found among other so called complete editons. They include: The unparalled Adventure of One Hans Pfall, The Journal of Julius Rodmen, and Eureka:Aprose poem. The book also includes a complete index of titles and of first lines, and notes on the text. For anyone looking for a definative edition on Poe I couldn't make a stronger recommendation.

26 of 31 people found the following review helpful.
Great Stories, Disappointing Book
By J. Snyder
As a word of warning to potential buyers, Canterbury Classics such as the Edgar Allan Poe book are not shrink wrapped by the manufacturer. Since they travel from China then to warehouses and finally to buyers, it is a good bet the gold edges will be scratched. The manufacturer also places labels on the leather covers. The entire stories and poems are included in the text but the print is so small and light it is not easy to read them. The quality is not high, but then you're only paying $13.48.

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Excerpt from The Works of Edgar Allan Poe, Vol. 5

Charles Dickens, in a note now lying before me, alluding to an examination I once made of "Barnaby Rudge," says - "By the way, are you aware that Godwin wrote his 'Caleb Williams' backwards? He first involved his hero in a web of difficulties, forming the second volume, and then, for the first, cast about him for some mode of accounting for what had been done."

I cannot think this the precise mode of procedure on the part of Godwin - and indeed what he him self acknowledges, is not altogether in accordance with Mr. Dicken's idea - but the author of "Caleb Williams" was too good an artist not to perceive the advantage derivable from at least a somewhat similar process. Nothing is more clear than that every plot, worth the name, must be elaborated to its denouement before any thing be attempted with the men. It is only with the denouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .78" w x 5.98" l, 1.11 pounds
• Binding: Paperback
• 376 pages

About the Author
Edgar Allan Poe (January 19, 1809 - October 7, 1849) was an American author and poet; his short stories include "The Fall of the House of Usher," "The Murders in the Rue Morgue," "The Pit and the Pendulum," and "The Tell-Tale Heart."

Most helpful customer reviews

90 of 91 people found the following review helpful.
Content listing.
By Holly A. Glasgow
Digger's Domain (Amazon Reviewer) was so helpful with his (or her) previous reviews and listing of contents for volumes 1 through 4, but he did not get to volume 5, it seems, so here is the listing of the contents of this Poe work:

Philosophy of Furniture
The Sphinx
Hop-Frog
The Man of the Crowd
Never Bet the Devil Your Head
Thou Art the Man
Why the Little Frenchman Wears his Hand in a Sling
Some Words with a Mummy
The Poetic Principle
Old English Poetry (*)
Poems

12 of 15 people found the following review helpful.
Almost there
By Amazon Customer
The free kindle version seems to be missing the poems. Gutenberg has the full text.

10 of 13 people found the following review helpful.
NO Poems in this edition!!!
By VioletV
Unless I've missed something there are NO Poems actually present in this edition. The titles, sure, but not the text.
Good thing it was free... this way the only thing this edition cost me, was my time trying to find the poems!!!

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• Sales Rank: #1170681 in eBooks
• Published on: 2014-02-11
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The poem survives in a single manuscript, the Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Purity and Patience. All are thought to have been written by the same unknown author, possibly Cameron of Sutherland, dubbed the "Pearl Poet" or "Gawain Poet", since all four are written in a North West Midland dialect of Middle English.

Bonus works are included!
An ultimate collection of “King Arthur” stories:

• Le Morte d'Arthur by Sir Thomas Malory, the best-known compilation of Arthurian lore
• Idylls of the King by Alfred, Lord Tennyson, a poetic retelling of the Arthurian cycle
• King Arthur and His Knights by Maude Radford Warren, a version of the story for children and families
• King Arthur and the Knights of the Round Table by Sir James Knowles, another popular retelling for the general reader
• A Connecticut in King Arthur's Court by Mark Twain

*Secret sixth Bonus
King Arthur-an overview of the historical basis & more!

