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Comic poetry is serious stuff, combining incongruity, satire and psychological effects to provide us a brief victory over reason--which could help us save ourselves, if not the world. This book champions the literary movement of comic poetry in the U.S., providing an historical context and exploring the work of such writers as Denise Duhamel, Campbell McGrath, Billy Collins, Thomas Lux and Tony Hoagland. Their techniques reveal how they make us laugh while addressing important social concerns.
- Sales Rank: #2786182 in Books
- Published on: 2015-09-21
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .60" w x 5.90" l, .0 pounds
- Binding: Paperback
- 196 pages
Review
"Morgan successfully demonstrates how popular humor is rooted in American poetic tradition in an accessible way, proving accessibility is essential to comedy as well as any lasting art." --Brad Johnson, The Happiness Theory
"This analysis is also historical beginning with the early Americans like Franklin, Freneau and Barlow. Using his own bits of humor, he finds in each comedy that others might overlook." --Mike Reed, University of Texas Rio Grand Valley
"Morgan strikes an ideal balance between humorous appreciation and poetic analysis. His insights are revealing and fresh. What a pleasure to encounter these poets through Morgan's perspective!" --Diane Allerdyce, Whatever It Is I Was Giving Up and House of Aching Beauty.
About the Author
Jeff Morgan is a professor of English at Lynn University in Boca Raton, Florida, and the author of numerous essays and poems. He lives in Boynton Beach, Florida.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A sweeping historical study of both American humor and American poetry
By Dr. Frank MccLuskey
Poetry can be funny, and because it is funny that does not disqualify it from being good poetry. American Comic Poetry by Professor Jeff Morgan does us the service of showing us just that. This is a book that will educate its readers about both poetry and comedy. The author spends a good deal of time defining comedy and setting the context for what elements of humor must be present for a comic poem to work.
The book ultimately focuses on three contemporary poets Billy Collins, Thomas Lux and Tony Hoagland, contemporary poets. But the journey to place them in their historical context is well worth reading. The journey from the earliest comic writers in America up until our own time is told with humor and detail. Professor Morgan begins by noting that although the Puritans may not have been a barrel of laughs, there was another tradition present right from the beginning of America, and that is the story of the Native American trickster. He spends time with the giants such as Franklin and Twain but along the way we touch most of the great strains of American poetry. He lingers with Dorothy Parker and Ogden Nash and his analyses especially of Parker are incisive and thoughtful. But along the way we visit the more “serious” American poets such as Dickenson and Poe. This is history of not only the evolution of poetry in America but the evolution of our national taste.
Dr. Frank McCluskey
0 of 0 people found the following review helpful.
Five Stars
By Valeria
Excellent analysis.
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