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You Think it Strange: A Memoir, by Dan Burt
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The piercing, heartbreaking memoir of growing up on the crime-ridden streets of Philadelphia and charting a new path
“Prostitution, gambling, fencing, contract murder, loan sharking, political corruption . . . crimes of every sort were the daily trade in Philadelphia’s Tenderloin, the oldest part of town. The Kevitch family ruled this stew for half a century, from Prohibition to the rise of Atlantic City. My mother was a Kevitch.”So begins poet Dan Burt’s moving, emotional memoir of life on the dangerous streets of downtown Philadelphia. The son of a butcher and an heiress to an organized crime empire, Burt rejected the harsh world of his upbringing, eventually renouncing his home country as well and forging a new life in the UK. But in this riveting reappraisal of his childhood, Burt wrestles with the idea that home leaves an indelible mark that can never truly be left behind.
- Sales Rank: #878868 in Books
- Published on: 2015-09-22
- Released on: 2015-09-22
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.10" l, .0 pounds
- Binding: Hardcover
- 184 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
yet deeply loved by Burt until he decided his father had betrayed ...
By Sam Schulman
John Burt is a barrister in London who also has an honorary fellowship at his old Cambridge college, which includes a set of rooms - a high privilege. But the man living this CP Snow-like life is actually an American Jew, Phillie born, with a Jewish father and Judaized mother who grew up in a secular, mob-influenced inner city neighborhood akin, I'd guess, to Flatbush before the 60s. This rebarbative, fuck-you-if-you-don't-like-me, deliberately uncharming memoir was written, I think, after he had a success late in life as a poet. The story of his childhood, with parents estranged from one another, a mother from a big Jewish mob family, a father who was aggressive, angry, violent, yet deeply loved by Burt until he decided his father had betrayed him, must sound very exotic to his British friends and colleagues, and one senses that he has told parts of it often - at one point he says that each of his mistresses has had to hear a certain episode that reflects ill upon him before she became his mistress.
One senses that relationships are difficult for him, that he has never been married, and this difficulty extends to us readers. We are being told the whole story in the same spirit in which Burt's mistresses have had to hear it - we have to pass this test before becoming intimate with him.
Reading this book is not always pleasant, brief as it is - but its great moment has nothing to do with growing up Jewish and workingclass in 1950s and early 60s Philly, or about Jewish familiy conflicts, or even coming of age. Its truly great pages are about fishing and skippering small boats off the Jersey shore, learning to know the sea and the weather and what human beings are capable of and are incapable of. His father's fishing mentor, a Tarheel transplanted to the Jersey striper party boat business, is the real hero of the book, and a worthy hero. It is hun that I think about long after I finished - while thinking that the most interesting part of Burt's own story is not the story of the tough kid who went to humble LaSalle College (which we are taught to admire) and then wrote a letter to Cambridge and was accepted (this could be Norman Podhoretz in Making It) - but the story of the vastly unread but deeply humanly experienced young man passing through Cambridge and becoming that most acculturated kind of Brit, a barrister. But that part of Burt's story remains untold, and I suspect will continue to do so.
A memorable and affecting bit. As I said, Burt knew many middle class Jewish kids of his generation who were on their way to Penn and Penn State to become professional men. That was not his plan. But through an accident, he found he could after all go to college, and he prepared himself in a way inconcieivable now: "To me, 'college' meant classical music." Though he had never had any interest in it before, Burt forced himself to listen to the Philadelphia classical music radio station, read reviews, borrow records from the library. That's a bright line between pre-60s higher education and that of the post-60s....
Burt doesnt seem to care if you like his book, or his story, or himself. I'm not sure I do - I'm not sure who will - but there is a cold, Lawrencian quality in his writing that you ought to expose yourself to.
1 of 1 people found the following review helpful.
The first installment (one hopes) of a modern Dickensian memoir.
By Richard Kovar
I encountered Dan Burt in the flesh as the deposing attorney for the plaintiff in Westmoreland V. CBS et al. as he stalked the circumference of a conference table for three plus hours, attacking the affidavit I had filed against his client like Basil Rathbone seeking Errol Flynn’s death, except, to my mind, he was Vinegar Joe and I was Tom Sawyer.
My introduction is meant to underscore my personal astonishment at discovering that the same Dan Burt wrote this Dickensian mini-memoir. It stops well short of his later career as lawyer, entrepreneur, and world-class émigré poet, and I yearn for the next installment, but I hereby proclaim that there is not a reviewer for the New Yorker or the New York Review of Books nor The Atlantic who could resist being as captivated as I have been by the book or could resist inviting the world’s attention to it if they would only read it.
Not the least of my present admiration for this man I once feared and despised is the fact that he renounced his American citizenship after George W. Bush’s re-election. I would God I had that kind of conviction.
1 of 1 people found the following review helpful.
Dan Burt is a wonderful writer, and this is a great book
By Sujoy Bhattacharyya
Chronicling his difficult childhood, growing up in Philadelphia's crime-ridden Tenderloin district to his journey to Cambridge University, Dan Burt's look back is unsentimental but moving - and brutally real in its narrative; I could put this book down. Writing in a novelistic style, Dan Burt never gives in to nostalgia but his remarkable tale does offer hope, which he so succinctly and elegantly expresses in the last line in this remarkable piece of prose. It should be read with his poetry as it will add a new layer of context to it. Dan Burt is a wonderful writer, and this is a great book. For a full review, please check out: http://theglobalcalcuttan.com/?page_id=2992
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