• Sales Rank: #157982 in eBooks
• Published on: 2015-09-30
• Released on: 2015-09-30
• Format: Kindle eBook

From Publishers Weekly
Composed in medieval England by an unknown poet and set in what were (even then) the old days of King Arthur, the tale of Sir Gawain begins when a magical warrior with green skin and green hair interrupts the Christmas party at Camelot with a bizarre challenge: If a person here present, within these premises,/ is big or bold or red blooded enough/ to strike me one stroke and be struck in return in once year's time, says the knight, I shall give him as a gift this gigantic cleaver. Pure, loyal Sir Gawain accepts the agreement: the adventures that ensue include a boar hunt, a deer hunt, and an extended flirtation with a noble lady, designed to test Sir Gawain's bravery, fidelity and chastity, and to explore—with some supernatural help—the true meaning of virtue. The Gawain-poet, as he is known to scholars, wrote in Middle English (reproduced here); though it is slightly harder to read than Chaucer, the grammar is more or less our own. Armitage (The Shout), one of England's most popular poets, brings an attractive contemporary fluency to the Gawain-poet's accentual, alliterative verse: We hear the knights of Round Table chatting away charmingly, exchanging views. This is a compelling new version of a classic. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
[Armitage] has taken an artifact from a remote era and made it his own, while simultanously restoring it to itself. (John Ashbery) REVIEW Brilliantly orchestrated....Armitage has produced a brilliantly well-tuned modern score for one of the finest surviving examples of Middle English poetry. -- Poetry Review

About the Author
Simon Armitage is the award-winning poet and translator of both Sir Gawain and the Green Knight and The Death of King Arthur, as well as several works of poetry, prose, and drama. He is the Oxford Professor of Poetry.

Most helpful customer reviews

70 of 76 people found the following review helpful.
Boar Hunts and Bedchambers
By Andrew Schonbek
Also alliteration and a lot of it.

Simon Armitage has produced a contemporary translation of the noted 14th century Middle English poem. In so doing he has been faithful to the original work, while rendering it accessible and interesting to modern readers.

The action begins when the knights of King Arthur's Round Table are disturbed in their Christmas feasting by the arrival of a fearsome Green Knight who issues a remarkable challenge:

"if a person here present, within these premises,
is big or bold or red-blooded enough
to strike me one stroke and be struck in return,
I shall give him as a gift this gigantic cleaver
and the axe shall be his to handle as he likes.
I'll kneel, bare my neck, and take the first knock.
So who has the gall? The gumption? The guts?
Who'll spring from his seat and snatch this weapon?
I offer the axe - who'll have it as his own?
I'll afford him one free hit from which I won't flinch,
and promise that twelve months will pass in peace,
then claim,
the duty I deserve
in one year and one day.
Does no one have the nerve
to wager in this way?"

Gawain accepts the challenge, and lops off the Green Knight's head with a single swipe, only to have the Knight stand up, pick up his head, and remind Gawain to meet him at the appointed time. The ensuing quest, culminating in an ambivalent and unexpected ending, weaves together themes of chivalry and the natural, hunting and seduction, as well as Christianity and paganism. The symbolism is many layered and ushers the reader into ever deeper understandings from an ancient era.

But it is the language, the evocative delighting in words, that I most enjoyed. Here is the description of a boar hunt that takes place while Gawain fends off the amorous advances of a beautiful mistress:

"The front men stepped forward to fire a shot,
aimed arrows at him that were often on target,
but their points could not pierce his impenetrable shoulders
and bounced away from his bristly brow.
The smooth slender shafts splintered into pieces,
and the heads glanced away from wherever they hit.
Battered and baited by such bombardment,
in frenzied fury he flies at the men,
hurts them horribly as he hurtles past,
so that many grow timid and retreated a tad.
But the master of the manor gave chase on his mount,
the boldest of the beast-hunters, his bugle blaring,
trumpeting the tally-ho and tearing through the thickets
till the setting sun slipped from the western sky.
So the day was spent in pursuits of this style,
while our lovable young lord had not left his bed,
and, cosseted in costly quilted covers, there he
remained.
The lady, at first light,
did not neglect Gawain,
but went to wake the knight
and to change his mind."

Recommended reading (once you start with the alliteration it's hard to stop).

37 of 38 people found the following review helpful.
Above All, Readable
By New Yawkuh
I guess in an enterprise like this - creating the nth translation of an ancient classic - distinction of a given effort comes from the balance of readability, poetry, and faithfulness.

This translation hikes the "readability" parameter all the way up. Most book reviewers of this translation use the "can't put it down" cliche, and it's true. No need to discuss further: if you're looking for a heckuva read, even if you're familiar with this work, you need look no further.

As for poetry, Armitage is a distinguished poet, and clearly invested great care in the music, nuance, and language (including, yes, tons of alliteration...in most cases working off a different consonant than the original). The result stands as a work of art, hence my five stars. One can't argue with greatness.

