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On English Poetry: Being an Irregular Approach to the Psychology of This Art, From Evidence Mainly Subjective (Classic Reprint), by Robert
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Excerpt from On English Poetry: Being an Irregular Approach to the Psychology of This Art, From Evidence Mainly Subjective
The greater part of this book will appear controversial, but any critic who expects me to argue on what I have written, is begged kindly to excuse me; my garrison is withdrawn without a shot fired and his artillery may blow the fortress to pieces at leisure. These notebook reflections are only offered as being based on the rules which regulate my own work at the moment, for many of which I claim no universal application and have promised no lasting regard. They have been suggested from time to time mostly by particular problems in the writing of my last two volumes of poetry. Hesitating to formulate at present a comprehensive water-tight philosophy of poetry, I have dispensed with a continuous argument, and so the sections either stand independently or are intended to get their force by suggestive neighbourliness rather than by logical catenation. The names of the glass houses in which my name as an authority on poetry lodges at present, are to be found on a back page.
It is a heartbreaking task to reconcile literary and scientific interests in the same book.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
- Published on: 2015-09-27
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .33" w x 5.98" l, .47 pounds
- Binding: Paperback
- 152 pages
About the Author
Robert Graves (1895-1985) was a distinguished poet, novelist, essayist, critic, classicist and historian and produced over 140 different works. Although briefly, he also served as professor of poetry at the University of Oxford. Some of his most famous works include I, Claudius, Claudius the God, The White Goddess, Lawrence and the Arabs, and The Greek Myths.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Delightful
By meadowreader
A very British book, with all the quirky charm that can entail. Graves was of course an important man of letters in his time, author of "I, Claudius" among much else. He was also a very good poet, and this book contains his thoughts, advice, prejudices, and ruminations about poetry and, especially, the writing of poetry. Here's a sample:
"I have often heard it said that a poet in intervals between inspirations should keep his hand in by writing verse-exercises, but that he should on on such occasions immediately destroy what he has written. That seems all wrong, it is an insult to the spontaneity of true poetry to go through a ritual farce of this sort and the poet will only be blunting his tools. He ought not to feel distressed at the passage of time as if it represented so many masterpieces unwritten. If he keeps mentally alive and has patience, the real stuff may arrive any moment; when it doesn't, it isn't his fault, but the harder he tries to force it, the longer it will be delayed."
Or this "Epitaph of an Unfortunate Artist," aimed at the would-be poet:
He found a formula for drawing comic rabbits:
This formula for drawing comic rabbits paid.
So in the end he could not change the tragic habits
This formula for drawing comic rabbits made.
Or:
When in Doubt
Cut it Out.
Recommended, especially for anyone trying their hand at writing poetry. Full of tips, cautions, and plain good advice, all transmitted unpretentiously, with grace and humor.
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