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Quixote: The Novel and the World, by Ilan Stavans
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A groundbreaking cultural history of the most influential, most frequently translated, and most imitated novel in the world.
The year 2015 marks the four hundredth anniversary of the publication of the complete Don Quixote of La Mancha―an ageless masterpiece that has proven unusually fertile and endlessly adaptable. Flaubert was inspired to turn Emma Bovary into “a knight in skirts.” Freud studied Quixote’s psyche. Mark Twain was fascinated by it, as were Kafka, Picasso, Nabokov, Borges, and Orson Welles. The novel has spawned ballets and operas, poems and plays, movies and video games, and even shapes the identities of entire nations. Spain uses it as a sort of constitution and travel guide; and the Americas were conquered, then sought their independence, with the knight as a role model.
In Quixote, Ilan Stavans, one of today’s preeminent cultural commentators, explores these many manifestations. Training his eye on the tumultuous struggle between logic and dreams, he reveals the ways in which a work of literature is a living thing that influences and is influenced by the world around it.
8 pages of illustrations- Sales Rank: #336674 in Books
- Published on: 2015-09-08
- Original language: English
- Number of items: 1
- Dimensions: 8.60" h x 1.00" w x 5.90" l, .0 pounds
- Binding: Hardcover
- 288 pages
Review
“This enjoyable book, a fast and fun read, informs us deeply about [Don Quixote]. As such, it is a model work of criticism. It sends us back to the original work, eager and informed and moved to reread it or read it for the first time.” (Tim Redman - Dallas Morning News)
“A combination of celebration, meditation, and quest, Stavans’s book is bound to please el Quijote’s devoted readers and win new fans.” (Publishers Weekly)
“Bold, imaginative, and deeply learned…. Stavans, one of our most gifted scholars of Hispanic literature, has arrived to narrate the tale of how modernity was birthed amid the whirl of windmills and all those chasing them.” (Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University)
“Stavans brings infectious enthusiasm and penetrating scholarship to this lively investigation of a grand novel and its readers.” (Kirkus Reviews)
“If, like me, you live with the guilt of not having read Don Quixote of La Mancha, this delightful romp will inspire you to act. It is a splendid work of historiography that looks at the knight’s influence on just about everything―including the Muppets. Ilan Stavans delivers another keen-eyed, delightful tour de force.” (Barry Moser, illustrator of The Pennyroyal Caxton Bible)
“Ilan Stavans, like Cervantes, tells stories of errantry: of his own travels with and through the book, of El Quijote’s journey across and around the world, of the characters’ voyages through the imaginations of creators and re-creators. The result is as engaging, funny, readable, and illuminating as the book it’s about: an idiosyncratic yet amazingly comprehensive companion, which all readers of El Quijote will want.” (Felipe Fernández-Armesto, author of Millennium: A History of Our Last Thousand Years and 1492: The Year the World Began)
“A masterly history of Don Quixote that approaches the book from multiple angles: literary, historical, cultural, linguistic, and personal. Ilan Stavans has given us a compelling, readable, and often humorous portrait of the book and its author.” (Laila Lalami, author of The Moor’s Account)
“In this sparkling narrative, Ilan Stavans takes us on an exploration of a novel he reveres…. A fascinating, deeply enjoyable read.” (Jon Lee Anderson, author of Che Guevara: A Revolutionary Life)
“The impression is of abundant intelligence poured into a vessel whose aim is not tidy scholarship but joyous insight. Book lovers will relish this expansive and generous tome.” (Library Journal)
“Expertly connects Cervantes’ satire of then-popular novels of chivalry to the political climate of the time…. The combination of cultural analysis, textual examination, and enthusiastic commentary makes for an excellent primer to celebrate this momentous anniversary [of Quixote’s publication.]” (Booklist)
About the Author
Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. He is the author of many books, including Spanglish: The Making of a New American Language and A Most Imperfect Union. He is also general editor of The Norton Anthology of Latino Literature.
Most helpful customer reviews
5 of 6 people found the following review helpful.
Immensely readable and endlessly fascinating
By Bookreporter
There are the classics of world literature, and then there are the giants. Undeniably one of those giants is DON QUIXOTE, the early 17th-century masterpiece by Spanish author Miguel de Cervantes. Like the King James translation of the Bible or the works of Shakespeare, EL QUIJOTE, as the novel is affectionately known, has had considerable influence on the humanities of the western world.