As for faithfulness...I'm no scholar, so don't take this as more than a comment from the peanut gallery. But as I read, I'd often glance over at the Middle English text and feel dismayed to find that more liberty was taken than I'd have preferred. In many cases, the Middle English is fully intelligible and quite affecting, yet Armitage chooses quite different language. On the other hand, his method is proven by the vibrantly engaging result.

My biggest quibble is that the translation contains three or four VERY jarring instances of discordantly modern colloquialisms (without discernible reason, to my eye) that come from out of nowhere. If I'd known I'd be writing this review, I'd have noted them, but never mind; as you read, you can't help but trip on them. Each time, I'd shake my head in disbelief. But, again, they're extremely infrequent.

So if readability and poetic sweep are your preference - and why wouldn't they would be if you're reading for pleasure? - this is definitely a book to own. If you're a Middle English scholar or a knowledgeable veteran of multiple previous Gawain versions, you ought to approach with a forgiving attitude. Armitage takes pains, in the introduction, to claim a minimally invasive approach. But don't all translators say the same?

Just an aside, perhaps naive: issues of spelling seem to constitute a great deal of the original's impenetrability. I'd love to read a truly minimally invasive translation, where spelling is modernized and only crucial obsolete words are individually replaced (alliteration be damned), in order to enjoy an easier undiluted taste of The Poet's voice. I hasten to note that even if such a translation existed, Armitage's work would still sit proudly on my shelf.

26 of 26 people found the following review helpful.
New best Gawain translation
By Wanda B. Red
I've read a lot of translations of the poem "Sir Gawain and the Green Knight" (I regularly teach it), and I thought that nobody could outdo the standard, quite wonderful version by Marie Borroff (also published by Norton). Well, I've just finished reading Simon Armitage's amazing translation, and I was wrong. Armitage's should be the new standard version used by students and lay readers everywhere. It captures both the energetic alliteration of the original and also its wonderful toggling between formal and colloquial registers. It does a magnificent job of approximating the galloping rhythm of the long verses, but is equally stunning at managing the "bob and wheel" that brings each long verse to comically neat closure (e.g., see Armitage's description of Gawain's emblem, the pentangle -- "[he] bore that badge on both / his shawl and shield alike. / A prince who talked the truth. A notable. A knight," ll.636-39). It takes some poetic chutzpah to fiddle with the Gawain-poet in this way. But Armitage has the versifying courage and the nervy tone just right. I think the 14th-century poet, whoever he was, would admire and appreciate this new version.

That's also because Armitage shows humility as a translator too when it matters. For example, he works hard to preserve the delicate moral ambiguities of the original poem. It's difficult to translate Gawain's refusal to give the seductress, the lady of the manor (where his humility, his loyalty and his self-control are tested) a token of his affection with the perfect blend of courtesy and self-regard that is there in the original ("Hit is not your honour to haf at this tyme / A glove for a garysoun of Gawaynes giftes," ll. 1806-07), but Armitage's "it strikes me as unseemly that you should receive / nothing greater than a glove as a keepsake from Gawain" hits the mark pretty well; by placing Gawain's reference to himself in the third-person at the end of the line, he makes us wonder if the hero isn't buying in a bit too easily to the reputation that has preceded him.

I'm not going to repeat the plot of the whole poem here; it's well known, easy to find online, and other amazon reviewers have gone over it. Armitage's confidence as a translator is expressed in his willingness to provide the original language of the poem on a facing page (Borroff's translation does not do this), so the reader can take a long look at the luscious original. Sure, he changes a word here or there (every translation does this), but Armitage is scrupulously true to the spirit of the original.

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# PDF Download Leipzig!: One Thousand Years of German History - Bach, Luther, Faust: The City of Books and Music, by Sebastian Ringel

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Bringing to life the stories of the ordinary and famous Leipzigers, this book takes readers through the 1,000-year-old history of the city of books and music. This book contains a rich history of Leipzig, from St. Thomas Church where Johann Sebastian Bach composed his cantatas to Martin Luther’s dispute of the future of Christianity at Germany’s second oldest university to the rallies at the St. Nicholas Church that led to the downfall of Communism. Located at the meeting point of historic imperial roads, Leipzig is also the site of one of the world’s oldest and largest book fairs. A sweeping overview, this book highlights the famous stories of what is now a splendidly rebuilt city.

