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Saturday, February 13, 2016

** PDF Download Principles of Direct Current Machines (Classic Reprint), by Alexander S. Langsdorf

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Excerpt from Principles of Direct Current Machines

This book has been prepared with the object of placing before junior and senior students of electrical engineering a reasonably complete treatment of the fundamental principles that underly the design and operation of all types of direct-current machinery. Instead of attempting to touch the "high spots" in the whole field of direct-current engineering, attention has been concentrated upon certain important features that are ordinarily dismissed with little more than passing mention, but which, in the opinion of the author, are vital to a thorough grasp of the subject. For example, the book will be found to contain in Chapter III a full derivation of the rules covering armature windings (following Professor Arnold), in addition to the usual description of typical windings; Chapters VI and VII include a considerable amount of new material concerning the operating characteristics of generators and motors, the treatment being largely graphical and including the use of three-dimensional diagrams for depicting the mutual relationships among all of the variables; and in Chapters VIII and IX there has been developed a much more extensive treatment of the important subject of commutation than has been heretofore easily accessible to students of the type for whom the book is intended. In the selection and arrangement of the material dealing with commutation, care has been exercised to eliminate those minute details and excessive refinements that are more likely to confuse than to clarify.

Although the methods of the calculus have been freely used throughout the book, a conscious effort has been made to give special prominence to the physical concepts of which the equations are merely the short-hand expressions; to this end, the mathematical analysis has been preceded, wherever possible, by a full and copiously illustrated discussion of the physical facts of the problem and their relations to one another.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sales Rank: #8795670 in Books
Published on: 2015-09-27
Original language: English
Number of items: 1
Dimensions: 9.02" h x .88" w x 5.98" l, 1.27 pounds
Binding: Paperback
432 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A great book
By Mendoza
The Author has great knowledge of electric machines that puts it above many new textbooks in this field.

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## PDF Download History of Sanitation (Classic Reprint), by John Joseph Cosgrove

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Excerpt from History of Sanitation

When the manuscript for this volume was prepared, there was no decided intention of publishing it in book form. Originally it was intended to appear as a serial in "Modern Sanitation," and grew out of a request from the Editor of that magazine to write an article that would trace the advancement made in sanitation from its earliest stages to the present time.

Sanitation has been given but little thought by historians, consequently, considerable study and research were necessary to dig from musty tomes and ancient records a story that would prove interesting and instructive. Having succeeded in gathering together much of interest to sanitarians, and in view of the fact that no other history of sanitation was ever written, the work was deemed worthy of a more permanent place in literature, and it was decided to put it forth in more enduring form. The book is therefore offered to the public with the fervent hope that those who read its pages will derive as much pleasure as did the author in preparing the manuscript.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Published on: 2015-09-27
Original language: English
Number of items: 1
Dimensions: 9.02" h x .30" w x 5.98" l, .44 pounds
Binding: Paperback
142 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Please read this review before purchasing it
By Priamsdaughter
I thought this was a modern study of the issue until I received it. It is simply an unchanged verbatim reprint of a hundred year old tome. Even my unschooled eye caught errors and omissions. If you found the original volume of this book in a bookstore that carried old out of print volumes and the book was selling for a dollar or less I would recommend buying it as a curiosity. As a reprint of an old book for far more than a dollar I urge you to pass it by.

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!! Free Ebook Thomas Sackville and the Shakespearean Glass Slipper: Book Two of A 'Third Way' Shakespeare Authorship Scenario, by Sabrina Feldman

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HAS THE REAL SHAKESPEARE BEEN OVERLOOKED FOR FOUR CENTURIES? Records of William Shakespeare’s life are at odds with many authorial traits revealed in the Bard’s works, including the author’s specialized knowledge of the law, aristocratic sports, Italian geography and customs, and untranslated Italian, Greek, and French literary works. Even so, the Stratford actor kept the “Shakespeare” title for a century and a half after the authorship debate began, due to the lack of any more plausible authorship scenario. In 2011, Dr. Sabrina Feldman showed in The Apocryphal William Shakespeare that William Shakespeare is the most likely author of the ‘apocryphal’ Shakespeare plays and ‘bad quartos,’ and that members of the Elizabethan literati revered a major hidden court poet, most likely the statesman Thomas Sackville (1536-1608), who was subject to an aristocratic ‘stigma of print.’ In this sequel, Dr. Feldman introduces the case for Sackville as Shakespeare. Sackville’s youthful poetic works paved the way to the flowering of the late Elizabethan drama, and he later became a hidden poet. Despite being long overlooked as an authorship candidate, he had not only the specialized knowledge, unusual interests, habits of mind, personal traits, stylistic traits, and lifespan to be Shakespeare, but also the very high poetic ability.

