Ebook The Dead Ladies Project: Exiles, Expats, and Ex-Countries, by Jessa Crispin
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The Dead Ladies Project: Exiles, Expats, and Ex-Countries, by Jessa Crispin
Ebook The Dead Ladies Project: Exiles, Expats, and Ex-Countries, by Jessa Crispin
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When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender.
The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.
Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
- Sales Rank: #343429 in Books
- Published on: 2015-09-22
- Released on: 2015-09-22
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .70" w x 5.50" l, .0 pounds
- Binding: Paperback
- 248 pages
Review
"Unusual and absorbing. . . . Swift intelligence, fierce empathy, and dark humor." (Publishers Weekly)
"A book of vigorous struggle and lucid confusion. It's also very, very funny. . . . The whole book is packed with delightfully offbeat prose. . . . And it's all over the place in terms of subject matter: sex, politics, history, philosophy, existential dread, gender dictates, difficult travel logistics, etc. . . . But that's exactly what it needs to be: a rambling polymorphous beast, as raw as it is sophisticated, as quirky as it is intense.” (Chicago Tribune)
"Is it possible for a memoir to be at once introspective and yet fully embedded in the context of the world around it? The Dead Ladies Project seems to suggest that it is--or at least, that Bookslut founder Jessa Crispin is capable of making us believe it is. . . . Imbued with a deadpan sense of humor, The Dead Ladies Project tackles some of the weightiest subjects possible--suicide, death, infidelity, fulfillment--in a way that is always heartfelt but never heavy. The result is somewhat astounding: a philosophical musing on what it is to live one's best life, even if--or perhaps especially when—that best life fits no mold of conventionality or tradition." (Shelf Awareness)
"Mordant wit and a dash of bravado. . . . An eloquently thought-provoking memoir." (Kirkus Reviews)
"Suppose you could have for a traveling companion a changeling, someone who 'came to this planet as an already fully formed creature,' someone who’s looking for reasons to keep herself alive and is devoting every last particle of herself, body and soul, to this endeavor, who is willing to tell you every last thing that passes through her extraordinary mind as she takes you (for instance) to visit Berlin, Trieste, Sarajevo, Nora Barnacle, Rebecca West, Claude Cahun, who wants more than anything to make you 'take in the whole canvas without choosing, without discriminating'--wouldn’t you be beside yourself to have this fascinating creature beside you? I’d follow Jessa Crispin to the ends of the earth." (Kathryn Davis, author of Duplex: A Novel)
"Crispin is both smart enough to know there are no answers, and human enough to admit she needs them; her resulting travelogue is a phenomenal record of the mind in service (maybe) of the heart." (Shalom Auslander, author of Hope: A Tragedy)
"Read with caution: midway through The Dead Ladies Project you’ll be wanting to pack a suitcase and give away your possessions. Crispin is funny, sexy, self-lacerating, and politically attuned, with unique slants on literary criticism, travel writing, and female journeys. No one crosses genres, borders, and proprieties with more panache." (Laura Kipnis, author of Men: Notes from an Ongoing Investigation)
"Jessa Crispin is trying to heal the rift between us regular people and the heroic age of art. The Dead Ladies Project, a dazzling literary travelogue, a series of un-bookish, wildly refined meditations on books and artists, is also the intimate record of a personal crisis. Art matters here in a way likely to scare Americans almost as much as they deserve. Crispin travels the Europe of the canon, of dead white men, studying its entrails. Both Viking and monk, she can write with a barbarian's romantic peremptoriness or with the withering self-containment of a philosopher. She rolls her eyes at the monotony of history's public face and throws everything in the story--including the put-upon mistresses forced to pinch pennies, the tampons, unwieldy suitcases, tedious dates and crying jags. But if these linked essays are written with a literary arsonist’s urgency, they are also full of a very rare reverence for art that matters. Interested in what the life of an artist really has to involve? Quit your MFA program and read this wonderful book!" (David McConnell, author of American Honor Killings)