• Sales Rank: #1661037 in Books
• Published on: 2015-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x .70" w x 6.70" l,
• Binding: Paperback
• 230 pages

Review
"[Leipzig!] features many famous Leipzig figures and brings to light long-forgotten details from the city's fascinating history."  —Leipziger Internetzeitung

"Exciting stories about Leipzig abound!"  —Radio Mephisto

"1,000 years of comedy and tragedy"  —Leipziger Volkszeitung

About the Author
Sebastian Ringel is a Leipzig novelist who grew up in a small town in Saxony. He studied history in Dresden, where he also became an occupational therapist. His first novel, The Monotony of Yeah, Yeah, Yeah came out in 2002, followed by a collection of stories and poems, My Dog the Fish. His latest novel, 5.8 People was inspired by a year-long sojourn in Australia. In addition to writing, he works as a tour guide in Leipzig. 

Most helpful customer reviews

1 of 1 people found the following review helpful.
Three Stars
By Amazon Customer
historically very good, photos could have been clearer

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# PDF Ebook The Poems of Andrew Marvell (Longman Annotated English Poets)From Routledge

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Little known as a poet in his own time, Andrew Marvell (1621-78) was a patriotic politician and champion of religious toleration during the Restoration. Although long celebrated for the great love lyric, To His Coy Mistress, the last century has seen his wider reputation as a poet grow significantly, as readers have acclaimed not only his technical excellence, but the appeal of his verse to such themes as poetry and politics, alternative sexualities and the criticism of violent persecution.

Nigel Smith presents an authoritative text of Marvell's poetry, accompanied by extensive annotations giving an unprecedented record of literary, philosophical and theological analogues and allusions. Local points of interpretation are addressed - using the many hundreds of publications devoted to Marvell's life and works -  and Marvell's canon is re-appraised: some poems considered dubious hitherto are added, and others excluded. In a headnote to each poem, the reader will find the fullest accounts yet published of matters of dating, sources, publication, historical context, and critical reception. The first complete, annotated edition of Andrew Marvell's verse for thirty years, this is an indispensable guide to the study of Marvell's poetry

This revised edition contains new information available since the original publication: newly recovered versions of some poems, further details of historical context and updated translations of all the Latin poems. It remains the first point of reference for scholar, student and general reader alike.

• Sales Rank: #8198426 in Books
• Published on: 2015-09-29
• Original language: English
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 496 pages

Review

"The more I read, the more fascinating it became... the poems now move with even more life than they did before. If you've ever been impressed by the beauty, intelligence and sly mystery of Marvell's work, you're really going to have to get this." - Nicholas Lezzard, The Guardian

"His commentary is in many ways the best available on Marvell…On sources, Smith is highly informative..." - Times Literary Supplement

"...detailed notes and careful annotations are of high order and form a scholarship of which any editor and publisher can be justly proud." - Contemporary Review

"You could not get a more learned edition... Masterly introduction to each poem" -AN Wilson in The Telegraph, 16 October 2006

From the Back Cover

Little known as a poet in his own time, Andrew Marvell (1621 – 78) was a patriotic politician and champion of religious toleration during the Restoration. Although long celebrated for the great love lyric, To His Coy Mistress, the last century has seen his wider reputation as a poet grow significantly, as readers have acclaimed not only his technical excellence, but the appeal of his verse to such themes as poetry and politics, alternative sexualities and the criticism of violent persecution.

Nigel Smith presents an authoritative text of Marvell’s poetry, accompanied by extensive annotations giving an unprecedented record of literary, philosophical and theological analogues and allusions. Local points of interpretation are addressed - using the many hundreds of publications devoted to Marvell’s life and works – and Marvell’s canon is re-appraised: some poems considered dubious hitherto are added, and others excluded. In a headnote to each poem, the reader will find the fullest accounts yet published of matters of dating, sources, publication, historical context, and critical reception. The first complete, annotated edition of Andrew Marvell’s verse for thirty years, this is an indispensable guide to the study of Marvell’s poetry

This revised edition contains new information available since the original publication: newly recovered versions of some poems, further details of historical context and updated translations of all the Latin poems. It remains the first point of reference for scholar, student and general reader alike.

Nigel Smith is a Professor of English at Princeton University. He is the author of Perfection Proclaimed: Language and Literature in English Radical Religion, 1640-1660 (OUP, 1989) and Literature and Revolution in England , 1640-1660 (Yale UP, 1994).

 

About the Author

Nigel Smith is a Professor of English at Princeton University. He is the author of Perfection Proclaimed: Language and Literature in English Radical Religion, 1640-1660 (OUP, 1989) and Literature and Revolution in England, 1640-1660 (Yale UP, 1994).