Sales Rank: #2260350 in Books
Published on: 2015-09-06
Original language: English
Dimensions: 9.61" h x .87" w x 6.69" l,
Binding: Paperback
384 pages

Review
"Feldman is unquestionably convincing as a proponent of the pleasures of exploring the works from a new angle, 'discovering how many lesser known and seldom performed Shakespearean works take on an entirely new interest and meaning from a Sackvillian perspective.' ...gives Stratfordian skeptics a strong new contender for the man behind the works. An enthusiastic and unique assessment of the Shakespeare authorship question that, while still leaving the debate unresolved, may convince even open-minded Stratfordians of the plausibility of its analysis." -Kirkus Reviews

About the Author
SABRINA FELDMAN manages the Planetary Science Instruments Office at the NASA Jet Propulsion Laboratory in Pasadena, California. Born in Riverside, California in 1968, she received a Ph.D. in physics in 1996 from the University of California at Berkeley. She lives in Monrovia, California with her husband and two children.

Most helpful customer reviews

13 of 13 people found the following review helpful.
Feldman's second volume is as much fun as her first
By D. D. Montee
Having greatly enjoyed Ms. Feldman’s first volume of several years ago (The Apocryphal William Shakespeare: Book One of a “Third Way” Shakespeare Authorship Scenario), I eagerly anticipated her Book Two—but not, I confess, without some trepidation. The first volume was chock full of fascinating detail and insight into the Golden Age of Modern English Drama; but once an author—particularly an “anti-Stratfordian”—displays in full view the theoretical axe that they wish to grind, more often than not they begin to lose my full attention and admiration. I’m not a dyed-in-the wool “Stratfordian”—I like to keep as open a mind as I can on the different proposals and perspectives of scholars as they examine the thorny issues of authorship in the Elizabethan/Jacobean plays—but I have to admit that none of the alternate scenarios offered by the advocates of Oxford, Bacon, Marlowe, Mary Sidney, et. al., have persuaded me, however intriguing and fascinating their arguments might prove.
That said, I’m pleased to report that Ms. Feldman’s Book Two is as entertaining and informative as her first volume. I think that I’m probably the perfect audience for both her theoretical approach as well as her wonderfully clear and unpretentious writing style: I’ve loved reading, performing in, directing, and publishing about William Shakespeare for decades. The questions, historical gaps, and biographical inconsistencies that nag at the anti-Stratfordians also nag at me; and yet, I certainly can find it within the realm of plausibility that the young country boy named Will Shakespeare could very well have been the natural theatrical genius that the Stratfordians argue for.
Ms. Feldman’s ingenious proposal offers a potential bridge between the two camps; and it does so with wonderful research, illuminating insights and a clear and breezy writing style that does not demand years of academic study and prior knowledge to follow. As Eric Sams (whose work Ms. Feldman refers to on occasion in the book) lamented years ago, Shakespearean scholarship and academia is unfortunately too often a closed and exclusive club, rather incestuous, repeating and building upon ideas that should long ago have been largely put to rest. (The so-called “bad quartos” being memorial reconstructions of good texts, to give one such example.) Ms. Feldman’s books disarmingly show the absurdities of many of these accepted ideas, while at the same time pointing us in new directions that more established and recognized Shakespearean scholars might themselves (and should) have directed us toward decades ago—if they hadn’t been so busy reading and re-hashing their colleagues’ books ad infinitum.
Sabrina Feldman’s “day job” is at the NASA Jet Propulsion Laboratory (impressive enough on its own!); she does her work on Shakespeare out of pure love for the subject—and it shows in these wonderfully entertaining and enlightening books. I highly recommend them both…but read The Apocryphal William Shakespeare: Book One first! Even if you don’t completely accept her hypotheses on the origins of these classics of dramatic literature, you will learn an amazing amount about the plays, their creators, and the age that gave them birth.

9 of 9 people found the following review helpful.
... is endlessly fascinating and this is one of my favorite takes on it
By Randolph Scott
The question of Shakespearean authorship is endlessly fascinating and this is one of my favorite
takes on it. The author's earlier book "The Apocryphal William Shakespeare" looks at the often-
overlooked works attributed to Shakespeare that were not included in the canon. For me it changed
my thinking about Shakespeare as much as Elaine Pagel's "The Gnostic Gospels" changed my thinking
about Christianity, and I return to it again and again. Here in Book Two she extends the argument
and makes a compelling case for a new candidate. Despite a wealth of research the book is fun to
read- her style is always engaging and often very persuasive. Very highly recommended.