"Tracing a pilgrimage of sorts across Europe to places where artistic couples mostly came to grief, Jessa Crispin confronts in searing personal terms the problem not just of being but of being with someone else. It is an unsettling and unforgettable journey."--John Biguenet (John Biguenet, author of The Torturer's Apprentice)
“Crispin’s book chronicles her attempt to reconstitute her life by leaving it behind—not through self-harm but through acts of pilgrimage, retracing the steps of dead writers and artists in a hope of finding communion with ‘the unloosed, the wandering souls who were willing to scrape their lives clean and start again elsewhere.’” (Liz Brown LA Times)
“A sometimes rollicking, sometimes panicked, but always insightful and moving chronicle of a series of intellectual apprenticeships, with ‘guides’ ranging from writers to philosophers to editors to composers.” (J. C. Hallman LA Review of Books)
About the Author
Jessa Crispin is the editor and founder of the magazines Bookslut and Spolia. She has written for the New York Times, Guardian, Washington Post, Los Angeles Review of Books, NPR.org, Chicago Sun-Times, Architect Magazine, and other publications. She has lived in Kansas, Texas, Ireland, Chicago, Berlin, and elsewhere.
Most helpful customer reviews
15 of 16 people found the following review helpful.
many of my favorite things
By bookmagic
I really enjoyed this book because it has a lot of stuff in there that I like to read. I love reading about other people's traveling escapades while sitting comfortably in my house, on my couch, with my dogs. I like when I can feel a kinship with anyone who has also not chosen the predictable and expected life and feels like an outcast among married friends with children living in suburbia. Crispin seems very interesting, neurotic, and I like how much she swears. I love books, I love reading and have been a fan of Bookslut and Spolia for a longtime. Crispin has introduced me to books that aren't on every other bookish website and artists I didn't know or knew little about and she does the same with The Dead Ladies Project. It is the very opposite of Eat, Pray, Love.
This is part memoir, part travel with history, and gossip about the lives and loves of dead artists. I am familiar with William James and Somerset Maugham (not all the dead ladies are ladies) but I didn't know anything about their private lives and how that played into their work. I had never heard of Claude Cahun, a lesbian artist living on Jersey Island during the Nazi occupation of WWII with her lover/step-sister and how they bravely peppered the German soldiers with propaganda pamphlets. She sounds fascinating and now I am sad that there is no biography written of her.
I liked that Crispin went to Berlin, St. Petersburg, Galway, and Sarajevo and not Rome, Paris, and the Tuscan countryside. She didn't talk about Picasso or Sylvia Plath but Rebecca West and Margaret Anderson and Maude Gonne. She didn't talk of James Joyce but of his wife, Nora Barnacle.
I read this slowly, not wanting it to end but since Crispin also leaves a nice reading list at the end, I now have several books I want to read just from reading this book. That is another thing to like about The Dead Ladies Project, it left me wanting to know more.
4 of 4 people found the following review helpful.
An Odd and Intoxicating Mash-Up
By Kathleen A. Flynn
I really enjoyed The Dead Ladies Project! It combines elements of memoir, biography and travelogue, but is not really any of these things: it manages to be completely sui generis. Imagine your craziest, most darkly brilliant and unpretentiously erudite friend sitting with you down over a bottle of something strong and telling you about her time traveling around Europe in search of the ghosts of famous writers and other notables. Except she keeps digressing to tell you about her unhappy love affair with a married man... except she doesn't give you quite enough information to know just how you ought to think about this...
That's what The Dead Ladies Project is like. It's unique; it's genius. One caveat: the more you know about the people she writes about, the more you will get out of it.
4 of 4 people found the following review helpful.
lots of good things including
By Brian Cowling
lots of good things including: a joke about cancers (the astrological sign) and how they approach situations (please read the book to find out the punchline), a scary story about a fairy, atheists are the new materialists and why they are boring, an interesting island, the word "lover," and a lot more. I'm buying one for my sister too, peace
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