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1 of 2 people found the following review helpful.
Easily the most comprehensive volume of Marvell's poetry available
By Michael Birman
Andrew Marvell is usually lumped in with the "Metaphysical Poets" in English Literature classes. Poets as wildly disparate as John Donne, George Herbert, Henry Vaughn, Richard Crashaw and Thomas Carew are lumped in right along with him. The inevitable question: what exactly is metaphysical about their poetry? Well, it seems that they are witty (but not George Herbert, he's deadly earnest in his religious poetry). They are stylistically elaborate if not downright strange in their approach to poetry and language. And it appears that they are unusually inventive.

The source of the label "Metaphysical Poet" actually has its origin in a charge leveled at John Donne by the poet John Dryden, 60 years his junior and no doubt feeling his oats. Dryden complained that when it came to women, instead of allowing for nature to take its course while they read his poetry (I won't even begin to speculate about what that means), Donne was prone to perplexing their minds with philosophical speculations. He "affects the metaphysicals". In other words, Donne is too clever by half, at least for the ladies (and that's why if Dryden ever comes back, he's toast). The bottom line is that there really is nothing particularly metaphysical about this group of 17th century poets other than a general speculative nature.

Marvell is best known for his lyric poems and the poems written essentially as panegyrics for Oliver Cromwell. Just about all of Marvell's surviving poetry is based on a single source: Miscellaneous Poems, published in 1681, three years after the poet's death. These were assembled by Marvell's putative wife, who claimed that she had assembled them from his papers. She asserted textual accuracy and guaranteed their authenticity. All of the poems that are confidently ascribed to the canon are included here, These include the 18 poems in Greek and one in Latin. Several of the Restoration verse satires, for which attribution to Marvell has been made over the centuries, or that have been associated with his name, are also included here. Some variants are included in an appendix.

As always in the Longman's Annotated Poets series, the headnotes are informative, the annotation is exhaustive and all of the additional bibliographic, historical context and publishing information is extensive, up-to-date and accurate. Marvell's poetry often has a slightly mysterious, elusive quality which makes it something of a challenge to grasp. Even Marvell's most famous poem - To His Coy Mistress - is something of a cipher. A straightforward celebration of Eros? A carpe diem instruction? An Epicurean manifesto? The four pages of annotation that accompany this allegedly simple famous poem examine all of these possibilities and more. If you enjoy reading Marvell or are studying his work, this is definitely the book to get. The Poems of Andrew Marvell is the most comprehensive volume of his poetry currently available.

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Excerpt from History of the Military Canteen

At the beginning of the last century, and for some years after, the soldiers canteen was a wooden, drum-shaped affair, provided with a nozzle. (See cut p. 120.)

To now return to that shape and adopt a hollow cylinder, modeled after a drum for packing figs in, would be an advance backwards.

The history of mankind is the history of the development of weapons and equipment for war by improvements, in which one nation has overcome another and survived.

Within a few months from now our military organization will have been readjusted. The arms and equipments to be necessitated by the increase in numbers of our permanent military establishment should be new and not of the nineteenth century pattern.

By July, 1901, perhaps 60,000 canteens now carried by, or in the possession of, United States Volunteers and Regulars will have been turned in. Some of these canteens will be suspended by the returned volunteers beside the obsolete muzzle-loading firearms of the civil war period, and some may find their way into the museums for the collection and display of archaic military weapons and equipments.

From being an inconsequential article of a soldier's personal equipment the canteen has become, in fact, one of the most important articles, because connected with hygienic considerations; in other words, because it carries water and because the majority of our troops are in localities where good water is of prime consideration to health.

Those who live a comparatively fixed life can hardly weigh aright the importance of a good canteen.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .37" w x 5.98" l, .53 pounds
• Binding: Paperback
• 174 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent History Of The Army Canteen!
By The Gyro Captain
As a collector of canteens, I was really happy to see this Colonel Reade's book back in print. At the time Reade wrote this book, the US Army was fighting in the jungles of the Philippines, but was still using a water bottle that was essentially the same as that carried in the American Civil War. Reade was a driving force towards equipment reform, and had written a report to the War Department advocating a newer, better canteen. Though the Army did not adopt the canteen Reade recommended, they did begin to look into the adoption of a new canteen. The equipment board of 1909 (6 years after "History of the Military Canteen") adopted a new canteen, the basic style of which is still used by the US Army today.

If you are interested in the history of US Army canteens, I would recommend: "U.S. Army and Militia Canteens, 1775-1910" by Mike O'Donnell, and the historic blog messkits dot wordpress dot com.

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