7 of 7 people found the following review helpful.
It's bigger on the inside!
By Rory1959
Dr. Feldman's previous book, about the Shakespeare Apocrypha, was a great read because there was so much to it - review of play after play, poem after poem, evaluation of many more "data points" than any other argument about the Authorship Question that I have seen. This book is the same. As always when looking back 400 years, there's a certain amount of speculation, but that's always clearly stated. Many chapters, though, are startling in the depth of the argument. You'll find that Sackville was familiar with the setting of the play, then that he was familiar with the sources, then with historic events that seem to be alluded (Sackville's dog even makes an appearance), then with the philosophical concepts the play seems to incorporate, then with the subjects Shakespeare chose in creating allegories. When that's all done, there are parallel quotes from Sackville's few extant works to many of Shakespeare's works - so many that you'd think Shakepeare had a Sackville "Quote of the Day" calendar on his writing table. Dr. Feldman's argument covers about 300 pages, but there's so much information on every page that you would think it's many more than that. It's an excellent read for anyone!

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Wednesday, February 10, 2016

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Published on: 2015-09-18
Original language: English
Number of items: 1
Dimensions: 9.21" h x .44" w x 6.14" l, .95 pounds
Binding: Hardcover
182 pages

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0 of 0 people found the following review helpful.
Five Stars
By Linda Shannon
Love the Irish songs and the poems

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Saturday, February 6, 2016

^ PDF Download Car Talk: Doesn't Anyone Screen These Calls?: Calls About Animals and Cars, by Tom Magliozzi, Ray Magliozzi

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Tom and Ray Magliozzi are America's foremost auto mechanics. Usually people phone in to their radio show with questions about cars - buying them, driving them, keeping them running. But every so often, out of the blue, Click and Clack are also called on to be amateur veterinary psychologists. They're asked to figure out why a horse has eaten a steering wheel or why a 100-pound dog insists on riding on the roof of a pickup truck or how a white rat the size of a two-liter Coke bottle got into a poor young woman's Chevy. And while they might not know the answer, they always come up with something.

This is a collection of calls about cars, animals, and the mysterious, often hilarious times when they meet. It leads Tom and Ray down a familiar path of wild speculation, occasionally brilliant suggestions, and lots of laughs. This is a must-have for anyone who loves animals, particularly the two that host Car Talk.

Sales Rank: #104119 in Audible
Published on: 2015-09-16
Format: Original recording
Original language: English
Running time: 66 minutes

Most helpful customer reviews

16 of 17 people found the following review helpful.
I LOVE CAR TALK
By Bennet Pomerantz
On Saturdays when I take a break for listening to CDs, I usually

tune into Car Talk on my local NPR Radio station. I have a

fancy for the crazy antics of Click and Clack, the Tappet

Brothers.

In their show, they dispense humor and car repair information. I end up laughing at their crazy banter more than I get car repair tips. Plus when my car messes up, I take it to the shop-I don't want to be their next call!

In their current audio collection, Car Talk: Doesn't Anyone Screen These Calls? (One hour, one cd, radio selections, Highbridge), the Tappets take calls regarding animal and cars. It is funny with out trying. A few of these REAL people seem like they came out of crazy central casting (especially about the horse who ate the stering wheel)

If anyone hasn't heard these boys before on the radio or on their cds, you are in for a laughable treat for your ears. I am still laughing at this one. ENJOY!

Bennet Pomerantz, AUDIOWORLD

7 of 8 people found the following review helpful.
Too short---but very funny---more like 4.5 stars
By R. Kyle
Brothers Tommy and Ray Magliozzi have a call-in show on National Public Radio called "Car Talk." The calls range from the serious to hilarious--but rely on the "Tappett Brothers" to make even the mundane call funny.

Check your local listings to see when "Car Talk" comes on. Tommy and Ray are the only people that'd get me up and cheerful at 9 AM.

Their radio show has provided both my husband and I hours of laughter. Their website is also helpful for finding mechanics, buying cars, etc.

It's good to have them around if you need a laugh at other times. My only complaint is they could have packed a little more into this CD. Then again, "Car Talk" is never long enough for me, either!

3 of 3 people found the following review helpful.
They had me laughing uncontrollably!
By D. Lowenthal
In case you are not familiar with the NPR CarTalk show ... the two hilarious brothers take calls from listeners about problems they are having with their car, and they dispense advice along with a lot of joking around. They love to gently pick on their callers, sometimes, as well as affectionately pick on each other. I just love these guys!

Anyway, this 1-CD audiobook is a collection of some of those calls taken from the show, that all involve animals interacting with cars. I don't want to spoil the surprising and hilarious stories in this collection, but lets just say you'll never guess some of the surprising ways that dogs, chickens, goats, rats, birds and horses can interact with cars, to cause a troubling situation for the car owner/ animal owner.