In QUIXOTE, scholar and Cervantes fan Ilan Stavans explores and examines some of the almost immeasurable ways that the novel has entertained, perplexed and inspired readers, as well as artists, philosophers and others, for centuries. It seems a daunting task, but Stavans organizes his surprisingly slender volume into two main sections after a nicely personal preface --- “The Novel” and “The World” --- and goes from there.
Stavans first introduces us to Cervantes himself, known mostly as a barely successful playwright in his lifetime, and outlines the basic plot of his sophisticated novel. Cervantes created, in his main character Alonso Quijano, a middle-aged nobleman whose mind and heart are full to bursting of the chivalric and romantic tales he spends his time reading. It is not necessary to have read DON QUIXOTE to understand or enjoy QUIXOTE, but it helps.
Because Don Quixote and his sidekick, a rotund farmer named Sancho Panza, have become archetypes in literature, even those unfamiliar with the novel itself will find them both to be recognizable. As Stavans reminds or informs us, the two show up across the vast landscape of western art and letters: they have inspired other pairings such as Sherlock Holmes and Dr. Watson, Abbott and Costello, Frodo and Sam Gamgee, and even Bert and Ernie from “Sesame Street” and the Star Wars robots R2-D2 and C-3PO. We are so used to seeing this partnership of the dreamy intellectual with the practical realist that we rarely consider its origins. This is just one of the many reasons QUIXOTE is so interesting: it gives us reason to consider and reconsider both Cervantes' great work and its vast and lasting legacy.
In the first half of the book, Stavans also discusses DON QUIXOTE as a novel that ushers in the modern age by playing with and expanding upon some baroque themes like self-referentiality, thus blurring the “boundaries between fiction and reality.” Less philosophically, Stavans even breaks down the word and letter count of the novel and lists its punctuation (690 exclamation points!). This attention to detail is far from trivial as he unpacks the meaning and structure of the novel, and its effect on culture, thought and language.
It is the novel's impact on ideology and the arts in Spain and beyond that the second part of QUIXOTE tackles. Stavans begins by explaining the idea of Quijotismo, an ideology of rebellion wherein one sacrifices one's life in the service of a dream. This idea is implicit in DON QUIXOTE and has infused Hispanic culture since its publication. Stavans catalogues how the novel has become part of the Spanish and greater Hispanic cultural landscape by introducing just some of the myriad figures who have responded to it with great works of their own. From Borges to Picasso, Flaubert to Kafka, Steinbeck to Faulkner, writers and artists have incorporated the themes, dreams, characters and illusions of the original into their own work. “EL QUIJOTE is a mirror,” Stavans writes, “its implications, its lessons always in the eye of the beholder. To some, the novel is a manifesto for human freedom; to others, it is a treatise on psychiatry. Eternally fluid in its message, it can be seen to advocate individualism or collectivism, to view human nature as resilient or malleable. Therein, perhaps, lies the reason for its continued success.”
The fluidity Stavans admires in EL QUIJOTE is present in his own book as well. He smartly presents readers with all the possibilities inherent in the novel and points out the historical and cross-cultural references, but allows readers to draw their own conclusions about meaning. QUIXOTE is immensely readable and endlessly fascinating. Researching and writing it was clearly a labor of love for Stavans, and his admiration for his subject is apparent and infectious. This is an extraordinary book that’s as entertaining, informative and compelling as the novel it honors.
Reviewed by Sarah Rachel Egelman
2 of 2 people found the following review helpful.
"An intermittent, discontinuous series of" essays
By MT57
The author says "there is no better way to describe the book than as an intermittent series of adventures unified -- at times rather tenuously -- by the presence of don Quixote and Sancho Panza." Perhaps in homage, he has crafted a book that is an intermittent, discontinuous series of essays about that novel. He is passionate and steeped in relevant knowledge. Along the way, there are lots of cool stops. But I was looking for something that explored the book in the context of Cervantes' world a bit more rigorously and insightfully. Instead, the book has a few pleasant but ultimately sketchy chapters from that perspective and then has some discontinuous topics on the influence of the novel on later writers and thinkers. You also get an inconsequential chapter on links, if any, to the Bard, and one on translations. These were fine as far as they go, but weren't what I was looking for.
4 of 5 people found the following review helpful.
Totally engaging stories behind the novel.
By Paul M. Arfin
Stavans' research enabled me to learn a great deal about not only the novel's characters that I didn't know but also the world, Spain, and the period of history in which the book took place. He also provided me with factual material about the novel that I wasn't aware of. It was a delightful, fast read that I have shared with many others who, like me, have never read the novel and only relate to it as the story of a crazy guy and his partner who fight windmills. Its messages are timeless.
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