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The first collection of critical essays on May Swenson and her literary universe, Body My House initiates an academic conversation about an unquestionably major poet of the middle and late twentienth century. Between the 1950s and the 1980s, May Swenson produced eleven volumes of poetry, received many major awards, was elected chancellor of the Academy of American Poets, and was acclaimed by writers in virtually every school of American poetry.
Essays here address the breadth of Swenson's literary corpus and offer varied scholarly approaches to it. They reference Swenson manuscripts---poems, letters, diaries, and other prose---some of which have not been widely available before. Chapters focus on Swenson's work as a nature writer; the literary and social contexts of her writing; her national and international acclaim; her work as a translator; associations with other poets and writers (Bishop, Moore, and others); her creative process; and her profound explorations of gender and sexuality. The first full volume of scholarship on May Swenson, Body My House suggest an ambitious agenda for further work.
Contributors include Mark Doty, Gudrun Grabher, Cynthia Hogue, Suzann Juhasz, R.R. Knudson, Alicia Ostriker, Martha Nell Smith, Michael Spooner, Paul Swenson, and Kirstin Hotelling Zona.
- Published on: 2015-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.00 pounds
- Binding: Paperback
- 264 pages
Review
"A marvelous collection about a major national poet with a large and devoted audience. . . . Just looking at the table of contents makes one's heart leap."
—Steven Gould Axelrod, coeditor of The New Anthology of American Poetry: Modernisms 1900-1950
"The collection provides a much-needed view of both Swenson's unique voice and achievement and her place within the tradition of poetry. Scholarly without being obscure, it is accessible to the lay reader. As such, it should appeal to multiple audiences: librarians, professors, students of poetry, and long established Swenson fans, of whom there are many outside the academy."
—Gardner McFall, editor of Made with Words by May Swenson
About the Author
Paul Crumbley is associate professor of English and American studies at Utah State University and author of Inflections of the Pen: Dash and Voice in Emily Dickinson and co-editor of The Search for a Common Language: Environmental Writing and Education. He has alos published essays on Emily Dickinson and Elizabeth Stoddard.
Patricia M. Gantt is professor of English at Utah State University. She has published numerous essays of literary analysis, as well as essays on teaching methods and English education. Her books include two collections co-edited with Lynn Langer Meeks, Teaching Ideas for 7-12 English Language Arts: What Really Works and Teaching Ideas for University English: What Really Works.
Most helpful customer reviews
10 of 10 people found the following review helpful.
Nice Opening Onto May Swenson, Her Life and Work
By Doug - Haydn Fan
For reasons that defy both logic and instinct the poetry of May Swenson continues to fly under the mainstream publishing radar. This compilation of essays on Swenson, published by Utah State University Press, is the first major book we have on the poet, and is obviously only a jumping-off point. A variety of points of view are given and anyone interested in Swenson's poetry will find fascinating windows on her many-sided genius. Of particular note is Swenson's correspondence with Bishop, eeirly similar to and echoing Bishop's previous correspondence with Marianne Moore. Swenson is shown to be one of the most acute readers of Bishop - sometimes almost too acute in her understanding of the many poetic dodges and balancing acts her older friend maintained in achieving an aesthetic response to Swenson's essentially Dionysic questioning.
Reading through each essay reveals Swenson's profound intellect, one that used an ongoing and unceasing internal discourse to create her own poetic vision, a vision imbued with complexly positive felicites, delighting the senses, even as darker thoughts jangle the mind.
Any first work on so fine a poet as Swenson is welcome; this work, with its variety of essays is especially true to its goal - a rereading and initial introduction to one of America's great poets. As the authors correctly put it, "Her work is ripe for further discovery."
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