This audiobook had me captivated and often laughing uncontrollably. It was a pleasure from start to end, and I only wish there were more stories. It was over way too quickly. Loved it, but be aware that it only lasts about one hour.

See all 15 customer reviews...

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Friday, February 5, 2016

~~ Free PDF The Beautiful Necessity: Seven Essays on Theosophy and Architecture (Classic Reprint), by Claude Fayette Bragdon

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The Beautiful Necessity: Seven Essays on Theosophy and Architecture (Classic Reprint), by Claude Fayette Bragdon

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Excerpt from The Beautiful Necessity: Seven Essays on Theosophy and Architecture

One of the many advantages of a thorough assimilation of what may be called the theosophic idea is that it can be applied with advantages to every department of knowledge and of human activity: like the key to a cryptogram, it renders clear and simple that which before was intricate and obscure. Let us apply this key to the subject of art, and to the art of architecture in particular, and let us see if by so doing we may not learn more of art than we knew before, and more of theosophy, too.

The theosophic idea is that everything is an expression of the Self, - or whatever other name one may choose to give to that immanent unknown reality which forever hides behind all phenomenal life, - but because on the physical plane our only avenue of knowledge is sense perception, a more exact expression of the theosophic idea would be: Everything is the expression of the Self in terms of sense. Art, accordingly, is the expression of the Self in terms of sense. Now, though the Self is one, sense is not one, but manifold, and so there are arts, each addressed to some particular faculty or group of faculties, and each expressing some particular quality or group of qualities of the Self. The white light of Truth is thus broken up into a rainbow-tinted spectrum of Beauty, in which the various arts are colors, each distinct, yet merging one into another, - poetry into music; painting into decoration; decoration becoming sculpture; sculpture, architecture, and so on.

In such a spectrum of the arts each one occupies a definite place, and all together form a series of which music and architecture are the two extremes.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Published on: 2015-09-27
Original language: English
Number of items: 1
Dimensions: 9.02" h x .19" w x 5.98" l, .29 pounds
Binding: Paperback
90 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
I really love his perceptions
By Yvonne Bent
This book is remarkable. I have read it several times and come away with something new every time. I really love his perceptions.

See all 1 customer reviews...

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>> PDF Ebook Analysis of Sub-synchronous Resonance (SSR) in Doubly-fed Induction Generator (DFIG)-Based Wind Farms (Synthesis Lectures on Power Electron

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Wind power penetration is rapidly increasing in today's energy generation industry. In particular, the doubly-fed induction generator (DFIG) has become a very popular option in wind farms, due to its cost advantage compared with fully rated converter-based systems. Wind farms are frequently located in remote areas, far from the bulk of electric power users, and require long transmission lines to connect to the grid. Series capacitive compensation of DFIG-based wind farm is an economical way to increase the power transfer capability of the transmission line connecting the wind farm to the grid. For example, a study performed by ABB reveals that increasing the power transfer capability of an existing transmission line from 1300 MW to 2000 MW using series compensation is 90% less expensive than building a new transmission line. However, a factor hindering the extensive use of series capacitive compensation is the potential risk of subsynchronous resonance (SSR). The SSR is a condition where the wind farm exchanges energy with the electric network, to which it is connected, at one or more natural frequencies of the electric or mechanical part of the combined system, comprising the wind farm and the network, and the frequency of the exchanged energy is below the fundamental frequency of the system. This oscillatory phenomenon may cause severe damage in the wind farm, if not prevented. Therefore, this book studies the SSR phenomenon in a capacitive series compensated wind farm. A DFIG-based wind farm, which is connected to a series compensated transmission line, is considered as a case study. The book consists of two main parts: Small-signal modeling of DFIG for SSR analysis: This part presents a step-by-step tutorial on modal analysis of a DFIG-based series compensated wind farm using Matlab/Simulink. The model of the system includes wind turbine aerodynamics, a 6th order induction generator, a 2nd order two-mass shaft system, a 4th order series compensated transmission line, a 4th order rotor-side converter (RSC) controller and a 4th order grid-side converter (GSC) controller, and a 1st order DC-link model. The relevant modes are identified using participation factor analysis. Definition of the SSR in DFIG-based wind farms: This part mainly focuses on the identification and definition of the main types of SSR that occur in DFIG wind farms, namely: (1) induction generator effect (SSIGE), (2) torsional interactions (SSTI), and (3) control interactions (SSCI).

Sales Rank: #4887395 in Books
Published on: 2015-09-01
Original language: English
Number of items: 1
Dimensions: 9.25" h x .14" w x 7.52" l, .29 pounds
Binding: Paperback
66 pages

About the Author
University of South Carolina

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By good
Very good book introducing in detail the SSR in dfig wind farms.

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